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Bath Assembly Rooms

Assembly Rooms
The Assembly Rooms and Fashion Museum
Location Bath, England
Coordinates
Built 1771 (1771)
Restored 1963
Restored by Sir Albert Richardson
Architect John Wood, the Younger
Architectural style(s) Georgian
Governing body Bath and North East Somerset Council
Owner National Trust
Listed Building – Grade I
Official name: Assembly Rooms
Designated 12 June 1950[1]
Reference no. 1394144
Bath Assembly Rooms is located in Somerset
Location of Assembly Rooms in Somerset

The Bath Assembly Rooms, designed by John Wood, the Younger in 1769, are a set of elegant assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.[1]

During the John Wood, the Elder and his son John Wood, the Younger laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a Tontine and construction started in 1769. The New or Upper Assembly Rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time.

The tea room; the card room; and the octagon. The rooms have Whitefriars crystal chandeliers and are decorated with fine art. In the 20th century they were used as a cinema and in 1931 were taken over by the Society for the Protection of Ancient Buildings and restored. They were bombed and burnt out during the Second World War, with restoration undertaken by Sir Albert Richardson before reopening in 1963. They are now owned by the National Trust and operated by Bath and North East Somerset Council for public functions. The basement of the building provides a home to the Fashion Museum.

Contents

  • History 1
  • Architecture 2
  • Current use 3
  • See also 4
  • References 5
  • External links 6

History

Several areas of Bath had undergone development during the

External links

  1. ^ a b c d e f g h "Assembly Rooms". National Heritage List for England. English Heritage. Retrieved 14 December 2013. 
  2. ^ Hembury, Phylis May (1990). The English Spa, 1560–1815: A Social History. Fairleigh Dickinson Univ. Press.  
  3. ^ "John Wood and the Creation of Georgian Bath". Building of Bath Museum. Archived from the original on 13 November 2007. Retrieved 8 December 2007. 
  4. ^ "Ralph Allen Biography". Bath Postal Museum. Retrieved 5 June 2012. 
  5. ^ "Queen Square". UK attractions. Archived from the original on 19 April 2008. Retrieved 10 January 2008. 
  6. ^ "Queen Square (north side)". Images of England. Retrieved 10 January 2008. 
  7. ^ Gadd, David (1987). Georgian Summer. Countryside Books. 
  8. ^ "Royal Crescent". Images of England. Retrieved 14 November 2006. 
  9. ^ Elliot, Kirsten (2004). The myth maker: John Wood 1704–1754. Akeman Press. pp. 57–68.  
  10. ^  
  11. ^ "Guildhall". Images of England. English Heritage. Retrieved 25 July 2009. 
  12. ^ Spence, Cathryn. "The Lower Assembly Rooms, Bath". Cathryn Spence. Retrieved 15 December 2013. 
  13. ^ Manco, Jean (1995). "Pulteney Bridge".  
  14. ^ a b c Forsyth, Michael (2003). Pevsner Architectural Guides: Bath. Yale University Press. pp. 88–91.  
  15. ^ a b c d Knowles, Rachel. "The Upper Assembly Rooms, Bath". Regency History. Retrieved 14 December 2013. 
  16. ^ "Bath Assembly Rooms". National Trust. Retrieved 14 December 2013. 
  17. ^ "Assembly Rooms & Fashion Museum". Stately Home.com. Retrieved 14 December 2013. 
  18. ^ Greeves, Lydia (2008). Houses of the National Trust: Outstanding Buildings of Britain. National Trust Books. p. 41.  
  19. ^ McVeigh, Simon; Wollenberg, Susan (2004). Concert Life in Eighteenth-century Britain. Ashgate Publishing. p. 31.  
  20. ^ "Assembly Rooms – Famous visitors". Fashion Museum. Retrieved 14 December 2013. 
  21. ^ "Persuasion (Chapter 20)". Public Bookshelf. Retrieved 14 December 2013. 
  22. ^ "Chapter XXXV". The Pickwick Papers, by Charles Dickens (1836–37). Victorian Web. Retrieved 14 December 2013. 
  23. ^ a b "Bath Assembly Rooms". Pastscape. English Heritage. Retrieved 14 December 2013. 
  24. ^ Bradley, Ian (2010). Water Music: Making Music in the Spas of Europe and North America. OUP. pp. 41–42.  
  25. ^ a b "The Assembly Rooms Bath". Bath's Historic Buildings. Bath and North East Somerset Council. Retrieved 14 December 2013. 
  26. ^ "William Hoare". Your paintings. BBC. Retrieved 14 December 2013. 
  27. ^ "Edwin Long". Your paintings. BBC. Retrieved 14 December 2013. 
  28. ^ "Allan Ramsey". Your paintings. BBC. Retrieved 14 December 2013. 
  29. ^ "Ball Room". Bath's Historic Buildings. Bath and North East Somerset council. Retrieved 14 December 2013. 
  30. ^ "Tea Room". Bath's Historic Buildings. Bath and North east Somerset council. Retrieved 14 December 2013. 
  31. ^ "Octagon". Bath's Historic Buildings. Bath and North east Somerset council. Retrieved 14 December 2013. 
  32. ^ "The Upper Rooms". Jane Austen.co.uk. Retrieved 14 December 2013. 
  33. ^ "Card Room". Bath's Historic Buildings. Bath and North east Somerset council. Retrieved 14 December 2013. 
  34. ^ "Concerts taking place at assembly rooms". Bath Mozart Fest. Retrieved 14 December 2013. 
  35. ^ Evans, Rian (11 November 2008). "Bath Mozartfest". Guardian. Retrieved 14 December 2013. 
  36. ^ "Fashion museum, Bath". 24 hour museum. Culture 24. Retrieved 14 December 2013. 
  37. ^ "Bath as a film location". Museum of Costume. Retrieved 14 December 2013. 

References

See also

The grandeur of the building make it a popular location for feature films and television series set in the Georgian period. The BBC have used it as a location for the filming of an adaptation of Northanger Abbey in 1986 and in 1995 Persuasion.[37]

The basement of the building provides a home to the Fashion Museum, which was known before 2007 as the Museum of Costume. The collection was started by Doris Langley Moore, who gave her collection to the city of Bath in 1963. It focuses on fashionable dress for men, women and children from the late 16th century to the present day and has more than 30,000 objects. The earliest pieces are embroidered shirts and gloves from about 1600.[36]

Today the rooms are owned by the National Trust and operated by Bath and North East Somerset Council. The main rooms are still available for hire for private functions.[25] They are also used for concerts, including ones that are part of the Bath International Music Festival.[34][35]

The Octagon Room, with a central chandelier

Current use

[33] In 1777 the Card Room was added. This is now used as a bar.[32] The Tea Room holds up to 250 people. It was the location for a banquet attended by [1] The ceiling is 42 feet (13 m) high.[15] It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide.[29] The Ballroom has five chandeliers and capacity for up to 500 people.

The limestone building has a slate hipped roof. It is rectangular with a projecting doric portico entrance and an extension to the rear.[1] The interior is laid out in a U shape, with the larger Ball Room and Tea Room along either side with the octagonal Card Room at the end.[15] The rooms have Whitefriars crystal chandeliers and are decorated with pictures by Thomas Gainsborough, Allan Ramsay (artist), Edwin Long and William Hoare.[25][26][27][28]

Three chandeliers adorning the Tea Room

Architecture

In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931.[14][23] The building was restored by A Mowbray Green in 1938,[1] with Oliver Messel as the interior designer.[14] During the Bath Blitz of 25/26 April 1942, one of the retaliatory raids on England by the Baedeker Blitz following the RAF's raid on Lübeck, the Assembly Rooms were bombed and burnt out inside. After the cessation of hostilities in Europe, they were restored by Sir Albert Richardson, with work being completed in 1963. The ballroom ceiling had to be repaired after it collapsed in 1989.[1]

Venanzio Rauzzini.[24]

In the ball-room, the long card-room, the octagonal card-room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music — not of the quadrille band, for it had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh — low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.

Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in The Pickwick Papers (published in 1837):

Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady Dalrymple must be waited for, they took their station by one of the fires in the Octagon Room.
— Jane Austen, Persuasion (Chapter 20)[21]
Mrs Allen was so long in dressing, that they did not enter the ball-room till late. The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr Allen, he repaired directly to the card-room, and left them to enjoy a mob by themselves.
1837 Steel engraving, probably by Hablot Knight Browne, "The Card-room at Bath" used in The Pickwick Papers

People would gather in the rooms in the evening for balls and other public functions, or simply to play cards.[18] Mothers and chaperones bringing their daughters to Bath for the social season, hoping to marry them off to a suitable husband, would take their charge to such events where, very quickly, one might meet all the eligible men currently in the City. At one concert in 1779, attended by around 800 ladies and gentlemen, 60 members of the nobility were present.[19] During the season, which ran from October to June, at least two balls a week were held, in addition to a range of concerts and other events.[15] Scenes such as this feature in the novels of Jane Austen, who lived in Bath with her parents and sister from 1801 to 1805. Her two novels set in Bath, Northanger Abbey and Persuasion, were published in 1818 and both mention the Assembly Rooms:

Entrance into the Octagon Room

The Assembly Rooms formed the hub of fashionable Georgian society in the city, the venue being described as "the most noble and elegant of any in the kingdom".[16] They were originally known as the Upper Rooms as there was also a lower assembly room in the city, which closed soon after the Upper Rooms opened. They served the newly built fashionable area which included The Circus, Queen Square and the Royal Crescent.[17]

In around 1770 the neoclassical architect Robert Adam designed Pulteney Bridge, a three-arched bridge spanning the River Avon. He used as his prototype an original, but unused, design by Andrea Palladio for the Rialto Bridge in Venice.[13] Adam also submitted plans for the new Assembly Rooms but these were rejected as too costly.[14] John Wood, the Younger raised funding for the construction of the Assembly Rooms by the use of a Tontine, an investment plan that is named after the Neapolitan banker Lorenzo de Tonti, who is credited with inventing it in France in 1653. It combines features of a group annuity and a lottery. Each subscriber pays an agreed sum into the fund, and thereafter receives an annuity. As members die, their shares devolve to the other participants, and so the value of each annuity increases. On the death of the last member, the scheme is wound up. Construction started in 1769 and was completed in 1771, when a grand opening was held.[15]

Fancy Dress Ball at the Bath Assembly Rooms by Thomas Rowlandson

The heart of the Georgian city was Wood's Pump Room, which, together with its associated Lower Assembly Rooms, was designed by Thomas Baldwin, a local builder responsible for many other buildings in the city, including the terraces in Argyle Street[10] and the Guildhall,[11] The Lower Assembly Rooms consisted of two buildings. The first built in 1708 for Thomas Harrison overlooking Parade Gardens between North Parade and Bath Abbey. A large ballroom was added in 1720, with further enlargement in 1749 and 1810 when it became known as The Kingston Assembly Rooms. In 1728 another building, known as Lindsey's Assembly Rooms, was constructed, lasting until demolition around 1820 for the building of York Street. Harrison's Lower Assembly Rooms were devastated by a fire in 1821 and rebuilt, lasting until demolition in 1933 for road improvements on the site now known as "Bog Island".[12]

Much of the development at this time consisted of new residential areas away from the old city centre. Queen Square was the first speculative development by John Wood, the Elder, who lived in one of the houses.[5][6] The Circus consists of three long, curved terraces designed by the elder John Wood to form a circular space or theatre intended for civic functions and games. The games give a clue to the design, the inspiration behind which was the Colosseum in Rome.[7] The most spectacular of Bath's terraces is the Royal Crescent, built between 1767 and 1774 and designed by the younger John Wood.[8] Gay Street links Queen Square to The Circus. All of which were designed by John Wood, the Elder in 1735 and completed by his son John Wood, the Younger.[9]

[4] (1694–1764).Ralph Allen, which were owned by Combe Down and Bathampton Down Mines limestone used for construction throughout the city was obtained from the Bath stone Much of the creamy gold [3] laid out the new quarters in streets and squares, the identical façades of which gave an impression of palatial scale and classical decorum.John Wood, the Younger and his son John Wood, the Elder The architects [2]

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