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Le Marais

The Hôtel de Saint-Aignan, housing the Museum of Jewish Art and History
Entrance of the Hôtel d'Albret.
The Hôtel de Sully's Gardens, near the Place des Vosges.
Street artist reproducing Vermeer's Girl with a Pearl Earring on the sidewalk (2005).
The courtyard of the Hôtel Carnavalet.
Right view of the Rue des Francs-Bourgeois in direction of the Place des Vosges.

Le Marais ("The Marsh", French pronunciation: ​) is a historic district in Paris, France. Long the aristocratic district of Paris, it hosts many outstanding buildings of historic and architectural importance. It spreads across parts of the 3rd and 4th arrondissements in Paris (on the Rive Droite, or Right Bank, of the Seine).


  • History 1
    • Paris aristocratic district 1.1
    • Jewish community 1.2
    • Post-war rehabilitation 1.3
    • Today's Marais 1.4
  • LGBT culture 2
  • Notable residents 3
  • Places and monuments of note 4
  • See also 5
  • References 6
  • Further reading 7
  • External links 8


Paris aristocratic district

In 1240 the Order of the Temple built its fortified church just outside the walls of Paris, in the northern part of the Marais. The Temple turned this district into an attractive area, which became known as the Temple Quarter, and many religious institutions were built nearby: the des Blancs-Manteaux, de Sainte-Croix-de-la-Bretonnerie and des Carmes-Billettes convents, as well as the church of Sainte-Catherine-du-Val-des-Écoliers.

During the mid-13th century, Charles I of Anjou, King of Naples and Sicily, and brother of King Louis IX of France built his residence near the current n°7 rue de Sévigné.[1] In 1361 the King Charles V built a mansion known as the Hôtel Saint-Pol in which the Royal Court settled during his reign as well as his son's.

From that time to the 17th century and especially after the Royal Square (Place Royale, current place des Vosges) was designed under King Henri IV in 1605, the Marais was the French nobility's favorite place of residence. French nobles built their urban mansions there[2] such as the Hôtel de Sens, the Hôtel de Sully, the Hôtel de Beauvais, the Hôtel Carnavalet, the Hôtel de Guénégaud and the Hôtel de Soubise.

Jewish community

After the nobility started to move to the Faubourg Saint-Germain, the district became a popular and active commercial area, hosting one of Paris' main Jewish communities. At the end of the 19th century and during the first half of the 20th, the district around the rue des Rosiers, referred to as the "Pletzl", welcomed many Eastern European Jews (Ashkenazi) who reinforced the district's clothing specialization. But, during World War II the Jewish community was targeted by the Nazis who were occupying France.

The rue des Rosiers is still a major centre of the Paris Jewish community, which has made a comeback since the 1990s. Public notices announce Jewish events, bookshops specialize in Jewish books, and numerous restaurants and other outlets sell kosher food.

Le Marais houses the Museum of Jewish Art and History, which traces the history of the Jewish world through its artistic and cultural heritage.[3]

The synagogue on 10 rue Pavée is not far from rue des Rosiers. It was designed in 1913 by Art Nouveau architect Hector Guimard, who designed several Paris Metro stations.

In 1982, Palestinan terrorists murdered six people and injured 22 at a Jewish restaurant in Le Marais,

  • Le Marais
  • Le Marais: The Indifferent Ghetto Article about Le Marais as the gay neighbourhood of Paris
  • Gay Paris: English speaking gay walks in Paris
  • the official guide, partner of the Paris Tourist Office
  • Le Marais photos
  • Marais district Photographs
  • My Gay Paris The latest news on Paris and Le Marais with a gay perspective

External links

  • Sibalis, Michael. "Urban Space and Homosexuality: The Example of the Marais, Paris' 'Gay Ghetto'" (Wilfrid Laurier University). Urban Studies. August 2004 vol. 41 no. 9 p. 1739-1758. DOI 10.1080/0042098042000243138.

Further reading

  1. ^ This hôtel remained until 1868. The rue du Roi-de-Sicile is named after it.
  2. ^ Hôtels particuliers in French
  3. ^
  4. ^
  5. ^
  6. ^ a b c Tamagne, Florence. "Paris: 'Resting on its Laurels'?" (Chapter 12). In: Evans, Jennifer V. and Matt Cook. Queer Cities, Queer Cultures: Europe since 1945. Bloomsbury Publishing, August 28, 2014. ISBN 144114840X, 9781441148407. Start p. 240. CITED: p. 250.


See also

Places and monuments of note

Notable residents

Le Dépôt, one of the largest cruising bar in Europe, is in the Le Marais area.[6]

Le Marais became a center of LGBT culture beginning in the 1980s. 40% of the LGBT businesses in Paris are in Le Marais. Florence Tamagne, author of "Paris: 'Resting on its Laurels'?", wrote that Le Marais "is less a 'village' where one lives and works than an entrance to a pleasure area" and that this differentiates it from Anglo-American gayborhoods.[6] Tamagne added that like U.S. gayborhoods, Le Marais has "an emphasis on 'commercialism, gay pride and coming-out of the closet'".[6]

LGBT culture

Other features of the neighbourhood include the Musée Picasso, the house of Nicolas Flamel, the Musée Cognacq-Jay, the Musée Carnavalet and the new and very popular Café Charlot.

The Marais is also known for the Chinese community it hosts. The community began to appear during World War I. At that time, France needed workers to replace its at-war soldiers and China decided to send a few thousand of its citizens on the condition that they would not take part in the war. After the 1918 victory, some of them decided to stay in Paris, specifically living around the current rue au Maire. Today, most work in jewelery and leather-related products. The Marais' Chinese community has settled in the north of the district, particularly in the surrounding of Place de la République. Next to it, on the rue du Temple, is the Chinese Church of Paris.

The Marais is now one of Paris' main localities for art galleries. Following its rehabilitation, the Marais has become a fashionable district, home to many trendy restaurants, fashion houses, and hip galleries.

Today's Marais

The main Renzo Piano and Richard Rogers.

By the 1950s, the district had become a working-class area and most of its architectural masterpieces were in a bad state of repair. In 1964, General de Gaulle's Culture Minister Andre Malraux made the Marais the first secteur sauvegardé (literally safeguarded sector). These were meant to protect and conserve places of special cultural significance. In the following decades the government and the Parisian municipality have led an active restoration and Rehabilitation Policy.

Post-war rehabilitation


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