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Oliver Nelson

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Title: Oliver Nelson  
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Subject: Steve Kuhn, Afrique (album), Paul Chambers, The Six Million Dollar Man, Ed Shaughnessy
Collection: 1932 Births, 1975 Deaths, 20Th-Century American Musicians, 20Th-Century Composers, American Jazz Clarinetists, American Jazz Composers, American Jazz Saxophonists, American Music Arrangers, Flying Dutchman Records Artists, Hard Bop Saxophonists, Impulse! Records Artists, Inner City Records Artists, Jazz Arrangers, Mainstream Jazz Saxophonists, Musicians from St. Louis, Missouri, Post-Bop Saxophonists, Prestige Records Artists, Rca Records Artists, Soul-Jazz Saxophonists, United States Marines, Verve Records Artists, Washington University in St. Louis Alumni
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Oliver Nelson

Oliver Nelson
Born (1932-06-04)June 4, 1932
St. Louis, Missouri
Died October 28, 1975(1975-10-28) (aged 43)
Los Angeles, California
Genres Bebop, hard bop, post-bop, jazz fusion
Occupation(s) Musician, composer, arranger
Instruments Soprano saxophone, alto saxophone, tenor saxophone, and clarinet
Labels Verve
Flying Dutchman

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader.[1]

He is perhaps best remembered for his groundbreaking 1961 Impulse! album The Blues and the Abstract Truth, widely regarded as one of the most significant American jazz recordings of the modern jazz era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!.[2]


  • Biography 1
    • Early life and career 1.1
    • Breakthrough and afterwards 1.2
  • Discography 2
    • As leader 2.1
    • As arranger/conductor 2.2
    • As sideman 2.3
  • References 3
  • External links 4


Early life and career

Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.[3][4]

In 1952 Nelson underwent military service in the Marines playing woodwinds in the 3rd Division band in Japan and Korea. It was in Japan that Nelson attended a concert by the Tokyo Philharmonic Orchestra and heard Maurice Ravel's Mother Goose Suite and Paul Hindemith's Symphony in E Flat. Nelson later recalled that this "'was the first time that I had heard really modern music for back in St. Louis I hadn't even known that Negroes were allowed to go to concerts. I realized everything didn't have to sound like Beethoven or Brahms ... . It was then that I decided to become a composer'".[5]

Nelson returned to Missouri to study music composition and theory at

  • Oliver Nelson — AllMusic biography by Scott Yanow
  • Oliver Nelson — brief introduction from the Jazz Files
  • Oliver Nelson — introduction from Impulse! Records
  • Oliver Nelson: A Discography — Douglas Payne's site, including discographies of Nelson's work in different genres, reviews, etc.
  • Oliver Nelson Published Big Band Arrangements and Compositions

External links

  1. ^ Allmusic
  2. ^ Impulse! Records catalog at
  3. ^ a b c d Joe Goldberg, "Focus on Oliver Nelson" – Down Beat magazine, February 15, 1962 Vol. 29, No. 4. page 17.
  4. ^ a b c Phil Woods, Reflections in E-flat – Saxophone Journal, September/October, 1995 page 62.
  5. ^ Garland, Phyl (November 1968). "The Many 'Bags' of Oliver Nelson". Ebony (Johnson Publishing Company): 118.  
  6. ^ Garland, Phyl (November 1968). "The Many 'Bags' of Oliver Nelson". Ebony (Johnson Publishing Company): 110.  


With Johnny "Hammond" Smith

  • Blue Seven (Prestige, 1961)

With Shirley Scott

  • Live at "Count Basie's" (Mercury, 1961)

With Joe Newman

  • How to Succeed in Business Without Really Trying (Verve, 1961)

With Gary McFarland

With Mundell Lowe

With Quincy Jones

With Etta Jones

  • J.J.! (RCA Victor, 1965)

With J.J. Johnson

  • Soul Burnin' (Prestige, 1961)
  • Rediscovered Masters, Vol. 2 (Prestige 1961)

With Red Garland

  • Paris Blues (United Artists, 1962)

With Duke Ellington

  • Free Spirits (Atlantic, 1962)

With Chris Conner

  • The Brilliant Bellson Sound (Verve, 1959)

With Louis Bellson

With Manny Albam

  • African Waltz (Riverside, 1961)

With Cannonball Adderley

As sideman

With Frank Wess

With Clark Terry

  • Right Here, Right Now! (Capitol Records, 1963)

With Billy Taylor

With Jimmy Smith

With Shirley Scott

With Wes Montgomery

With Carmen McRae

With Herbie Mann

With Ramsey Lewis

With Etta Jones

With Paul Horn

With Jimmy Forrest

With Art Farmer

With Eddie "Lockjaw" Davis

With Ray Brown and Milt Jackson

With Mel Brown

With Count Basie

With Gene Ammons

With Air Pocket

With Cannonball Adderley

As arranger/conductor

Other labels
  • 1968: Soulful Brass No. 2
  • 1969: Black Brown and Beautiful
  • 1970: The Mayor and the People
  • 1970: Berlin Dialogue for Orchestra
  • 1970: Leon Thomas In Berlin with Oliver Nelson
  • 1971: Swiss Suite
  • 1974: In London with Oily Rags
  • 1975: Skull Session
  • 1976: A Dream Deferred
Flying Dutchman Records
Verve Records
Impulse! Records
Prestige Records

As leader


Finally succumbing to the intense pressures of the Hollywood studios, Nelson died of a heart attack on 28 October 1975 at the age of 43.[4]

Along with his big-band appearances (in Berlin, Montreux, New York, and Los Angeles), he toured West Africa with a small group. Less well-known is the fact that Nelson composed several symphonic works, and was also deeply involved in jazz education, returning to his alma mater, Washington University, in the summer of 1969 to lead a five-week-long clinic that also featured such guest performers as Phil Woods, Mel Lewis, Thad Jones, Sir Roland Hanna, and Ron Carter. His book of jazz practice exercises, Patterns for Improvisation, was published in 1966 and remains highly regarded to this day.

In 1967 Nelson moved to Los Angeles to be near the television and movie industry and began composing background music for television and films. Television projects included Ironside, Night Gallery, Columbo, The Six Million Dollar Man and Longstreet. Films scored by Nelson include Death of a Gunfighter (1969), Skullduggery (1970) and Zig Zag (1970).[4] He also arranged Sonny Rollins' music for Alfie (1966) and Gato Barbieri's music for Last Tango in Paris (1972). During this time he also arranged and produced albums for pop stars such as Nancy Wilson, James Brown, the Temptations, and Diana Ross.

He worked as an arranger on large ensemble albums for Cannonball Adderley, Sonny Rollins, Eddie "Lockjaw" Davis, Johnny Hodges, Wes Montgomery, Buddy Rich, Jimmy Smith, Billy Taylor, Stanley Turrentine, Irene Reid, Gene Ammons and many others. He also led all-star big bands in various live performances between 1966 and 1975. Nelson continued to perform as a soloist during this period, focusing primarily on soprano saxophone.

After six albums as leader between 1959 and 1961 for the Prestige label (with such musicians as Kenny Dorham, Johnny Hammond Smith, Eric Dolphy, Roy Haynes, King Curtis and Jimmy Forrest), Nelson's big breakthrough came with The Blues and the Abstract Truth, this made his name as a composer and arranger, and he went on to record a number notable of big-band albums including Afro-American Sketches and Full Nelson.[3]

Breakthrough and afterwards

After completing his degree Nelson moved to New York, playing with Erskine Hawkins and Wild Bill Davis, and working as the house arranger for the Apollo Theater in Harlem. He also played on the West Coast briefly with the Louie Bellson big band in 1959, and in the same year began recording for Prestige Records as the leader of various small groups. From 1960 to 1961 he briefly played with Count Basie and Duke Ellington and then joined the Quincy Jones big band playing tenor saxophone, both in the U.S. and on tour in Europe.[3]

While back in his hometown of St. Louis, he met and married Eileen Mitchell; the couple had a son, Oliver Nelson Jr., but soon divorced. After graduation, Nelson married St. Louis native Audrey McEwen, a union which lasted until his death and produced a son, Nyles.


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