World Library  
Flag as Inappropriate
Email this Article

Ashes to Ashes (David Bowie song)

"Ashes to Ashes"
Single by David Bowie
from the album Scary Monsters (and Super Creeps)
Released 8 August 1980
Format 7" single
Recorded The Power Station, New York, February 1980; Good Earth Studios, London, April 1980
Genre New wave, art rock
Length 3:35 (7" single edit)
4:23 (Full-length album version)
Label RCA Records
Producer(s) David Bowie, Tony Visconti
David Bowie singles chronology
"Crystal Japan"
"Ashes to Ashes"
Scary Monsters (and Super Creeps) track listing
"Scary Monsters (and Super Creeps)"
"Ashes to Ashes"

"Ashes to Ashes" is a song by David Bowie, released in 1980. It made No. 1 in the UK and was the first cut from the Scary Monsters (and Super Creeps) album, also a No. 1 hit. As well as its musical qualities, it is noted for its innovative video, directed by Bowie and David Mallet. The lyrics revisit Bowie's Major Tom character from 1969's "Space Oddity", which he referenced once again in 1995 with "Hallo Spaceboy". The song's original title was "People Are Turning to Gold."[1]

Interviewed in 1980, Bowie described the song as "a nursery rhyme. It's very much a 1980s nursery rhyme. I think 1980s nursery rhymes will have a lot to do with the 1880s/1890s nursery rhymes which are all rather horrid and had little boys with their ears being cut off and stuff like that...".[2] Years later, Bowie said that with "Ashes to Ashes" he was "wrapping up the seventies really for myself, and that seemed a good enough epitaph for it".[3]


  • Music and lyrics 1
  • Music video 2
  • Release 3
  • Track listing 4
  • Production credits 5
  • Charts 6
  • Alternative versions 7
  • Live versions 8
  • Other releases 9
  • Cover versions 10
  • Cultural reference 11
  • References 12
  • External links 13

Music and lyrics

Melancholic and introspective, "Ashes to Ashes" featured Bowie's reinterpretation of "a guy that's been in such an early song", namely Major Tom from his first hit in 1969, "Space Oddity". Described as "containing more messages per second" than any single released in 1980,[4] the song also included plaintive reflections on the singer's moral and artistic journey:

I've never done good things
I've never done bad things
I never did anything out of the blue

Instead of a hippie astronaut who casually slips the bonds of a crass and material world to journey beyond the stars, the song describes Major Tom as a "junkie, strung out in heaven's high, hitting an all-time low". This lyric was interpreted as a play on the title of Bowie's 1977 album Low, which charted his withdrawal inwards following his drug excesses in America a short time before, another reversal of Major Tom's original withdrawal "outwards" or towards space.[4]

The final lines, "My mother said, to get things done, you'd better not mess with Major Tom", have been compared to the verse from a nursery rhyme:[5]

My mother said
That I never should
Play with the gypsies in the wood

Bowie himself said in an interview with NME shortly after the single's release, "It really is an ode to childhood, if you like, a popular nursery rhyme. It's about space men becoming junkies (laughs)."[6]

Musically "Ashes to Ashes" was notable for its delicate synthetic string sound, counterpointed by hard-edged funk bass, and its complex vocal layering. Perhaps Bowie's most sophisticated sonic work to date, its choir-like textures were created by guitarist Chuck Hammer with four multi-tracked guitar synthesizers, each playing opposing chord inversions; this was underpinned by Bowie's dead-pan, chanted background voices.[7]

Music video

Solarised colour in the music video

The music video for "Ashes to Ashes" was one of the most iconic of the 1980s. Costing £250,000, it was at the time the most expensive music video ever made.[5] It incorporated scenes both in solarised colour and in stark black-and-white, featuring Bowie in the gaudy Pierrot costume that became the dominant visual representation of his Scary Monsters phase. Also appearing were Steve Strange and other members of the London Blitz scene, including Judith Frankland who had designed clothes for Strange's Visage videos[8] and Darla Jane Gilroy, forerunners of (later participants in) the New Romantic movement that was heavily influenced by Bowie's music and image.[5][9]

Bowie described the shot of himself and the Blitz Kids marching towards the camera in front of a bulldozer as symbolising "oncoming violence".[10] Although it appears that two of the Blitz Kids bow at intervals, they were actually trying to pull their gowns away from the bulldozer in an effort to avoid them getting caught.[9] Scenes of the singer in a space suit—that suggested a hospital life-support system—and others showing him locked in what appeared to be a padded room, made reference to both Major Tom and to Bowie's new, rueful interpretation of him. Contrary to received opinion, the elderly woman lecturing Bowie at the end of the clip was not his real mother.[3]

Record Mirror readers voted "Ashes to Ashes" and Bowie's next single, "Fashion", the best music videos of 1980.[11]


"Ashes to Ashes" hit No. 4 in the UK Singles Chart in its first week of release, rising to No. 1 a week later, making it Bowie's fastest-selling single to that point in time.[5] It was issued in three different sleeves, the first 100,000 copies including one of four sets of stamps, all featuring Bowie in the Pierrot outfit he wore in the video.[12] The B-side, "Move On", was a track lifted from his previous album, Lodger (1979). The US release had "It's No Game (No. 1)". The single peaked at No. 101 in America.

Track listing

  1. "Ashes to Ashes" (Bowie) – 3:34
  2. "Move On" (Bowie) – 3:16

Production credits


Chart (1980-1981) Peak
Australia (Kent Music Report)[13] 3
Austria (Ö3 Austria Top 40)[14] 6
Belgium (Ultratop 50 Flanders)[15] 15
Canadian RPM Top Singles[16] 35
France (SNEP)[17] 14
Germany (Media Control Charts)[18] 9
Irish Singles Chart[19] 4
Netherlands (Dutch Top 40)[20] 11
Netherlands (Single Top 100)[21] 15
New Zealand (Recorded Music NZ)[22] 6
Norway (VG-lista)[23] 3
Sweden (Sverigetopplistan)[24] 6
Switzerland (Schweizer Hitparade)[25] 11
UK (Official Charts Company)[26] 1
U.S. Billboard Hot 100 101
U.S. Billboard Hot Dance Club Play[27] 21
U.S. Cash Box 79

Alternative versions

There have long been rumours of an extended unreleased version of the song, allegedly some 13 minutes long and featuring additional verses, a longer fade-out and a synthesizer solo.[3] A 12:55 version that appeared on the bootleg From a Phoenix... The Ashes Shall Rise was a fake, repeating the song's instrumental breaks to achieve its additional length.[28] Similarly, an 11:44 version on bootleg albums such as Glamour, Vampires of the Human Flesh and Monsters to Ashes was again nothing more than the original track with segments repeated and looped.

Live versions

Other releases

Cover versions

Cultural reference

For the 2008 sequel to their 2006 BBC TV series Life on Mars, the writing team of Matthew Graham and Ashley Pharoah decided to transplant the characters from 1973 to 1981, and chose the title Ashes to Ashes because they thought of it as "that year's big Bowie track".[30] They also borrowed the famous Pierrot iconography from the video of the Bowie single as part of the programme's visual design.[31] In the first season's finale, a car bomb goes off at the line "One flash of light".


  1. ^ David Currie, ed. (1985). David Bowie: The Starzone Interviews. England: Omnibus Press.  
  2. ^ "David Bowie - Scary Monsters Interview, PART 1 (12" Promo, 1980)". YouTube. Retrieved 2014-03-29. 
  3. ^ a b c d Nicholas Pegg (2000). The Complete David Bowie: pp.29–31
  4. ^ a b Roy Carr & Charles Shaar Murray (1981). Bowie: An Illustrated Record: pp.109–116
  5. ^ a b c d David Buckley (1999). Strange Fascination – David Bowie: The Definitive Story: pp.366–369
  6. ^ Angus MacKinnon (1980). "The Future Isn't What It Used to Be". NME (13 September 1980): p.37
  7. ^ Chris Welch (1999). David Bowie: We Could Be Heroes: p.136
  8. ^ "Balenciaga Hears The Sound of Music", The Swelle Life, 22 February 2011
  9. ^ a b Steve Strange at The Blitz Kids
  10. ^ Steve Malins (2007). "Meeting the New Romantics", MOJO 60 Years of Bowie: p.78
  11. ^ Nicholas Pegg (2000). Op Cit: pp.75–76
  12. ^ a b at BowieGoldenYearsScary Monsters
  13. ^ Danyel Smith, ed. (1980). Billboard 25 october 1980. Nielsen Business Media, Inc.  
  14. ^ " – David Bowie – Ashes To Ashes" (in German). Ö3 Austria Top 40.
  15. ^ " – David Bowie – Ashes To Ashes" (in Dutch). Ultratop 50.
  16. ^ "Ashes to ashes in Canadian Top Singles Chart". Library and Archives Canada. Retrieved 24 June 2013. 
  17. ^ "Ashes to ashes in French Chart" (in French). Dominic DURAND / InfoDisc. 24 June 2013. Retrieved 24 June 2013.  You have to use the index at the top of the page and search "David Bowie"
  18. ^ "David Bowie – Ashes To Ashes". GfK Entertainment.
  19. ^ "Ashes to ashes in Irish Chart". IRMA. Retrieved 24 June 2013.  3rd result when searching "Ashes to ashes"
  20. ^ "Nederlandse Top 40 – David Bowie search results" (in Dutch) Dutch Top 40.
  21. ^ " – David Bowie – Ashes To Ashes" (in Dutch). Single Top 100.
  22. ^ " – David Bowie – Ashes To Ashes". Top 40 Singles.
  23. ^ " – David Bowie – Ashes To Ashes". VG-lista.
  24. ^ " – David Bowie – Ashes To Ashes". Singles Top 60.
  25. ^ " – David Bowie – Ashes To Ashes". Swiss Singles Chart.
  26. ^ "1980 Top 40 Official UK Singles Archive - 23rd August 1980". Official Charts Company. Retrieved 24 June 2013. 
  27. ^ "Scary Monsters awards on Allmusic". Allmusic. Retrieved 24 June 2013. 
  28. ^ "Ashes to Ashes" at Illustrated db Discography
  29. ^ Ronin at AllMusic
  30. ^ "Life after Mars", The Guardian, 7 January 2008
  31. ^ "Back in the Day when PC meant Copper", David Belcher, The Herald (Glasgow), 8 February 2008

External links

Preceded by
"The Winner Takes It All" by ABBA
UK number one single
23 August 1980 – 30 August 1980
Succeeded by
"Start!" by The Jam
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.