World Library  
  
Bio:

BS Murthy is an Indian novelist, playwright, short story, non-fiction 'n articles writer, translator, a 'little' thinker and a budding philosopher in ‘Addendum to Evolution: Origins of the World by Eastern Speculative Philosophy’ that was originally published in The Examined Life On-Line Philosophy Journal, Vol. 05 Issue 18, Summer 2004 (republished here) 

Born on 27 Aug 1948 and schooled in letter-writing, by 1983, he started articulating his managerial ideas, in thirty-odd published articles. However, in Oct 1994, he began penning Benign Flame: Saga of Love with the ‘novel art' and continued his fictional endeavors in ‘plot and character’ driven novels, Jewel-less Crown: Saga of Life and Crossing the Mirage: Passing through youth. 

Then entering the arena  of non-fiction with a ‘novel’ narrative in Puppets of Faith: Theory of Communal Strife, possibly a new genre, he ventured into the zone of translations for versifying  the Sanskrit epics, Vyasa’s Bhagvad-Gita (Treatise of self-help) and Valmiki’s  Sundara Kānda (Hanuman’s Odyssey) in contemporary English idiom. 

Later, ascending 'Onto the Stage' with 'Slighted Souls and other stage and radio plays', he returned to fictional form with Glaring Shadow - A stream of consciousness novel and Prey on the Prowl - A Crime Novel to finally reach the short story horizon with Stories Varied - A Book of Short Stories, followed by a novella, Of No Avail: Web of Wedlock.

And in the end, as a prodigal son, he returned to his mother tongue, Telugu, to craft the short story తప్పటడుగులు (Missteps) 

 While his fiction had emanated from his conviction that for it to impact readers, it should be the soulful rendering of characters rooted in their native soil but not the hotchpotch of local and alien caricatures sketched on a hybrid canvas, all his body of work was borne out of his passion for writing, matched only by his love for language, which is in the public domain in umpteen ebook sites. 

Some of his published articles on management issues, general insurance topics, literary matters, and political affairs in The Hindu, The Economic Times, The Financial Express. The Purchase, The Insurance Times, Triveni , Boloji.com at https://independent.academia.edu/BulusuSMurthy 

He, a graduate mechanical engineer from Birla Institute of Technology, Mesra, Ranchi, India, is a Hyderabad-based Insurance Surveyor and Loss Assessor since 1986.

He takes keen interest in politics of the day, has an ear for Carnatic and Hindustani classical music and had been a passionate Bridge player.  

He's is married, to a housewife, with two sons, the elder one a PhD in Finance and the younger a Master in Engineering.

 

 

 

 

General Information:

Murthy's ‘Novel’ Account of Human Possibility                

Whenever I look at my body of multi-genre work in English, the underlying human possibility intrigues me no end, and why not for my mother tongue Telugu, touted as the Italian of the East, has no linguistic connection with it whatsoever.

To start with, I was born into a land-owning family in a remote Indian village, an Andhra one to be precise that is after the British had folded their colonial tents from the sub-continent, but much before the rural education mechanism was geared up therein. It was thus the circumstances of my birth enabled me to escape from the tiresome chores of primary schooling till I had a nine-year fill of an unbridled childhood, embellished by village plays and enriched by grandma’s tales, made all the more appealing by her uncanny storytelling ability. Added to that, as my great great maternal grandfather happened to be a poet laureate at the court of a princeling of yore, maybe their genes together strived to infuse their muses in me their progeny. 

However, as the English plants that Lord Macaulay planted in the Hindustani soil hadn’t taken roots in the hinterland till then, it’s the native tongues that held the sway in the best part of that ancient land. No wonder then, well into my secondary schooling, leave alone constructing an English sentence, whenever I had to read one, I used to be afflicted by an unceasing stammer. Maybe, it was at the behest of the unseen hand of human possibility, or owing to his foresight, and /or both that, in time, my father had shifted our family base to the cosmopolitan town of Kakinada to admit me into Class X at the McLaren High School. And with that began my affair with the English language, facilitated by Chinnababu, my classmate, which, courtesy Abbimavayya, my maternal uncle, found fruition in the continental fiction, in translation, however to the detriment of my mechanical engineering education to the chagrin of my vexed father.     

Nevertheless, even as the Penguin classics imbibed in me the love for language that is besides broadening my outlook of life, my nature enabled me to explore the possibilities of youth. That’s not all, all through; it was as if destiny tended to afford my life to examine its intrigues while fiction enabled me to handle its vicissitudes with fortitude that stood me in good stead throughout. Besides, in those days of yore, as letter-writing was in vogue, I was wont to embellish my missives to friends and the loved-ones with the insights the former induced and the emotions the latter stirred in me. So to say, all those letters that my latter-day novels carry owe to my ingrained habit than to any narrative need of my muse.

Providentially, when I was thirty-three, my eyes and mind seemed to have combined to explore the effect of the led on the leader, and when the resultant ‘Organizational ethos and good Leadership’ was published in The Hindu; I experienced the inexplicable thrill of seeing one’s name in print. Enthused thus by the fortuitous development, I began to articulate my views on general, and materials management, general insurance, politics, and, not to speak of, life and literature in over a score of published articles. But fiction writing was nowhere near my pen and the thought of becoming a novelist was beyond my horizon for Leo Tolstoy, Fyodor Dostoyevsky, Nikolai Gogol, Ivan Turgenev, Emily Zola, Gustav Flaubert et al (I hadn’t read Marcel Proust and Robert Musil by then) were, and are, my literary deities, and how dare I, their devotee, to envision myself in the sanctum sanctorum of the novel.

All the same, when I was forty-four, having been fascinated by the manuscript of satirical novella penned by one Bhibhas Sen, an Adman, with whom I had been on the same intellectual page for the past four years then, it occurred to me, ‘when he could, I can for sure’. It was as if Sen had driven away the ghosts of those literary greats that came to shadow my muse but as life would have it, it was another matter that   not wanting to foul his work, as he hadn’t obliged the willing publisher to pad it up to a ‘publishable size’, that manuscript remained in the literary limbo.

So, with my muse thus unshackled, I set to work on the skeletal idea of Pardonables, the working title of Benign Flame, with the conviction that for fiction to impact readers, it should be the soulful rendering of characters rooted in their native soil, not the hotchpotch of the local and foreign caricatures sketched on a hybrid canvas, the then norm of the Indian Writing in English. Yet, it took me a full fortnight to make the narrative flowing with the opening – ‘That winter night in the mid-seventies, the Janata Express was racing rhythmically on its tracks towards the coast of Andhra Pradesh. As its headlight pierced the darkness of the fertile plains, the driver honked the horn as though to awake the sleepy environs to the spectacle of the speeding train.’  

However, from then on, it was as though a ‘novel’ chemistry had developed between my muse and the mood of its characters that shaped its fictional course, and soon I came to believe that I had something exceptional to offer to the world of letters, nay the world itself. So, not wanting to die till I gave it to it, I tended to go to lengths to preserve my life that was till I delivered it in nine months with a ‘top of the world’ feeling at that. Then, when one Spencer Critchley, an American critic, thought that – “It’s a refreshing surprise to discover that the story will not trace a fall into disaster for Roopa, given that many writers might have habitually followed that course with a wife who strays into extramarital affairs” – I felt vindicated about my unique contribution. Just the same, as there were no takers to it among the Indian publishers and the Western agents, I was left with no heart to bring my pen to any more paper (those were the pre-keyboard days) though my head was swirling with many a novel idea, triggered by my examined life lived in an eventful manner.  

Nevertheless, sometime later, that was after I happened to browse through a published book; I had resumed writing, owing altogether to a holistic reason: while it was the quality of Sen’s unpublished work that set me on a fictional course from which I was derailed by the publishers’ apathy, strangely, it was the paucity of any literary worth in that published book that spurred me back onto the novel track to pursue the pleasure of writing for its own sake. It’s thus; I could reach the literary stations of - Crossing the Mirage and Jewel-less Crown that was before my pen, in the wake of the hotly debated but poorly analyzed post-Godhra communal riots, took a non-fictional turn with the Puppets of Faith. 

Thereafter, as if wanting me to lend my literary hand to other genres, my muse heralded me into the arena of translation, ushered me onto the unknown stage, put me on a stream of consciousness, took me to crime scenes, dragged me into the by-lanes of short stories, and driven me into the novella fold. However, as a prodigal son, I took to my first steps into the Telugu short story field with my ‘Missteps’ తప్పటడుగులు.

Whatever, it was Michael Hart, the founder of the Project Gutenberg, who first lent his e-hand to my books ever in search of readers. But who would have thought that life held such literary possibilities in the English language for a rustic Telugu lad reared in the rural Andhra, even in the post-colonial India? So, the possibilities of life are indeed novel and seemingly my life has crystallized itself in my body of work before death could dissipate it.

My body of work of ten free eBooks, in varied genres, is in the public domain:  https://g.co/kgs/iA9zkd         

 

 

 

 

 

 
  • Cover Image

Puppets Of Faith : Theory of Communal Strife (A critical appraisal...

By: BS Murthy

On one hand, this ‘book of logic ‘n reasoning’ appraises the Islamic faith shaped by the sublimity of Muhammad's preaching in Mecca and the severity of his sermons in Medina, which together make it Janus-faced to bedevil the minds of the Musalmans. That apart, aided by “I’m Ok – You’re Ok”, the path-breaking work of Thomas A. Harris and Roland E Miller’s “Muslim Friends–Their Faith and Feeling”, this work for the first time ever, psycho-analyses the imperatives of the ...

Preface of Strife The lava of the volcano on which the world sits is the disaffection the Musalmans nurse towards the kafirs. While its chemistry world over is the Islamic religious rigidity, in India it is compounded by the Hindu ‘historical’ hurt, aggravated by the Muslim-appeasing political ethos of the State. It’s thus the Indian landscape is dotted with many of its earlier eruptions, but the one, in the wake of Godhra’s ‘burning train’ in 2002, affected everyone as...

Read More
  • Cover Image

Benign Flame : Saga of Love

By: BS Murthy

Roopa marries Sathyam, hoping that he would help her become a doctor but as he fails her, feeling let down, she insensibly seeks lesbian solace in her friend Sandhya’s embrace. Soon, in a dramatic sequence of events, Tara, a suave call girl, tries to rope Roopa into her calling; Roopa herself loses her heart to Sandhya's beau Raja Rao, and Prasad, her husband’s friend falls for her. And as Prasad begins to induce Sathyam to be seduced by whores to worm his way in...

Ramaiah’s Family That winter night in the mid-seventies, the Janata Express was racing rhythmically on its tracks towards the coast of Andhra Pradesh. As its headlight pierced the darkness of the fertile plains, the driver honked the horn as though to awake the sleepy environs to the spectacle of the speeding train. On that, in the S-3, were the Ramaiahs with their nine year-old daughter Roopa. Earlier, from Ramavaram, it was in the nick of time that Ramaiah took Janak...

Read More
  • Cover Image

Jewel-Less Crown : Saga of Life

By: BS Murthy

It's perilous penning this blurb. It's fine when man is modest about his work. It even affords him the aura of an invisible crown! But what about his work? Were it an art or craft, it is there for all to see. What of a literary work of an unheralded author? Well, lauding the same might raise one's eyebrows. Failing to praise wouldn't make a 'jewel-less crown' either! Why not see, if this is the great Indian novel. This is the story of the rise and fall of...

Party Gone Sour That New Year's Eve, all the nouveau riche of New Delhi seemed to have gathered at the Misty Nest in their ubiquitous wear. While women wore designer dresses, men turned up in safari suits. Hosting them at their grand dwelling in the Defense Colony were the Gautams, Prabhu and Sneha. By the time the last guest was hugged in welcome, Gautam’s silk kurta and Sneha’s mink coat were truly crumpled. Augmenting the warmth of their bonhomie was the Glenfiddic...

Read More
  • Cover Image

Crossing the Mirage : Passing Through Youth

By: BS Murthy

If passing through youth was like crossing the mirage of life for Chandra and Nithya, it proved to be chasing the mirage of love for Sathya and Prema though for plain Vasavi, Chandra's pitiable sibling, it was the end of the road. As life brings Chandra, who suffers from an inferiority complex for his perceived ugliness, and Nithya, who was bogged down being jilted by Vasu, together, they script their fate of fulfillment. And as poetic justice would have it, Sathya, wh...

Shackles on Psyche Youth is the mirror that tends us to the reality of our looks. The reflections of our visages that insensibly get implanted in our subconscious lend shape to our psyche to define the course of our life. This is the saga of Chandra’s chequered life that mirrors this phenomenon in myriad ways. As perceived by the deprived, he had a fortunate birth. Yadagiri, his father, was the prominent pearl merchant in Hyderabad - Deccan, the seat of the Nizam’s...

Read More
  • Cover Image

Sundara Kānda: Hanuman's Odyssey

By: BS Murthy

While Mahabharata's Bhagvad-Gita is taken as a philosophical guide, Ramayana's Sundara Kãnda is sought for spiritual solace; many believe that reading Sundara Kãnda or hearing it recited would remove all hurdles and usher in good tidings! Miracles apart, it's in the nature of Sundara Kãnda to inculcate fortitude and generate hope in one and all. After all, isn't it a depiction of how Hanuman goes about his errand against all odds! Again, won't it portray how Seetha, ...

Canto 31 - Rama’s Ballad For Seetha’s ears then Rama’s tale Sang in sonorous tone Hanuman. In lineage old of Ikshvaakus Known to all for his valour Dasarath was the reigning king. Noble as he was the king Valued was he like a saint Power he had to rival gods. Generous was he by nature Took he care of his subjects Ruled he like a god on earth. For his righteous reign Dasarath Earned he fame the world over. Esteemed he his eldest son Know...

Read More
  • Cover Image

Bhagvad-Gita : Treatise of Self-Help

By: BS Murthy

Bhagavad-Gita is the most beautiful, perhaps the only true philosophical song existing in any known tongue’ – so opined William von Humboldt. Though it is a matter of consensus that Bhagvad-Gita in the present length of seven hundred verses has many an interpolation to it, but no meaningful attempt has ever been made to delve into the nature and extent, not to speak of the effect of these on the Hindu society at large. The moot point that has missed the attention of al...

All about Life - Chapter 2 This character defining chapter of the Gita comprising 72 slokas, known as saankhya yoga, Realization through Knowledge, is regarded by many, as the peerless part of the great epic. Arjuna’s dilemma, meanwhile, turns into grief, as the horrific prospect of slaying Bhishma, his revered granduncle, and Drona, his venerated guru, sinks into his consciousness. Bogged down by sentiment, Arjuna appeals to Lord Krishna for guidance. The Lord’s respon...

Read More
 
1
|
2
Records: 21 - 26 of 26 - Pages: 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.