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Canon (fiction)

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Title: Canon (fiction)  
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Subject: Deletion policy/Middle-earth items, Aqua Teen Hunger Force, Slash fiction, Apocrypha (fiction), Stargate literature
Collection: 1911 Introductions, Canons (Fiction), Continuity (Fiction)
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Canon (fiction)

In fiction, canon is the material accepted as officially part of the story in an individual universe of that story. It is often contrasted with, or used as the basis for, works of fan fiction. The alternative terms mythology, timeline, and continuity are often used, with the former being especially to refer to a richly detailed fictional canon requiring a large degree of suspension of disbelief (e.g. an entire imaginary world and history), while the latter two typically refer to a single arc where all events are directly connected chronologically.


  • Origin 1
  • Canonicity 2
  • Fanon 3
  • See also 4
  • References 5
    • Sources 5.1


The use of the word "canon" in reference to a set of texts derives from Biblical canon, the set of books regarded as scripture, as contrasted with non-canonical Apocrypha.[1] The term was first used by analogy in the context of fiction to refer to the Sherlock Holmes stories and novels, written by Sir Arthur Conan Doyle. Ronald Knox used the term in a 1911 essay "Studies in the Literature of Sherlock Holmes" to distinguish Doyle's works from subsequent pastiches by other authors.[2][3] It has subsequently been applied to many media franchises. Among these are science fiction and fantasy franchises such as Star Trek, Star Wars, Harry Potter, Halo, Fallout, The Elder Scrolls, Mass Effect, BioShock, Doctor Who, Middle-earth, A Song of Ice and Fire, the Narnia series, the The Dark Tower books, and Dinotopia, in which many stories have been told in different media, some of which may contradict or appear to contradict each other.[3]


When there are multiple "official" works or original media, the question of what is and what is not canonical can be unclear. This is resolved either by explicitly excluding certain media from the status of canon (as in the case of Star Trek and Star Wars), by assigning different levels of canonicity to different media (as was in the case of Star Wars before the franchise was purchased by Disney), by considering different but licensed media treatments official within their own continuities but not across them (as with Battlestar Galactica), or not resolved at all. The use of canon is of particular importance with regard to reboots or re-imaginings of established franchises, such as the 2009 Star Trek film, because of the ways in which it influences the viewer experience.[4]

The official Star Trek website describes Star Trek canon as "the events that take place within the live-action episodes and movies" (that is, the television series Star Trek: The Original Series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise, and the Star Trek motion pictures).[5] Events, characters and story lines from tie-in novels, comic books, video games and Star Trek: The Animated Series are explicitly excluded from the Star Trek canon, but the site notes that elements from these sources have been subsequently introduced into the television series, and says that "canon is not something set in stone."[5] One example of a non-canonical element that later became canonical in the Star Trek universe was the name "Tiberius" becoming the official middle name of Enterprise captain James T. Kirk. The name was introduced in the Star Trek animated series, and was later added into the official biography of the character by its mention in the live-action film Star Trek VI: The Undiscovered Country.

The Expanded Universe had a different level of canonicity.[3] The complex system was maintained by Leland Chee, a Lucasfilm employee.[3] After Disney bought the franchise, all material published prior to April 25th, 2014 that was not any of the Star Wars movies or the CGI cartoon The Clone Wars was declared 'Legends' continuity, marking them as no longer official canon. All subsequent material exists on the same level of canon, with the Lucasfilm Story Group being establish to ensure no contradictions among canon works.[6] The makers of Doctor Who have generally avoided making pronouncements about canonicity, with Russell T Davies explaining that he does not think about the concept for the Doctor Who TV series or its spin-offs.[7][8][9]


Fan fiction is almost never regarded as canonical. However, certain ideas may become influential or widely accepted within fan communities, who refer to such ideas as "fanon", a portmanteau of fan and canon.[3][10][11]

Fanon is a common feature in large franchises and fictional universes where there are many canon and non-canon works, as in the Star Trek universe.

See also



  1. ^ McDonald, Lee Martin (2007). The Biblical Canon: Its Origin, Transmission and Authority (Updated and revised 3rd ed.).  
  2. ^ Peter Haining, "Introduction" in Doyle, Arthur Conan (1993). The Final Adventures of Sherlock Holmes. New York: Barnes & Noble Books.   Edited by Peter Haining.
  3. ^ a b c d e Baker, Chris (18 August 2008). "Meet Leland Chee, the Star Wars Franchise Continuity Cop".  
  4. ^ Urbanski, Heather (2013). The Science Fiction Reboot: Canon, Innovation and Fandom in Refashioned Franchises. Jefferson, NC: McFarland.  
  5. ^ a b "FAQ: Article". CBS Studios. 10 July 2003. Retrieved 29 April 2010. 
  6. ^
  7. ^ Doctor Who Magazine #388
  8. ^ Doctor Who Magazine #356
  9. ^ Davies RT, "The Writer's Tales"
  10. ^ Parrish 2007, p. 33: 'fanon.' Within an individual fandom, certain plotlines may be reinvented so many times and by so many people—or alternately may be written so persuasively by a few writers—that they take on the status of fan-produced canon.
  11. ^ The first known use of the word fanon was by Emily Salzfass in in a post about Star Trek at alt.startrek.creative.erotica.moderated on April 1, 1998.


  • Rebecca Black, Digital Design: English Language Learners and Reader Reviews in Online Fiction, in A New Literacies Sampler, p. 126
  • Parrish, Juli J. (2007). "Inventing a Universe: Reading and writing Internet fan fiction".  
  • Urbanski, Heather (2013). The Science Fiction Reboot: Canon, Innovation and Fandom in Refashioned Franchises. Jefferson, NC: McFarland. ISBN 978-0-7864-6509-5.
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