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Babbitt (novel)

First edition cover
Author Sinclair Lewis
Country United States
Language English
Subject American values
Genre Satire
Publisher Harcourt, Brace & Co.
Publication date
Media type Print (Hardcover)
Pages 432 (paperback)
Preceded by Main Street
Followed by Arrowsmith

Babbitt, first published in 1922, is a novel by Sinclair Lewis. Largely a satire of American culture, society, and behavior, it critiques the vacuity of middle-class American life and its pressure toward conformity. An immediate and controversial bestseller, Babbitt was influential in the decision to award Lewis the Nobel Prize in literature in 1930.[1]

The word "Babbitt" entered the English language as a "person and especially a business or professional man who conforms unthinkingly to prevailing middle-class standards".[2]


  • Sinclair Lewis's America 1
  • Envisioning Zenith 2
  • Plot 3
  • Depictions of youth 4
  • Writing and reception 5
  • Adaptations 6
  • In popular culture 7
  • See also 8
  • References 9
  • External links 10

Sinclair Lewis's America

If Lewis's first widely acclaimed novel, [4]

Although many other popular novelists writing at the time of Babbitt's publication depict the "Roaring Twenties" as an era of social change and disillusionment with material culture, modern scholars argue that Lewis was not himself a member of the "lost generation" of younger writers like Hemingway or Fitzgerald. Instead, he was influenced by the Progressive Era; and changes in the American identity that accompanied the country's rapid urbanization, technological growth, industrialization, and the closing of the frontier.[5] Although the Progressive Era had built a protective barrier around the upstanding American businessman, as one literary scholar writes: "Lewis was fortunate enough to come on the scene just as the emperor's clothes were disappearing."[6] Lewis has been compared to many authors, writing before and after the publication of Babbitt, who made similar criticisms of the middle class. Although published in 1899, long before Babbitt, Thorstein Veblen's The Theory of the Leisure Class, which critiqued consumer culture and social competition at the turn of the 20th century, is an oft-cited point of comparison.[7] Written decades later, in 1950, David Riesman's The Lonely Crowd has also been compared to Lewis's writings.[8]

Envisioning Zenith

Zenith is a typical midsize Midwestern city. Lewis was very critical of the similarities between most American cities, especially when compared to the diverse—and by his lights, culturally richer—cities of Europe. Frowning on the interchangeable qualities of American cities, he wrote: "it would not be possible to write a novel which would in every line be equally true to Munich and Florence."[9] This is not true of Zenith, Babbitt's literary home. Zenith is a fictitious city in the equally fictitious Midwestern state of "Winnemac," adjacent to Ohio, Indiana, Illinois, and Michigan. (Babbitt does not mention Winnemac by name, but Lewis's subsequent novel Arrowsmith elaborates on its location.) When Babbitt was published, newspapers in Cincinnati, Duluth, Kansas City, Milwaukee, and Minneapolis each claimed that their city was the model for Zenith.[10] Cincinnati had perhaps the strongest claim, as Lewis had lived there while researching the book.[11] Lewis's own correspondence suggests, however, that Zenith is meant to be any Midwestern city with a population between about 200,000 and 300,000.[12]

While conducting research for Babbitt, Lewis kept detailed journals, in which he drafted long biographies for each of his characters. For his title character this biography even included a detailed genealogy, as well as a list of Babbitt's college courses. Zenith's major names and families are well-documented in these journals, and many of them emerge again in Lewis's later writings.[13] Zenith's layout is also imagined in careful detail. Lewis drew a series of 18 maps of Zenith and outlying areas, including Babbitt's house, with all its furnishings.[13]

As much as Babbitt is about the American businessman, it is also about American cities. Zenith's chief virtue is [14] Zenith is thus presented as more than simply prosperous; it is safe and wholesome.


Lewis has been both criticized and congratulated for his unorthodox writing style in Babbitt. One reviewer said "There is no plot whatever... Babbitt simply grows two years older as the tale unfolds."[15] Lewis presents a chronological series of scenes in the life of his title character. After introducing George F. Babbitt as a middle-aged man, "nimble in the calling of selling houses for more than people could afford to pay," Lewis presents a meticulously detailed description of Babbitt's morning routine.[16] Each item Babbitt encounters is explained, from the high-tech alarm clock, which Babbitt sees as a marker of social status, to the rough camp blanket, a symbol of the freedom and heroism of the West. As he dresses for the day, Babbitt contemplates each article of his "Solid Citizen" uniform, the most important being his Booster's club button, which he wears with pride. The first seven chapters follow Babbitt's life over the course of a single day. Over breakfast Babbitt dotes on his ten-year-old daughter Tinka, tries to dissuade his 22-year-old daughter Verona from her newfound socialist leanings, and encourages his 17-year-old son Ted to try harder in school. At the office he dictates letters and discusses real estate advertising with his employees.

Babbitt is professionally successful as a realtor. Much of his energy in early chapters is spent on climbing the social ladder through booster functions, real estate sales, and making good with various dignitaries. According to Babbitt, any "decent" man in Zenith belonged to at least two or three "lodges" or booster clubs. They were good for potential business partnerships, getting time away from home and family life, and quite simply because "it was the thing to do."[17] Babbitt admits that these clubs "stimulated him like brandy" and that he often finds work dull and nerve-wracking in comparison. Lewis also paints vivid scenes of Babbitt bartering for liquor (despite being a supporter of Prohibition) and hosting dinner parties. At his college class reunion, Babbitt reconnects with a former classmate, Charles McKelvey, whose success in the construction business has made him a millionaire. Seizing the opportunity to hobnob with someone from a wealthier class, Babbitt invites the McKelveys to a dinner party. Although Babbitt hopes the party will help his family rise socially, the McKelveys leave early and do not extend a dinner invitation in return.

Gradually, Babbitt realizes his dissatisfaction with "[18] Although the trip has its ups and downs, the two men consider it an overall success, and leave feeling optimistic about the year ahead.

On the day that Babbitt gets elected vice-president of the Booster's club, he finds out that Paul shot his wife Zilla. Babbitt immediately drives to the jail where Paul is being held. Babbitt is very shaken up by the situation, trying to think of ways to help Paul out. When Paul is sentenced to a three-year jail term, "Babbitt returned to his office to realize that he faced a world which, without Paul, was meaningless."[19] Shortly after Paul's arrest, Myra (Babbitt's wife) and Tinka go to visit relatives, leaving Babbitt more or less on his own. Alone with his thoughts, Babbitt begins to ask himself what it was he really wanted in life. Eventually, "he stumbled upon the admission that he wanted the fairy girl – in the flesh."[20] Missing Paul, Babbitt decides to return to Maine. He imagines himself a rugged outdoorsman, and thinks about what it would be like to become a camp guide himself. Ultimately, however, he is disenchanted with the wilderness and leaves "lonelier than he had ever been in his life."[21]

Eventually Babbitt finds the cure for his loneliness in an attractive new client, Tanis Judique. He opens up to her about everything that happened with Paul and Zilla, and Tanis proves to be a sympathetic listener. In time, Babbitt begins to rebel against all of the standards he formerly held: he jumps into liberal politics with famous socialist litigator Seneca Doane; conducts an extramarital affair with Tanis; goes on various vacations; and cavorts around Zenith with would-be Bohemians and flappers. But each effort ends up disillusioning him to the concept of rebellion. On his excursions with Tanis and her group of friends, "the Bunch," he learns that even the Bohemians have rigid standards for their subculture. When Virgil Gunch and others discover Babbitt's activities with Seneca Doane and Tanis Judique, Virgil tries to convince Babbitt to return to conformity and join their newly founded "Good Citizens' League." Babbitt refuses. His former friends then ostracize him, boycotting Babbitt's real estate ventures and shunning him publicly in clubs around town.

Babbitt slowly becomes aware that his forays into nonconformity are not only futile but also destructive of the life and the friends he once loved. Yet he continues with them – even after Myra suspects Babbitt's affair, though she has no proof or specific knowledge. Unrelated to these events, Myra falls seriously ill with acute appendicitis. Babbitt, in a near-epiphany, rushes home and relinquishes all rebellion in order to care for his wife. During her long recovery, they spend a lot of time together, rekindling their intimacy. In short time, his old friends and colleagues welcome Babbitt back into the fold. The consequence of his disgruntled philosophical wanderings being met with practical events of life, he reverts into dispassionate conformity by the end; however, Babbitt never quite loses hold of the sentimentality, empathy, and hope for a meaningful life that he had developed. In the final scene, all has been righted in his life and he is back on a traditional track. He is awakened in the night to find that his son Ted and Eunice, the daughter of his neighbor, have not returned from a party. In the morning his wife informs him that the two have been discovered in the house, having been married that night. While an assemblage of friends and family gather to denounce this development, Babbitt excuses himself and Ted to be alone. He offers his approval of the marriage stating that though he does not agree he admires the fact that Ted has chosen to lead his life by his own terms and not that of conformity.

Depictions of youth

Although Lewis sought to portray the middle-aged American in Babbitt, he includes tidbits of his character's youthful dreams and ideals. Babbitt often reflects on his failed goal of becoming a lawyer. In college he dreamed of defending the poor against the "Unjust Rich," and possibly even running for governor. He began practicing real estate in college to earn money for living expenses, but settled into real estate permanently shortly after marriage. Babbitt's best friend, Paul, is similarly haunted by unfulfilled dreams. A talented violinist, he had hoped when younger to study in Europe. When he and Babbitt leave for their trip to Maine, they stop off in New York, where Paul looks longingly at ocean liners set to cross the Atlantic. Paul still plays the violin on occasion; when he does "even Zilla was silent as the lonely man who lost his way ... spun out his dark soul in music."[22] Despite having abandoned his former goals and ideals, Babbitt still dreams of a "fairy child": an imaginary woman full of life and gaiety who sees him not as a stodgy old businessman but as a "gallant youth."[16] He imagines various women as his fairy child, including his secretary, a manicurist, his son's girlfriend, and finally Tanis Judique.

Having failed in his aspirations to become a lawyer himself, Babbitt hopes his son, Ted, will go to law school. Ted, however, is hardly interested in finishing high school. Rather than focusing on college, Ted clips advertisements for engineer. Eunice is described as "movie crazy" and very modern in appearance, wearing her hair in a short bob and skirts that show off her knees.

Babbitt's hopes for his elder daughter, Verona, consist mostly of her making a good marriage. Babbitt is concerned about her socialist-leaning political views. The books she reads, including poetry by Vachel Lindsay and essays by H. L. Mencken, particularly disturb him as threatening to the virtues of solid citizenship. Babbitt's younger daughter, Tinka, only ten at the start of the book, is doted upon and admired.

Writing and reception

In writing Babbitt, Lewis had very clear goals. He wanted to create not a caricature but a living and breathing individual with recognizable hopes and dreams. In a letter to his publisher, Lewis wrote: "He is all of us Americans at 46, prosperous but worried, wanting – passionately – to seize something more than motor cars and a house before it's too late."[23] Babbitt's mediocrity is central to Lewis's hopes of creating a realistic character. He believed the fatal flaw of other authors' attempts to capture the American businessman was that they always made him out to be exceptional. In early descriptions of Babbitt, Lewis mused: "This is the story of the ruler of America."[24] As he saw it, the "Tired American Businessman" wielded power not through his exceptionality, but through militant normalcy. But Lewis also strove to portray the American businessman as deeply dissatisfied and privately aware of his shortcomings. He was "the most grievous victim of his own militant dullness" and secretly longed for freedom and romance.[24] Readers praising Lewis for his "realism" eagerly admitted the regularity with which they encountered Babbitts in their daily lives, but could also relate to some of Babbitt's anxieties about conformity and personal fulfillment.

In its first year alone, Babbitt sold 140,997 copies in the United States.[25] Published only two years after Lewis's previous bestselling novel, Main Street, the book was highly anticipated, and comparisons between the two were not uncommon. As one reviewer put it, both novels presented a portrait in which "the principal character is brought into conflict with the accepted order of things sufficiently to illustrate its ruthlessness."[26] Like Main Street, the portrait of American life that Babbitt presented was controversial and had its share of admirers and critics.

Social critic and fellow satirist H. L. Mencken was among Lewis's most ardent supporters. Calling himself "an old professor of Babbittry," Mencken declared the novel a stunning work of realism.[15] To Mencken, George F. Babbitt was more than a character; he was an archetype, representing swarms of American city dwellers who touted the virtues of Republicanism, Presbyterianism, and absolute conformity. He wrote, "It is not what he [Babbitt] feels and aspires that moves him primarily; it is what the folks about him will think of him. His politics is communal politics, mob politics, herd politics; his religion is a public rite wholly without subjective significance."[15] Babbitt, he believed, was the literary embodiment of everything wrong with American society.[15] Followers of Mencken, along with like-minded critics, were sometimes called "Babbitt-baiters."[27]

While Mencken praised Babbitt as unflinching satire, others argued that Lewis took his depiction of the American businessman too far. One reviewer, comparing Babbitt to the writing of such more "graceful" satirists as Dickens and Twain, argued that Lewis's "gift is almost entirely for making people nasty" and that his characters therefore wind up unbelievable.[28] Another reviewer, agreeing that Lewis was no Twain, calls Babbitt "a monstrous, bawling, unconscionable satire," and writes "Mr. Lewis is the most phenomenally skillful exaggerator in literature today."[29] Although many critics agreed that there was some truth in the depiction of America Lewis put forth, they could not agree that it existed to the extent portrayed in Babbitt.

In the mid-1920s, after spending several years as the subjects of "Babbitt-baiting," American businessmen, Rotary members, and the like began defending the country's so-called "Babbitts." Taking to the

  • Babbitt by Sinclair Lewis
  • Babbitt at Project Gutenberg
  • Babbitt, American Studies, University of Virginia

External links

  • Hines, Thomas S. "Echoes from 'Zenith': Reactions of American Businessmen to Babbitt" Business History Review" 41, no. 2 (1967)
  • Hutchisson, James M. "All of Us at 46: The Making of Sinclair Lewis' Babbitt," Journal of Modern Literature 18, no. 1 (1992): 98.
  • Hutchisson, James M. The Rise of Sinclair Lewis: 1920–1930 (State College, Pennsylvania: Pennsylvania State University Press, 1996). ISBN 0271015039
  • Lewis, Sinclair. "Unpublished Introduction to Babbitt," in Go East, Young Man: Sinclair Lewis on Class in America, ed. Sally E. Parry (New York: Signet Classics, 2005)
  • Love, Glen A. Babbitt: An American Life (New York: Twayne Publishers, 1993)
  • Schorer, Mark. Sinclair Lewis: An American Life (New York: McGraw-Hill, 1961)


  1. ^ Phelps, William Lyon/ "Sinclair Lewis and the Nobel Prize", Washington Post (December 7, 1930)
  2. ^
  3. ^ Hunter, Gordon. introduction to Babbitt by Sinclair Lewis (New York: Oxford University Press, 2010), ix–xi.
  4. ^ Karlfedt, Erik Axel. "Presentation Speech", accessed April 4, 2012,
  5. ^ Love (1993), p. 10
  6. ^ Love (1993), p. 42.
  7. ^ Ames, Russell. "Sinclair Lewis Again", College English 10, no. 2 (1948): 78.
  8. ^ Love (1993), p. 12
  9. ^ Lewis (2005), p.22
  10. ^ Schorer (1961), p. 344
  11. ^ Schorer (1961), 301.
  12. ^ Schorer (1961), 301–2.
  13. ^ a b Hutchisson (1992)
  14. ^ Lewis, Sinclair Babbitt (New York: Harcourt, Brace and Company, Inc., 1922), 180.
  15. ^ a b c d Mencken, H. L., "Portrait of an American Citizen," The Smart Set 69 (October 1922) pp. 138–139
  16. ^ a b Babbitt, p.2
  17. ^ Babbitt, p.203
  18. ^ a b Babbitt, p. 149
  19. ^ Babbitt, p. 269
  20. ^ Babbitt, p. 273
  21. ^ Babbitt, p. 300
  22. ^ Babbitt, p. 204
  23. ^ Smith, Harrison (ed.), Main Street to Stockholm: Letters of Sinclair Lewis, 1919–1930 (New York: Harcourt, Brace and Company, 1952), p. 59.
  24. ^ a b Lewis (2005), p. 15
  25. ^ a b Hutchisson (1996), p.89
  26. ^ Mollyneaux, Peter. "Babbitt," review of Babbitt, by Sinclair Lewis, Fort Worth Star Telegram (October 8, 1922)
  27. ^ Hines (1967), p. 126
  28. ^ Wilson, Edmund. "From Maupassant to Mencken," review of Babbitt, by Sinclair Lewis, Vanity Fair (December, 1922): 25.
  29. ^ "Babbitt," review of Babbitt, by Sinclair Lewis, The North American Review 216 (1922): 716.
  30. ^ Hines (1967), pp. 132–134.
  31. ^ Oxford English Dictionary, 3rd ed., s.v. "Babbittry."
  32. ^ a b Sterrritt, David, "Babbitt" Turner Classic Movies, accessed April 10, 2012
  33. ^ Babbitt at the Internet Movie Database
  34. ^ Babbitt at the Internet Movie Database
  35. ^ C. E. M. Joad, The Babbitt Warren (London: K. Paul, Trench, Trubner, 1926).
  36. ^ Jones, Leslie Ellen. J.R.R. Tolkien: A Biography. Greenwood, 2003, p. 83-84.
  37. ^ Shippey, Tom. The Road to Middle Earth. Boston: Houghton Mifflin, 2003, p. 67
  38. ^ Bramlett, Perry C. I am in Fact a Hobbit Macon: Mercer University Press, 2003, p. 32-33.
  39. ^ Stevenson, Elizabeth. Babbitts and Bohemians: From the Great War to the Great Depression (New York: Macmillan Company, 1967)



See also

  • 1922Vachel Lindsay wrote a poem titled "The Babbitt Jambouree".[25]
  • 1927 – English author C. E. M. Joad published The Babbitt Warren, a scathing critique of American society.[35]
  • 1937 – English author J.R.R. Tolkien published The Hobbit; the title and the originally somewhat complacent and bourgeois character of Bilbo and hobbits in general were influenced by Babbitt.[36][37][38]
  • 1946 – The song "The Babbitt and the Bromide", by Ira Gershwin, featured in the film Ziegfeld Follies.
  • 1967 – Elizabeth Stevenson published a popular history of the 1920s titled Babbitts and Bohemians: From the Great War to the Great Depression.[39]

In popular culture

Babbitt has been converted into films twice, a feat 1934 talkie starring Guy Kibbee. That version, while remaining somewhat true to Lewis's novel, takes liberties with the plot, exaggerating Babbitt's affair and a sour real estate deal.[32] Both films were Warner Bros. productions.[33][34]


Babbitt continued to be used as a negative [31]


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