World Library  
Flag as Inappropriate
Email this Article

Émile Gallé


Émile Gallé

Émile Gallé
Émile Gallé, self-portrait
Born 8 May 1846
Nancy, France
Died Did not recognize date. Try slightly modifying the date in the first parameter. (aged 58)
Nancy, France
Occupation Glass artist
Engraved crystal vase by Gallé, around 1900
Gallé vase with lilies and daises. Multi-layered blown crystal with inclusions of glass and gold dust, cabochons and handles added on and fused.

Émile Gallé (Nancy, 8 May 1846 – Nancy, 23 September 1904) was a French artist who worked in glass, and is considered to be one of the major forces in the French Art Nouveau movement.


Gallé's house in Nancy
Cameo glass vase by Émile Gallé

Gallé was the son of a faience and furniture manufacturer and studied philosophy, botany, and drawing in his youth. He later learned glassmaking at Meisenthal and came to work at his father's factory in Nancy following the Franco-Prussian War. His early work was executed using clear glass decorated with enamel, but he soon turned to an original style featuring heavy, opaque glass carved or etched with plant motifs, often in two or more colours as cameo glass. His friend and patron Robert de Montesquiou sent him to Bayreuth with a recommendation to Cosima Wagner, which led to a great enthusiasm for Parsifal.[1] In 1875, he married Henriette Grimm (1848-1914). In 1877, he then assumed his father’s role as director of the Maison Gallé-Reinemer. In that same year, he was elected Secretary-General for the Société centrale d’horticulture de Nancy.[2] His career took off after his work received praise at the Paris Exhibition of 1878.

Within a decade of another successful showing at the Paris Exhibition of 1889, Gallé had reached international fame and his style, with its emphasis on naturalism and floral motifs, was at the forefront of the emerging Art Nouveau movement.[3]

He continued to incorporate experimental techniques into his work, such as metallic foils and air bubbles, and also revitalized the glass industry by establishing a workshop to mass-produce his, and other artists', designs. The factory would employ 300 workers and artisans at its height, including the notable glassmaker Eugène Rosseau, and remained in operation until 1936.

Gallé wrote a book on art entitled Écrits pour l'art 1884-89 ("Writings on Art 1884-89"), which was published posthumously in 1908.[4]

What is less well-known is Gallé's social engagement. He was a convinced humanist, and was involved in organizing evening schools for the working class (l’Université populaire de Nancy). He was treasurer of the Nancy branch of the Human Rights League of France and in 1898, at great risk for his business, one of the first to become actively involved in the defence of Alfred Dreyfus. He also publicly defended the Romanian Jews and spoke up in defence of the Irish Catholics against Britain, supporting William O’Brien, one of the leaders of the Irish revolt.[5]

In 1901, together with Victor Prouvé, Louis Majorelle, Antonin Daum and Eugène Vallin, he founded an Art Nouveau movement known as École de Nancy (The Nancy School). Many of Gallé works are kept at the Musée de l'École de Nancy.


  1. ^ Jullian, Philippe, Prince Of Aesthetes: Count Robert de Montesquiou (1855-1921), Viking Press, 1968.
  2. ^ Gallé, Émile, Émile Gallé, Parkstone Press International, 2014.
  3. ^ William Warmus. Emile Galle: Dreams into Glass. Corning: The Corning Museum of Glass, 1984. Exhibition catalog, which includes several pages of translations into English of Galle's "Ecrits pour l'art" (pp.181-9)
  4. ^ Ecrits pour l'art ed Henrietta Galle Paris 1908/Marseille 1980
  5. ^ Emile Gallé : maître de l'art nouveau, François Le Tacon; prologue by Henri Claude. 2004 - ISBN 2-7165-0620-5.

External links

  • Media related to at Wikimedia Commons
  • Quotations related to Émile Gallé at Wikiquote
  • Le monde des arts: Émile Gallé
  • Le site créé par les élèves du collège Emile Gallé - Académie Nancy-Metz - France
  • Emile Galle - Poetry in Glass
  • A practical guide to Galle furniture
  • Right or Wrong - Lessons in Art Nouveau and Art Deco Glass
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.