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Between Heaven and Hell (film)

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Title: Between Heaven and Hell (film)  
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Subject: Mark Damon, Frank Gorshin, 1956 in film, Richard Fleischer, Biff Elliot
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Between Heaven and Hell (film)

Between Heaven and Hell
Theatrical release lobby card
Directed by Richard Fleischer
Produced by David Weisbart
Screenplay by Harry Brown
Based on The Day the Century Ended
1955 novel 
by Francis Gwaltney
Starring Robert Wagner
Buddy Ebsen
Broderick Crawford
Music by Hugo Friedhofer
Cinematography Leo Tover
Edited by James B. Clark
Distributed by 20th Century Fox
Release dates
  • October 11, 1956 (1956-10-11) (United States)
Running time 94 minutes
Country United States
Language English
Budget $1,520,000[1]
Box office $2 million (US rentals)[2]

Between Heaven and Hell is a 1956 20th Century Fox Cinemascope color war film based on the novel The Day the Century Ended[3] by Francis Gwaltney that the film follows closely. The story is told in flashback format detailing the life of Sam Gifford (Robert Wagner) from his life as a Southern landowner to his war service in the Philippines during World War II.

The film stars Robert Wagner, Buddy Ebsen, Terry Moore, and Broderick Crawford, was directed by Richard Fleischer and was partly filmed on Kaua'i.

The film's score by Hugo Friedhofer that included elements of the Dies Irae was nominated for an Academy Award.[4]


In 1945, on a Pacific island, Sam Gifford (Wagner) is busted from sergeant to private and reprimanded by his battalion commander for striking an officer. Because he had earned a regular army comrades-in-arms Millard (Frank Gorshin) and Swanson (Skip Homeier), who act as Waco's personal bodyguards. Impressed by Gifford's combat record, Waco offers him a membership in his private circle as a radio operator. This ends when Gifford beats up Swanson for making suggestive remarks about his wife's photograph. Waco burns the photograph. The incident triggers flashbacks in which Sam relives the path that brought him to this purgatory.

Before the war Gifford was a wealthy cotton farmer in the South who treated his sharecroppers with callous disregard for their personal lives. When the United States gets involved in the war, Gifford's National Guard unit is called to active service with the United States Army. Gifford's father-in-law, Col. Cousins (Robert Keith), is also his regimental commander. Despite Gifford's wealth and commanding position in civilian life, he is not a commissioned officer but a platoon sergeant. His close association with his former croppers under miserable and dangerous conditions changes Gifford's perspectives and he becomes close buddies with several of them. Though capably leading his platoon earns him a medal for valor, Gifford outwardly exhibits signs of fear, battle fatigue, and neurosis. These weaknesses intensify when his father-in-law is killed by a sniper. Another officer, a wealthy landowner disdainful of his men both as workers and as soldiers, machine guns Gifford's friends out of cowardice and panic. Gifford attempts to beat him to death with the butt of his rifle. The flashback is broken when Waco calls Gifford into company headquarters.

Waco orders Gifford to lead a six man patrol to check a town believed to be the location of a Japanese headquarters. The patrol finds the town abandoned. Gifford takes the name plaque off the front door of the town's church. During the patrol Gifford and his men spot a platoon strength unit of the Japanese Imperial Army equipped with mortars heading towards the hills near George Company's Headquarters. Gifford reports his findings to Waco. Waco accuses Gifford of not going to the town but hiding in the hills but Gifford tosses the plaque on Waco's desk as proof. The headquarters receives a heavy artillery barrage from the Japanese mortars that Gifford warned Waco about in which Millard is killed. Sam is sent by Waco to outpost duty with a lieutenant nicknamed Little Joe (Brad Dexter). There he forms a friendship with another former sharecropper, Willie Crawford (Buddy Ebsen). After an attack, the outpost has lost radio contact with the company and Gifford is sent back to company HQ for fresh batteries. He arrives to find that Waco has been relieved of command when several wounded men informed battalion headquarters of his behavior. Waco, in formal uniform including rank insignia as he prepares to leave, is shot and killed by a Japanese sniper when he demands that his soldiers salute him.

Gifford returns to the outpost, which is hit with another attack in which Little Joe is killed. Gifford and Crawford are the sole survivors. With Crawford wounded in the leg, Crawford orders Gifford make it through the lines alone to warn the Company of an impending large attack. At first Gifford refuses to leave Crawford behind, but Crawford insists, pointing a pistol at Gifford and saying its an order. Gifford fights his way through Japanese soldiers to make his way back to the Company but he is wounded along the way. Upon reaching the company he finds that most of the Battalion has come up to begin a new offensive. Gifford warns them about the Japanese units massing in the hills. He demands that help be sent to rescue Crawford. Just at that moment a patrol comes in with Crawford on a stretcher. Crawford and Gifford are told because of their wounds they are being shipped home. Gifford tells Crawford that he wants Crawford to live with him and his family at his mansion back home and he can have a job at Gifford's company.



Arkansas-born Francis Irby Gwaltney soldiered in the Philippines with the 112th Cavalry that served throughout the Pacific doing several amphibious landings.[5] During this service he formed a friendship with Norman Mailer whom he met there.[6]

The Day the Century Ended was Gwaltney's most famous novel. When Fox picked the 1955 novel up for filming they assigned it to Philippine veteran Rod Serling famed for his American television plays. Unfortunately Serling's first screenplay was nine hours long and the project was given to other writers,[7] notably Harry Brown who had written the book A Walk in the Sun.

Between Heaven and Hell is one of the 1950s depictions of the US Army that did not paint a recruiting poster image and was more in tune with many soldier's memories such as From Here to Eternity, Robert Aldrich's Attack or Samuel Fuller's films.

Fleischer uses the Cinemascope widescreen format well, notably in views of hills lit up by a firefight.


Critical response

When the film was first released, The New York Times panned the film, writing, "To be just as blunt about it as Twentieth Century-Fox, Between Heaven and Hell, a World War II drama, lands accordingly, with a pretty dull thud. This curiously rambling, unconvincing and often baffling picture, opening yesterday at Loew's State, very sketchily suggests the regeneration of a hard-headed young G. I. on a Japanese island in the Pacific...Except for the sideline skirmishes with the Japanese, and one fine, big beachhead battle staged by director Richard Fleischer, the action focuses on the outpost, where a brutal, slightly demented company commander, Mr. Crawford, reigns supreme. Mr. Wagner not only manages to survive some snarling comrades, most of whom are wiped out, but also the enemy in a series of lagging, disjointed clashes, verbal and physical, that shed little light on anything or anybody."[8]


  1. ^ Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p250
  2. ^ Aubrey Solomon, Twentieth Century Fox: A Corporate and Financial History, Scarecrow Press, 1989 p226
  3. ^ Encyclopedia of Arkansas History & Culture web site. Last accessed: February 14, 2011.
  4. ^ Between Heaven and Hell at the Internet Movie Database
  5. ^ Texas Military Forces Museum web site. Last accessed: February 14, 2011.
  6. ^ Life magazine at Google Books. Last accessed: February 14, 2011.
  7. ^ Gamma Magazine, first edition, 1963. Last accessed: February 14, 2011.
  8. ^ The New York Times, film review, October 12, 1956. Last accessed: February 14, 2011.

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