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Anthony Kiedis

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Title: Anthony Kiedis  
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Subject: Red Hot Chili Peppers, The Red Hot Chili Peppers (album), List of Red Hot Chili Peppers band members, Road Trippin', Otherside
Collection: 1962 Births, 20Th-Century American Singers, 21St-Century American Singers, American Alternative Rock Musicians, American Autobiographers, American Baritones, American Expatriates in Germany, American Male Singers, American Male Singer-Songwriters, American Male Songwriters, American People of Dutch Descent, American People of English Descent, American People of French Descent, American People of Irish Descent, American People of Lithuanian Descent, American People of Mohican Descent, American Punk Rock Singers, American Rock Singers, American Rock Songwriters, American Singer-Songwriters, Fairfax High School (Los Angeles) Alumni, Grammy Award Winners, Living People, Musicians from Michigan, People from Grand Rapids, Michigan, People from Hollywood, Los Angeles, Red Hot Chili Peppers Members, University of California, Los Angeles Alumni
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Anthony Kiedis

Anthony Kiedis
Kiedis in 2012
Background information
Birth name Anthony Kiedis
Also known as Tony
Cole Dammett
Tony Flow
Antoine the Swan[1]
Born (1962-11-01) November 1, 1962
Grand Rapids, Michigan, United States
Genres Funk rock, alternative rock, rap rock, punk rock
Occupation(s) Singer-songwriter, musician, rapper
Instruments Vocals, Guitar
Years active 1983–present
Labels Warner Bros. Records, EMI
Associated acts Red Hot Chili Peppers
Website .comredhotchilipeppers

Anthony Kiedis (; born November 1, 1962) is an American singer-songwriter, and musician best known as the lead vocalist and co-songwriter of the band Red Hot Chili Peppers with whom he has fronted since their inception in 1983.

Kiedis is a co-founder of the band, and has recorded all ten studio albums with the Red Hot Chili Peppers. Kiedis, along with his other fellow band members, was inducted into the Rock and Roll Hall of Fame in 2012. In 2004, he published his autobiography, titled Scar Tissue, which became a New York Times Best Seller.

Kiedis and Flea are the only remaining original band members of Red Hot Chili Peppers that are still in the current lineup.


  • Early life 1
  • Red Hot Chili Peppers 2
    • 1980–1984: Formation and first album 2.1
    • 1985–1988: Freaky Styley, The Uplift Mofo Party Plan and the death of Hillel Slovak 2.2
    • 1989–1993: Mother's Milk, Blood Sugar Sex Magik and mainstream success 2.3
    • 1994–1997: One Hot Minute and resumed drug use 2.4
    • 1998–2010: Californication, By the Way and Stadium Arcadium 2.5
    • 2011–present: I'm with You, Rock and Roll Hall of Fame induction, eleventh studio album 2.6
  • Other projects 3
  • Personal life 4
    • Family 4.1
    • Drug addictions 4.2
  • Artistry 5
    • Musical style 5.1
    • Potential television series 5.2
  • Discography 6
  • Filmography 7
  • References 8
    • Notes 8.1
    • Bibliography 8.2
  • External links 9

Early life

Kiedis was born in Grand Rapids, Michigan, to John Michael Kiedis, also known professionally as Blackie Dammett, an actor, and Margaret "Peggy" Noble.[2] His paternal grandfather's family emigrated from Lithuania in the early 1900s; the remainder of his ancestry includes English, Irish, French, Dutch, and Mohican.[3] In 1966, when he was three years old, his parents divorced. Along with his two half-sisters, Julie and Jenny, he was raised by his mother and stepfather in Grand Rapids.[4] Each summer, he would visit his father in Hollywood for two weeks, a time during which the two would bond. He idolized his father, and recalled, "Those trips to California were the happiest, most carefree, the-world-is-a-beautiful-oyster times I'd ever experienced."[5] In 1974, when Kiedis was twelve years old, he moved to Hollywood to live with his father full-time.[6] His father was a struggling actor who sold drugs, which had a significant impact on Kiedis, as the two would often use marijuana and cocaine together.[7] Kiedis accidentally tried heroin for the first time at age fourteen, mistaking the substance for cocaine.[8] Through his father Blackie, Kiedis, who worked under the stage name of Cole Dammett, landed his first acting role appearing as Sylvester Stallone's character's son in the 1978 film, F.I.S.T.. That same year he would land two more acting jobs one being on an ABC Afterschool Special and the other an appearance on a short lived show, Jokes My Folks Never Told Me.

Kiedis attended Fairfax High School in Los Angeles, where he struggled to find friends as he had recently transferred to a new school district. However, he soon met Flea, and after a brief confrontation, the two became best friends and bonded while sitting next to each other in driver's ed class.[8][9] Kiedis recalled: "We were drawn to each other by the forces of mischief and love and we became virtually inseparable. We were both social outcasts. We found each other and it turned out to be the longest-lasting friendship of my life."[10] Kiedis became a significant influence on Flea, exposing him to rock music, particularly punk rock.[10] Kiedis and Flea began jumping into swimming pools from buildings as a hobby. At age fifteen, Kiedis broke his back attempting to jump into a swimming pool from a five-story building, missing the pool by a few inches.[11] His back has since improved, although he still has occasional problems.[11]

Kiedis also met future bandmate Hillel Slovak after seeing him perform with his band Anthym. After the show, Slovak invited Kiedis to his house for a snack. Kiedis later described the experience in his autobiography Scar Tissue: "Within a few minutes of hanging out with Hillel, I sensed that he was absolutely different from most of the people I'd spent time with...He understood a lot about music, he was a great visual artist, and he had a sense of self and a calm about him that were just riveting."[12] Slovak, Kiedis, and Flea became best friends and often used LSD, heroin, cocaine, and speed recreationally.[13] Despite his frequent drug use, he excelled in school, often receiving straight A grades.[2] In June 1980, Kiedis graduated with honors from high school. That August, he enrolled at the University of California, Los Angeles to study writing.[14] However, he dropped out at the beginning of his second year due to his worsening addiction to cocaine and heroin.

Red Hot Chili Peppers

1980–1984: Formation and first album

Kiedis performing with the Red Hot Chili Peppers in Philadelphia in 1983.

Kiedis, Slovak, and Flea began to create their own music after finding inspiration in a punk-funk fusion band called Defunkt.[15] Kiedis rejected the violence and misogyny associated with the Los Angeles punk rock scene at the time, and wished to create a more peaceful environment that would encourage women to come to concerts.[16] The three formed a band with former Anthym-drummer Jack Irons, called Tony Flow and the Miraculously Majestic Masters of Mayhem. The band had only one song, titled "Out in L.A.", and was formed for the purpose of playing the song once.[17] The song was based on a guitar riff that Slovak wrote while "jamming" with Irons, and was not meant to become a real song until Kiedis decided to rap over the music.[18] Mike Chester, a friend of Kiedis', invited the band to open for his act Mike and Neighbor's Voices at The Rhythm Lounge, as he felt that Kiedis had potential as a frontman.[19] Slovak and Flea were initially skeptical, and felt that Kiedis did not have enough vocal experience, but the two eventually agreed to perform.[19] Kiedis later described the performance: "All the anticipation of the moment hit me, and I instinctively knew that the miracle of manipulating energy and tapping into an infinite source of power and harnessing it in a small space with your friends was what I had been put on this earth to do."[20]

Following the group's first show at The Rhythm Lounge, the owner of the bar asked them to return, but with two songs instead of one. After several more shows, and the addition of several songs to their repertoire, the band's name was changed to Red Hot Chili Peppers.[21] The band's concert repertoire grew to ten songs as a result of months of playing at local nightclubs and bars.[22] At a performance at a strip club in Hollywood called Kit Kat Club, the band members performed wearing only socks on their penises, an idea formed by Kiedis.[23] This gained the band notoriety, and club owners even began booking the group on the condition that it would perform in this manner.[23] The Red Hot Chili Peppers entered Bijou Studios to record a demo tape and subsequently secured a record deal with EMI.[8] Irons and Slovak however, decided to leave the Red Hot Chili Peppers in order to pursue a "more serious" future with rock band What Is This?[24] Kiedis ultimately respected the decision, but felt the band would be lost without them. Kiedis and Flea hired drummer Cliff Martinez from The Weirdos and guitarist Jack Sherman to fill Iron's and Slovak's places, respectively.[24] Andy Gill, formerly of Gang of Four, agreed to produce their first album, 1984's The Red Hot Chili Peppers. Gill and Sherman clashed with Kiedis and Flea; they continuously argued over music style, sound, and the album's production.[25] Sherman was fired from the band following the tour and replaced by a returning Slovak.

1985–1988: Freaky Styley, The Uplift Mofo Party Plan and the death of Hillel Slovak

Funk musician Freaky Styley, as Slovak returned on guitar. The strong chemistry between Clinton and the Chili Peppers was felt instantly. Freaky Styley was released in August 1985. It received only a bit more attention than The Red Hot Chili Peppers with roughly 75,000 copies sold by year's end.[15] The band hired Michael Beinhorn, their last resort among potential producers, to work on their next album.[26] What Is This? had finally disbanded, and Irons returned to the Chili Peppers in mid-1986 after Martinez was fired. Flea, Slovak and Kiedis especially were involved in heavy drug use and their relationships became strained. Flea recalled that "it began to seem ugly to me and not fun; our communication was not healthy".[26] Kiedis became dependent on heroin, leaving Flea and Slovak to work on much of the album's material by themselves. Both Kiedis and Slovak struggled with debilitating heroin addictions, which grew worse as the band was preparing to record The Uplift Mofo Party Plan. Due to his addiction, Kiedis lacked the motivation to contribute to the band musically, and appeared at rehearsal "literally asleep".[27] He was asked to leave the band in order to undergo drug rehabilitation. During that time, the band won the LA Weekly Band of the Year award, which prompted Kiedis to quit using heroin cold turkey. He visited his mother in Michigan for guidance, who drove him to drug rehabilitation immediately after picking him up from the airport upon seeing his unhealthy appearance.[28] Kiedis checked into a Salvation Army rehabilitation clinic in Grand Rapids, an experience which he initially detested until he noted that the other people in the clinic were understanding of his struggles and were trying to help him. He moved in with his mother after twenty days at the clinic, a time which marked the first time he was completely abstinent from drugs since he was eleven years old.[29] After Kiedis completed his stint in rehabilitation, he felt a "whole new wave of enthusiasm" due to his sobriety and wrote the lyrics to a new song titled "Fight Like a Brave" on the flight home.[30]

He rejoined the Red Hot Chili Peppers in Los Angeles to record the album.[31] Upon returning home, he began dating actress Ione Skye, whom Flea had met while appearing with her in the 1987 science fiction film Stranded.[32] Although Kiedis had recently become clean, his withdrawal symptoms increased and affected his musical contributions to the group. After fifty days of sobriety, Kiedis decided to take drugs again as a one-time attempt to celebrate his new music, which led to his resumed addiction. The recording process for the album became difficult as Kiedis would often disappear to seek drugs.[33] Producer Michael Beinhorn recalled that "There were points in pre-production where I really thought the record wasn't gonna get made."[34] Kiedis felt "excruciating pain and guilt and shame" when he would miss a recording session so he would try to write lyrics while searching for drugs; although the band members were upset by his drug use and frequent disappearances, they were impressed with his musical output at the time.[35]

After the international tour in support of Uplift, Slovak died of a heroin overdose in 1988. Following Slovak's death, Kiedis fled to a small fishing village in Mexico and did not attend his funeral, considering the situation to be surreal and dreamlike.[8][36] Although he found the death to be a shock, he initially was not "scared straight" and continued to use heroin.[37] However, a few weeks later, his friend convinced him to check into rehab and visit Slovak's grave, which inspired him to get clean.[38] Irons was unable to cope with Slovak's death and subsequently quit the band, saying that he did not want to be part of something that resulted in the death of his friend. Kiedis and Flea decided to continue making music, hoping to continue what Slovak "helped build".[39]

Following Slovak's death, Kiedis and Flea took some time to collect themselves, but decided to keep the band together. Guitarist DeWayne "Blackbyrd" McKnight and drummer D.H. Peligro were added to replace Slovak and Irons. McKnight soon began to create tension within the group, as his style did not mesh with the rest of the band.[40] Peligro, the former drummer of the punk rock band Dead Kennedys, was a friend of John Frusciante, an eighteen-year-old guitarist and avid Red Hot Chili Peppers fan. Peligro introduced Frusciante to Flea, and the three jammed together on several occasions.[41] Kiedis was impressed with Frusciante's skill, and astonished by his knowledge of the Chili Peppers' repertoire.[42] McKnight was fired, and Frusciante accepted an invitation to join the band.[40] The band started writing music for the next album and finished out 1988 with a brief tour however Peligro was fired in November and through auditions, the Chili Peppers brought in drummer Chad Smith as his replacement shortly after.[43]

1989–1993: Mother's Milk, Blood Sugar Sex Magik and mainstream success

The Chili Peppers entered the studio, and completed recording of their fourth album, Mother's Milk, in early 1989. Upon release, the album was met with mixed reactions from critics, but received far more commercial attention, peaking at number fifty-two on the Billboard 200.[44] Although his band was experiencing greater success, Kiedis' withdrawal symptoms took a toll on his personal life. This led to the end of his two-year relationship with Skye in December 1989: "I had managed to stay sober by not ingesting drugs, so my body had healed from all that torturous activity, but my mind still wasn't healthy enough to work out all the problems that come up in a relationship."[45]

The band sought to record their next album P-Funk collective and many others, performing a medley that included "Give It Away".

1994–1997: One Hot Minute and resumed drug use

Upon returning to Hollywood, the band placed an ad in the L.A. Weekly for open guitar auditions, which Kiedis considered to be a waste of time.[51] After several months of unsuccessfully looking for a suitable guitarist, Smith suggested Dave Navarro.[52] He had always been the band's first choice, but had been too busy following the 1991 breakup of Jane's Addiction. Navarro eventually accepted the position after productive jam sessions.[52] Kiedis knew that the band's sound would inevitably change when Navarro joined.[53] In July 1994, the band entered The Sound Factory, a recording studio in Los Angeles, to record their next album One Hot Minute. The band completed a few basic tracks, when Kiedis began having difficulty singing. He had been through a dental procedure in which an addictive sedative, Valium, was used; this caused him to relapse, and he once again became dependent on drugs after five years of sobriety.[54] The band took a short hiatus from recording to perform at Woodstock '94, which was the first show Navarro played with the Red Hot Chili Peppers.[54] After resuming production, Navarro questioned the methods of the Chili Peppers' recording procedures. He wondered why such a considerable amount of jamming was involved with the album's conception. Various qualms followed, and the process soon became uncomfortable for the band.[55]

Months went by, and only small amounts of material were written leading Chad Smith to publically announce that Kiedis was suffering from writer's block (something Kiedis denied and claimed caused a bit of a problem between the two for a while). Kiedis made a trip to Grand Rapids, Michigan in December, where his family realized he had resumed his drug use once again. For months, Kiedis had been hiding his drug problems from his bandmates however upon his return to Hollywood in January 1995 he was finally confronted by his bandmates. Kiedis at one point even locked himself away in a hotel room only to find Navarro there to help his bandmate kick his addiction. Kiedis was finally able to finish recording his vocals shortly after. The rest of the recording was completed within the next month and their sixth album One Hot Minute was released in September 1995.[56] The album was met with mixed reviews and was a major departure from the band's funk-rock sound. Kiedis' drug problems contributed to a lot of the album's darker lyrics and Flea for the first time stepped up and contributed to the writing process due to Kiedis' ongoing drug battles. The tour to support the album was also met with mixed results. Chad Smith broke his arm prior to the launch of the U.S. tour in 1995 so it was delayed until early 1996. Chemistry with Navarro was also never there like it was with Frusciante or Slovak. At one point during the tour Flea considered quitting. Near the tour's end, Kiedis was involved in a motorcycle accident which left him with a broken arm. He was given painkillers for his injury which ended up being a gateway back to heroin. The tour ended with the band's final set being cut short due to a massive tsunami. 1997 was dubbed by the band the year of nothing. Navarro would re-join Jane's Addiction for their reunion tour with Flea replacing bassist Eric Avery.

1998–2010: Californication, By the Way and Stadium Arcadium

The band regrouped in 1998 to begin writing for their seventh studio album however Navarro was now battling his own drug problems. This caused major tension between Kiedis and Navarro, who was fired from the band in early 1998. Kiedis informed Flea that he felt the only way the band could continue is if Frusciante re-joined the band. In the years following Frusciante's departure from the Chili Peppers, he had developed a vicious addiction to both heroin and cocaine that left him in poverty and near death.[57] He was talked into admitting himself to drug rehabilitation in January 1998.[58] In April 1998, following Frusciante's three-month completion, Flea visited his former band-mate and openly invited him to re-join the band, an invitation Frusciante readily accepted. Within the week, and for the first time in six years, the foursome gathered to play and jump-started the newly reunited Red Hot Chili Peppers.[59] The band released Californication on June 8, 1999. Immediately following the release of Californication, the band embarked on a world tour to support the record, beginning in the United States. To culminate the US leg of their tour, the Chili Peppers were asked to close Woodstock '99, which became infamous for the violence it resulted in.[60][61] The band was informed minutes before arriving that the crowds and bonfires in the fields had gone out of control.[60] When the Chili Peppers performed a tribute to Jimi Hendrix's song "Fire" to finish their set as a favor to Hendrix's sister, the disruption escalated into violence when several women who had been crowd surfing and moshing were raped and nearby property was looted and destroyed.[62][63][64][65]

Kiedis felt that "It was clear that this situation had nothing to do with Woodstock anymore. It wasn't symbolic of peace and love, but of greed and cashing in... We woke up to papers and radio stations vilifying us for playing 'Fire'."[63] The writing and formation of By the Way began immediately following the culmination of Californication's world tour, in the Spring of 2001. As with Californication, much of the creation took place in the band members' homes, and other locations of practice, such as a recording studio stage.[66] Kiedis recalled of the situation: "We started finding some magic and some music and some riffs and some rhythms and some jams and some grooves, and we added to it and subtracted from it and pushed it around and put melodies to it."[66] Frusciante and Kiedis would collaborate for days straight, discussing guitar progressions and sharing lyrics.[67] For Kiedis, "writing By the Way...was a whole different experience from Californication. John was back to himself and brimming with confidence."[66] The album marked a change in the band's sound, and Kiedis began writing songs reflective of his romantic relationships and drug addictions.

Kiedis performing in Inglewood, California on August 31, 2006.

On October 6, 2004, Kiedis published a memoir titled Scar Tissue, which he co-wrote with author Larry Sloman. The book was originally intended to be a collection of stories of his childhood drug use, but evolved into a complete autobiography.[68] He further explained: "One would just kind of assume that with all the [drug] consumption that my memory would be a bit shoddy. But it's actually pretty lucid, and better than both of my parents', or any of my friends'. My friends tried to recount these same stories, and they were like, 'Wow, I don't ... were we there?'"[68] The formation and recording of Stadium Arcadium took place at "The Mansion", the former home of Harry Houdini where the Chili Peppers had recorded their 1991 breakthrough Blood Sugar Sex Magik.[69] Kiedis noted that during the recording process of the album "everybody was in a good mood. There was very little tension, very little anxiety, very little weirdness going on and every day we showed up to this funky room in the Valley, and everyone felt more comfortable than ever bringing in their ideas."[70] The album was released on May 9, 2006.

Following a hugely successful world tour to support Stadium Arcadium, the band decided to take an extended year long break from music in 2008. According to Kiedis, there was a collective decision "not [to] do anything Red Hot Chili Peppers-related for a minimum of one year. [...] We started in 1999, with the writing and the recording of Californication, and we didn't really stop until the tour ended last year. We were all emotionally and mentally zapped at the end of that run."[71] During the break, Frusciante departed amicably with the band in July 2009 (although it wasn't publically announced until December 2009). Josh Klinghoffer, a touring guitarist for the Chili Peppers and often collaborator with Frusciante was hired as his replacement.[72]

2011–present: I'm with You, Rock and Roll Hall of Fame induction, eleventh studio album

On August 26, 2011, the Red Hot Chili Peppers released their tenth album, I'm with You. On December 7, 2011, the Red Hot Chili Peppers were named 2012 inductees into the Rock and Roll Hall of Fame. Kiedis said it was very emotional and the first person he told was his father Blackie, who cried when hearing the news.[73] On January 11, 2012, the Chili Peppers announced that they were forced to postpone the U.S. leg of their I'm with You tour due to multiple foot injuries suffered by Kiedis. Kiedis has been battling through foot injuries since 2006 when he injured his foot onstage and finally was able to have surgery during a break in the band's tour in January 2012. During the surgery, Kiedis had a crushed sesamoid bone removed and a detached flexor tendon repaired. The band was able to resume their tour and kicked off the U.S. leg on March 29, 2012.[74]

On April 14, 2012, the Red Hot Chili Peppers were inducted into the Rock and Roll Hall of Fame. The tour in support of I'm with You ended in April 2013 and the band went right back out on the road and continued touring into mid-2014 which included a halftime performance with Bruno Mars at the Super Bowl in January 2014.

In November 2014, Kiedis set out on a mini-book tour to promote the Chili Peppers book, Fandemonium. This included book signings, a Q&A and an appearance on The Tonight Show with Jimmy Fallon where Kiedis sat in the entire show with The Roots performing Chili Peppers songs.

The Chili Peppers began the process of writing and recording for their eleventh studio album in December 14th. Kiedis announced during his book tour that the next album would be produced by someone other than Rick Rubin marking the first time since 1989 they have worked without him. Danger Mouse was announced in early 2015 as the producer but shortly after, production was put on hold in March 2015 after bassist Flea suffered a broken arm during a ski trip. Production is expected to resume in July 2015 after Flea is fully healed.[75]

Kiedis received the Ira Gershwin Award for Lifetime Musical Achievement, presented at the UCLA Spring Sing on May 16, 2015. Kiedis' mother, Peggy Noble Idema, commented on her son receiving the award by saying "This really makes me proud. Both my parents and Grandpa Idema were huge Gershwin fans. I grew up with their music."[76] Following his acceptance speech, Kiedis was joined on stage by his Chili Peppers bandmate Josh Klinghoffer for an acoustic performance of "Otherside", a cover of Sly and the Family Stone's "If You Want Me to Stay" (a song the Chili Peppers hadn't performed since their Freaky Styley tour almost 30 years earlier) and "By the Way".[77]

Other projects

Using the stage name Cole Dammett (adapted from his father's stage name, Blackie Dammett), Kiedis landed a number of small roles in television and film as a teenager in the late 1970s. His early credits include F.I.S.T. and the 1978 ABC Afterschool Special It's a Mile from Here to Glory. Resuming his acting work in the 1990s, Kiedis appeared in the 1991 Keanu Reeves and Patrick Swayze vehicle Point Break playing Tone, a surfer. The Chase, a 1994 movie starring Charlie Sheen as an estranged man trying to escape the cops with a young woman he kidnapped, had Flea and Kiedis playing metalheads who chase Sheen's character in a 4 × 4 truck and end up crashing.

He also organized the New American Music Union, a two-day summer music festival set for August 2008 in Pittsburgh, Pennsylvania. He has assembled a lineup of musicians including Bob Dylan, The Raconteurs, Gnarls Barkley, The Roots, and a second stage featuring college bands. (The lineup did not include Kiedis or the Red Hot Chili Peppers.)[78] In 2011, Kiedis, along with his son Everly, appeared in the documentary, Bob and the Monster. The documentary details the life and career of musician and drug counselor, Bob Forrest.[79] On May 11, 2011, Anthony donated a MTV European Music Award that the band had previously won to help raise funds for ongoing relief in devastated areas of Japan, which was hit with an earthquake and tsunami in March 2011.[80]

Kiedis along with Flea, executive produced the film Low Down which is based on the life of jazz pianist, Joe Albany. Flea co-stars in the film which is set for release in January 2014.

In June 2015, Kiedis and his son Everly Bear, along with Cher and Willow Smith, were revealed to be the "new faces" of Marc Jacobs Fall 2015 ad campaign.[81]

Kiedis, along with his Chili Peppers bandmates, announced in September 2015 that they would be supporting Bernie Sanders in the 2016 presidential election.[82]

Personal life


Kiedis' father, Blackie Dammett, is an actor who has appeared in over 50 movies and television shows. Dammett's autobiography, Lords of the Sunset Strip, was released on March 31, 2013. Through Dammett, Kiedis also has a much younger half-brother. Kiedis' godparent was Sonny Bono. As a child, Kiedis' father was close friends with Bono and his then-wife, Cher, who actually babysat Kiedis.[83] Kiedis has a son named Everly Bear born October 2, 2007, from a relationship with model Heather Christie.[84]

Drug addictions

Kiedis has battled drug addiction, including heroin and cocaine, throughout his life. Since his father was an addict, Kiedis was constantly exposed to drug-using and drug-dealing behavior while growing up. Some of Kiedis' early drug use came from substances he got from his father, including marijuana, which he first smoked when he was 11 years old.[11] He used drugs for years, even into the formation of the band, where other members were also using. A few years into the band's career, he was briefly fired due to his heavy drug use, and at times it got so bad that he failed to show up to some of the band's performances. One night, Kiedis decided to go out and score drugs, which made him miss a performance so the band replaced him with singer Keith Morris. He tried to get clean after Red Hot Chili Peppers guitarist Hillel Slovak died of a heroin overdose (specifically using the method of speedballing) on June 25, 1988, saying he would never shoot up again.[85] He entered rehab and ended up staying clean for five years, but he relapsed in 1994, causing a major delay in the release of the band's 1995 album, One Hot Minute, and he kept using on and off over the next six years.

The last major relapse was instigated by a doctor prescribing him Ultram despite Kiedis specifically asking for drugs that are not in the opiate family. To a recovering heroin addict, the synthetic opiate gives rise to strong cravings. This last relapse, as many previous ones, was to a degree also a byproduct of a tumultuous relationship with a woman. He has reportedly avoided another relapse since December 24, 2000. "It's easy to be a junkie, but it's not easy to be one of the best guitarists or songwriters of all time", Kiedis said, referring to John Frusciante, in the March 2007 issue of Blender.[86][87] After over twenty years of speculation, in May 2012 Vulture Magazine stated that the location where Kiedis would purchase and use drugs and that inspired "Under the Bridge" is located in MacArthur Park in Los Angeles, CA, based on clues taken from Kiedis' memoir. Kiedis had refused to divulge the location.[88]


Musical style

While creating lyrics and melodies for the Red Hot Chili Peppers, Kiedis has drawn from various sources for inspiration. His first musical memory was hearing Neil Young's "Heart of Gold" at age eleven: "It moved me so much that I insisted my mother buy me the 45."[89] In high school, he was highly influenced by the rap-style vocals of Grandmaster Flash and the Furious Five's "The Message" and the "in-your-face sexual lyrics" of Prince's "Dirty Mind".[90] Kiedis writes most of the Red Hot Chili Peppers' lyrics. Starting with 1989's Mother's Milk album, John Frusciante and Flea have written nearly all of the music (excluding melodies) for the Red Hot Chili Peppers, while Kiedis adds lyrics and melodies he hears during instrumental jams by his band mates. Kiedis said in 2006, "Somehow I find songs... in the bigness of what they're doing." His lyrical style has varied over the years. During the band's early years, Kiedis wrote many lyrics detailing his enjoyment of sex, drugs, and life in Los Angeles. As his musical tastes expanded and his outlook on life changed, he began writing songs about a wider spectrum of subjects. His lyrics include many of the same themes as the writings of Charles Bukowski, Kiedis' main literary influence.[87]

His early vocal style with the band primarily consisted of rapping. On Mother's Milk (1989), Kiedis wrote more melody-driven songs, rather than the basic rhythm and beat style of funk. The first song where Kiedis employed his new melodic style was "Knock Me Down". The melody was actually shaped and performed by guitarist John Frusciante. Upon joining the band, Frusciante sang lead vocals on the song along with Kiedis. Blood Sugar Sex Magik in 1991 still saw Kiedis rapping, but he also started singing in songs such as "Under the Bridge", "Breaking the Girl", and "I Could Have Lied". Over the years, Kiedis grew to favor singing over rapping. Kiedis has had many vocal coaches, but none of them had helped him sing "well." In fact, it was not until 1999's Californication that he felt he could take full control of his voice while singing.[87] Despite the band's varied lineup, Kiedis remained and tried to keep the group together whenever it was about to fall apart. However, Kiedis himself was fired for around a month somewhere in 1986 because of his drug addiction; he was brought back into the band and stayed clean for, as he recalls, 53 days, after which he began abusing cocaine and heroin again.

Potential television series

Kiedis was developing a series for HBO based on his unconventional upbringing in Los Angeles. The show was expected to be loosely based on much of Kiedis' autobiography. He had partnered with Catapult 360 partners Marc Abrams and Michael Benson to create the series, titled Spider and Son.[91] The series would center on Kiedis's relationship with his father, Blackie Dammett, who sold many drugs and mingled with rock stars on the Sunset Strip, all while aspiring to get into show business. The show was scheduled to premiere in late 2010 at the very earliest.[92]

According to a post by Blackie on his Facebook page, the John Sayles script for the pilot episode was turned over to HBO on May 10, 2010. On October 14, 2011 it was announced that HBO was no longer interested in the series and that FX has picked up the rights to air the series. John Sayles, who wrote a script for the HBO pilot is no longer involved in the project. Entourage producers, Esther Dawson and Mike Chester will still produce the series and Kiedis will also co-produce the series along with Bram Sheldon. It is unknown if the series will still follow the relationship between Kiedis and his father Blackie or if the entire autobiography will be the focus of the series.[93] In 2013, Dammett briefly mentioned the status of the series, which will be based on both Anthony and Dammett's biographies. Dammett stated the series is currently "mothballed" however he hopes they re-visit the project once the Chili Peppers wrap up their tour in 2013.[94]


Red Hot Chili Peppers




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  2. ^ a b Kiedis, Sloman, 2004. p. 39
  3. ^ Kiedis, Sloman, p. 9
  4. ^ Kiedis, Sloman, p. 14
  5. ^ Kiedis, Sloman, p. 21
  6. ^
  7. ^ Kiedis, Sloman, p. 30
  8. ^ a b c d (2002) "Behind the Music: Red Hot Chili Peppers episode". VH1.
  9. ^ Apter, 2004. p. 34
  10. ^ a b Apter, 2004. p. 35
  11. ^ a b c Kiedis, Sloman. (2004). Scar Tissue. Hyperion. p. 96. ISBN 1-4013-0101-0
  12. ^ Kiedis, Sloman, p. 64.
  13. ^ Apter, 2004. p. 40
  14. ^
  15. ^ a b Page, Scarlet (July 2004). "Red Hot Chili Peppers: The LA Punks Who Defied Death, Grunge And A Burning Crack Den". Mojo.
  16. ^ Mullen, 2010. p. 80
  17. ^ Apter, 2004. p. 60
  18. ^ Mullen, 2010. p. 16
  19. ^ a b Kiedis, Sloman, 2004. p. 104
  20. ^ Kiedis, Sloman, 2004. p. 106
  21. ^ Apter, 2004. p. 61
  22. ^ Apter, 2004. p. 62
  23. ^ a b Kiedis, Sloman, p. 120
  24. ^ a b Apter, 2004. pp. 70–74
  25. ^ Apter, 2004. pp. 78–88
  26. ^ a b Apter, 2004. pp 130–141
  27. ^ Kiedis, Sloman, 2004. p. 191
  28. ^ Kiedis, Sloman, 2004. p. 193
  29. ^ Kiedis, Sloman, 2004, p. 198
  30. ^ Kiedis, Sloman, 2004. p. 200
  31. ^ Apter, p. 133
  32. ^ Kiedis, Sloman, p. 202
  33. ^ Apter, 2004. p. 184.
  34. ^ Mullen, 2010. p. 164
  35. ^ Kiedis, Sloman, 2004. p. 205
  36. ^ Kiedis, p. 222
  37. ^ Kiedis, Sloman, p. 223
  38. ^ Kiedis, Sloman, p. 226
  39. ^ Kiedis, Sloman, p. 224
  40. ^ a b Kiedis, Sloman, 2004. p. 234
  41. ^ Apter, 2004. pp. 178–190
  42. ^ Mother's Milk 2003 reissue liner notes
  43. ^ Kiedis, Sloman, 2004. p. 242
  44. ^
  45. ^ Kiedis, Sloman, p. 245
  46. ^ Kiedis, Sloman, 2004. pp. 274–275
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  48. ^ Kiedis, Sloman, 2004. pp. 265–266
  49. ^ a b Kiedis, Sloman, 2004. p. 267
  50. ^ a b Kiedis, Sloman, 2004. p. 282
  51. ^ Kiedis, Sloman, 2004. p. 311
  52. ^ a b Kiedis, Sloman, 2004. p. 312
  53. ^ Kiedis, Sloman, 2004. p. 313
  54. ^ a b Kiedis, Sloman, 2004. pp. 315–323
  55. ^ Kiedis, Sloman, 2004. p. 328
  56. ^ Kiedis, Sloman, 2004. pp. 336–342
  57. ^
  58. ^
  59. ^ Kiedis and Sloman (2004), pp. 389–400
  60. ^ a b Kiedis and Sloman (2004), p. 423.
  61. ^
  62. ^
  63. ^ a b Kiedis and Sloman (2004), p. 424.
  64. ^
  65. ^
  66. ^ a b c Kiedis, Sloman, 2004. p. 456
  67. ^ Kiedis, Sloman, 2004. p. 458
  68. ^ a b
  69. ^
  70. ^
  71. ^
  72. ^
  73. ^
  74. ^
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  76. ^
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  79. ^
  80. ^ [1]
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  82. ^
  83. ^
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  86. ^
  87. ^ a b c
  88. ^
  89. ^ Mullen, 2010. p. 116
  90. ^ Mullen, 2010. p. 78
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  92. ^
  93. ^
  94. ^
  95. ^
  96. ^


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