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Cwm Rhondda

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Cwm Rhondda

Instrumental rendition

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Cwm Rhondda, taken from the Welsh name for the Rhondda Valley, is a popular hymn tune written by John Hughes.

It is usually used in English as a setting for William Williams' text Guide Me, O Thou Great Jehovah (or, in some traditions, Guide Me, O Thou Great Redeemer),[1] originally Arglwydd, arwain trwy’r anialwch in Welsh. On account of a line in this English translation, the tune (and hymn) is often called Bread of Heaven.

In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, Wele'n sefyll rhwng y myrtwydd.


  • Tune 1
  • Hymn text: 'Guide me, O Thou great Redeemer' 2
    • Present-day 2.1
    • History 2.2
    • Meanings 2.3
    • Instances of use 2.4
  • Hymn text: 'Wele'n sefyll rhwng y myrtwydd' 3
  • Other English hymn texts 4
  • Non-religious uses 5
    • Wales 5.1
    • Football 5.2
    • Army 5.3
    • Television 5.4
  • References 6
  • External links 7


John Hughes wrote the first version of the tune, which he called "Rhondda", in 1905 for the

  • Free typeset sheet music for SATB (voice), from
  • Free score at the Mutopia Project

External links

  1. ^ John Richard Watson, An Annotated Anthology of Hymns Published 2002, Oxford University Press p. 228. "Hymns Ancient and Modern and the English Hymnal have always printed Guide me, O thou great redeemer, as the first line."
  2. ^ "Caniadau'r Diwygiad", Noel Gibbard, 2003, ISBN 105049195X
  3. ^ "Cwm Rhondda chapel's history celebrated", BBC News, 24 January 2003
  4. ^ H2G2 Hitchhikers’ Guide—Cwm Rhondda
  5. ^ "Welsh Hymns and their Tunes", Alan Luff, 1990, ISBN 0852497997 pp223-4
  6. ^
  7. ^ 'Welsh Hymns and their Tunes', Alan Luff, 1990, ISBN 0852497997 pp102-3
  8. ^ 'Emynau a'u Hawduriaid', John Thickens, 1927, Llyfrfa'r Methodistiaid Calvinaidd
  9. ^
  10. ^ 'Emynau a'u Hawduriaid', John Thickens, 1927, Llyfrfa'r Methodistiaid Calvinaidd
  11. ^ 'Peter Williams - abridged history', J Douglas Davies, Llandyfaelog, published privately
  12. ^ 'Welsh Hymns and their Tunes', Alan Luff, 1990, ISBN 0852497997 p130
  13. ^ 'Gwaith Pantycelyn', Gomer M Roberts, 1960, Gwasg Aberystwyth
  14. ^
  15. ^
  16. ^
  17. ^ 'Caneuon Ffydd', 2001, ISBN 1903754011, Hymn 702, Tune 576
  18. ^


The hymn was used as the opening hymn for Blanche Hunt's funeral in Coronation Street and was later used during her daughter Deirdre Barlow's funeral.

In the Fireman Sam episode "Chemistry Set", bus driver Trevor Evans sings the tune whilst en route to Newtown with Sarah and James.

The hymn is sung in the 1959 animated series Ivor the Engine by the Grumbley and District Choral Society, whose singing Ivor hears in the first episode, leading to his desire to sing with the choir, and then heard again at the end of the sixth episode, sung by the choir with Ivor's accompaniment, when Ivor finally achieves his ambition to join the choir.

In the BBC's One Foot in the Grave episode "The Beast in the Cage", this song was sung by disgruntled car mechanics to show their contempt for Victor Meldrew's car.


It is (was) well known that the Parachute Regiment would alter the refrain to read God Is airborne, God is airborne, airborne soldiers evermore, God's a para evermore.


In the early 20th century, football fans began to regularly use the variation "You're Not Singing Anymore" when taunting the fans of opposing teams who were on the losing sides.[18] The chant, along with many variations, remains popular to this day.


Apart from church use, probably its best known use is as the 'Welsh Rugby Hymn', often sung by the crowd at rugby matches, especially those of the Wales national rugby union team. There it is common for all voices to sing the repeat of the last three syllables of the last-but-one line, e.g. "want no more" or "strength and shield" (which in church use is repeated only in the bass and alto parts, if at all).


Non-religious uses

Others for Full salvation! Full salvation! Lo, the fountain opened wide by Francis Bottome (1823–94).

Some hymnals use this tune for the hymn God of Grace and God of Glory written by Harry Emerson Fosdick in 1930.

Other English hymn texts

Despite the history of the tune and its common English text, the tune-words pairing in Welsh is quite different. Arglwydd, arwain.. is usually sung to the tune Capel y Ddôl[17] and Cwm Rhondda is the setting for this hymn by Ann Griffiths:

Hymn text: 'Wele'n sefyll rhwng y myrtwydd'

The hymn is Ellis Robins School, Harare school hymn.

The hymn was the informal anthem of Wales in the "Green and Pleasant Land" section of the 2012 Summer Olympics opening ceremony.

in 2008. They subsequently released it on their self-titled début album. Last Choir Standing on the BBC 1 Show Jeffrey Howard and Tim Rhys-Evans also sang an arrangement by Only Men Aloud! [16] The hymn is also featured prominently in the

The hymn has been sung on various British state occasions such as the funerals of Diana, Princess of Wales and Queen Elizabeth The Queen Mother, and the wedding of Prince William and Catherine Middleton.[14][15]

Instances of use

The hymn text forms an allegory for the journey of a Christian throughout their life on earth requiring the Redeemer's guidance and ending at the gates of Heaven (the verge of Jordan) and end of time (death of death and hell's destruction).

The hymn describes the experience of God's people in their travel through the wilderness from the escape from slavery in Egypt, Exodus 12-14, being guided by a cloud by day and a fire by night, Exodus 13:17-22 to their final arrival forty years later in the land of Canaan, Joshua 3. During this time their needs were supplied by God, including the daily supply of manna, Exodus 16.


Original Translation
Arglwydd, arwain trwy’r anialwch

Fi bererin gwael ei wedd,
Nad oes ynwy' nerth na bywyd
Fel yn gorwedd yn y bedd:
Hollalluog, hollalluog,
Ydyw’r Un a’m cwyd i’r lan.

Myfi grwydrais hir flynyddau,
Ac heb weled codi'r wawr;
Anobaithiais, heb dy allu,
Ddod o'r anial dir yn awr;
Dere dy hunan, dere dy hunan,
Dyna'r pryd y dof i maes.

Rho’r golofn dannos i’m harwain,
A’r golofn niwl y dydd;
Dal fi pan bwy’n teithio’r mannau
Geirwon yn fy ffordd y sydd:
Rho i mi fanna, rho i mi fanna,
Fel na bwyf i lwfwrhau.

Agor y ffynhonnau melys
Sydd yn tarddu o’r Graig i ma's;
'R hyd yr anial mawr canlyned
Afon iechydwriaeth gras:
Rho i mi hynny, rho i mi hynny,
Dim imi ond dy fwynhau.

Pan bwy’n myned trwy’r Iorddonen,
Angau creulon yn ei rym,
Ti est trwyddi gynt dy hunan,
Pam yr ofna'i bellach ddim?
Buddugoliaeth, buddugoliaeth,
Gwna imi waeddi yn y llif!

Mi ymddirieda' yn dy allu,
Mawr yw’r gwaith a wnest erioed:
Ti gest angau, ti gest uffern,
Ti gest Satan dan dy droed:
Pen Calfaria, Pen Calfaria,
Nac aed hwnw byth o’m cof.

Lord, guide me through the wilderness,
A pilgrim weak of aspect,
There is neither strength nor life in me,
As though lying in the grave,
It is Thou who shalt take me to that shore.

I wandered for long years,
And saw not the break of dawn;
I despaired, without Thy strength,
Ever to leave the desert land;
Do Thou grant,
The occasion to escape.

Give Thou a pillar of fire to lead me in the night,
And a pillar of mist in the day,
Hold me when I travel places
Which are rough on the way,
Give me manna,
Thus shall I not despair.

Open the sweet springs
Which gush forth from the rock,
All across the great wilderness
May a river of healing grace follow:
Give this to me
Not for me but for Thy sake.

When I go through Jordan -
Cruel death in its force -
Thou Thyself suffered this before,
Why shall I fear further?
Let me cry out in the torrent.

I shall trust in Thy power,
Great is the work that Thou hast always done,
Thou conquered death, Thou conquered hell,
Thou hast crushed Satan beneath Thy feet,
Hill of Calvary,
This shall never escape from my memory.

The following version of the original is taken from Gwaith Pantycelyn (The Works of Pantycelyn).[13] All but the second verse is given, with minor variations, in the Welsh Hymnbook of the Calvinist and Wesleyan Methodists, published by the assemblies of the two churches.

The Welsh word Arglwydd corresponds more-or-less to the English Lord, in all its senses. It is used in the Old Testament to represent the Divine Name (the tetragrammaton) and in the New as the standard honorific for Jesus Christ. Accordingly Peter Williams translated it as Jehovah in accord with the practice of his time. Many English-language hymnals today translate it as Redeemer.

Peter Williams (1722-1796, no relation of the author but well known for his popular edition of the Welsh Bible, with notes[10][11]) translated part of the hymn into the English version given above, with the title Prayer for Strength. It was published in Hymns on various subjects, 1771. This translation is the only Welsh hymn to have gained widespread circulation in the English-speaking world.[12] The present-day Welsh version, given above, is essentially a redaction of the original to parallel Peter Williams's English version. A result of the translation process is that the defining phrase Bread of heaven does not actually occur in the original (where the Welsh would be Bara nefoedd; it is a paraphrase of the references to manna.

William Williams Pantycelyn (named, in the Welsh style, 'Pantycelyn' after the farm which his wife inherited) is generally acknowledged as the greatest Welsh hymnwriter.[7] The Welsh original of this hymn was first published as Hymn 10 in Mor o Wydr (Sea of Glass) in 1762. It comprised six verses.[8] (References to a five verse version in Pantycelyn's Alleluia of 1745[9] appear to be incorrect.) It was originally titled Gweddi am Nerth i fyned trwy anialwch y Byd (Prayer for strength for the journey through the world's wilderness).


The following are the English and Welsh versions of the hymn, as given in the standard collections.


Hymn text: 'Guide me, O Thou great Redeemer'

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      { \voiceOne ees2 f ees2. aes4 | aes (g) aes (bes) c2 bes2 | c aes f des' | c bes aes1 | ees2 f ees2. aes4 | aes (g) aes (bes) c2 bes2 | c2 des ees des4 (bes) | aes2 g aes1 | bes2. c4 des2 bes | c2. des4 ees2 c | ees2. ees4 ees ees ees ees | ees\breve | ees2. des4 c (ees) des (bes) | aes2 g aes1 \bar "|." }
      \new Voice="Alto"
      { \voiceTwo c,2 des ees2. ees4 | ees2 ees4 (f) ees2 ees | ees des f f | ees des c1 | c2 des ees2. ees4 | ees2 ees4 (f) ees2 ees | ees2 f ees f | ees ees ees1 | g2. aes4 bes2 ees, | aes2. bes4 c (bes) aes2 | aes2. aes4 g aes ees aes | g2 ees4 g bes1 | aes2. g4 aes2 f | ees ees ees1 }
  \addlyrics { Guide me, O thou great Re -- dee -- mer, Pil -- grim through this bar -- ren land; I am weak, but thou art migh -- ty; Hold me with thy power -- ful hand: Bread of hea -- ven, bread of hea -- ven Feed me till I want no more. Feed me till I want no more. }
  \new Staff \relative c
  {  \time 4/2 \key aes \major \clef "bass"
    { \voiceOne aes'2 aes aes2. c4 | c (bes) aes2 aes g | aes aes aes aes | aes g aes1 | aes2 aes aes2. c4 | c (bes) aes2 aes g | aes aes aes aes4 (des) | c2 bes c1 | ees2. c4 bes (aes) g (bes) | ees2. des4 c2 ees | ees2. ees4 des c bes aes | ees'\breve | ees2. ees4 ees (c) aes (des) | c2 bes4 (des) c1 }
    \new Voice="Bass"
    { \voiceTwo aes,2 des c bes | aes4 (bes) c (des) ees2 ees | aes f des bes | ees ees aes,1 | aes2 des c bes | aes4 (bes) c (des) ees2 ees | aes f c des | ees2 ees aes,1 | ees'2. ees4 ees (f) g2 | aes2. ees4 aes (bes) c2 | c2. c4 bes aes g f | ees2 g4 bes des1 | c2. bes4 aes2 des, | ees ees aes1 }

The hymn is usually pitched in A-flat major and has the measure which is common in Welsh hymns. The third line repeats the first and the fourth line develops the second. The fifth line normally involves a repeat of the four-syllable text and the sixth reaches a climax on a dominant seventh chord (bar 12) – emphasised by a rising arpeggio in the alto and bass parts. The final line continues the musical development of the second and fourth (and generally carries a repeat of the text of the sixth). On account of these vigorous characteristics, the tune was resisted for some time in both Welsh and English collections but has now become firmly established.[5]

The name was changed from "Rhondda" to "Cwm Rhondda" by Harry Evans, of Dowlais, to avoid confusion with another tune by M O Jones. [4]

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