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Edward Albee

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Title: Edward Albee  
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Subject: Pulitzer Prize for Drama, Tony Award for Best Play, Signature Theatre Company (New York City), University of Houston School of Theatre and Dance, Emily Mann (director)
Collection: 1928 Births, 20Th-Century American Dramatists and Playwrights, 21St-Century American Dramatists and Playwrights, Actors Studio Alumni, American Adoptees, American Male Dramatists and Playwrights, American Theater Hall of Fame Inductees, American Theatre Directors, Choate Rosemary Hall Alumni, Fellows of the American Academy of Arts and Sciences, Gay Writers, Grammy Award Winners, Kennedy Center Honorees, Lgbt Christians, Lgbt Dramatists and Playwrights, Lgbt Writers from the United States, Living People, Members of the American Academy of Arts and Letters, People from Larchmont, New York, Pulitzer Prize for Drama Winners, Rye Country Day School Alumni, Theatre of the Absurd, Tony Award Winners, Trinity College (Connecticut) Alumni, United States National Medal of Arts Recipients, University of Houston Faculty, Writers from New York, Writers from Washington, D.C.
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Edward Albee

Edward Albee
Edward Albee, photographed by Carl Van Vechten, 1961
Born (1928-03-12) 12 March 1928
Occupation Dramatist
Nationality American
Period 1958–present
Notable works Who's Afraid of Virginia Woolf?
The Zoo Story
The American Dream
The Goat, or Who is Sylvia?
Notable awards Pulitzer Prize for Drama (1967, 1975, and 1994)
Tony Award (1963 and 2002)
National Medal of Arts (1996)
Special Tony Award (2005)

Edward Franklin Albee III ( ; born March 12, 1928) is an American playwright who is known for works such as The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf? (1962), and a rewrite of the book for the unsuccessful musical Breakfast at Tiffany's (1966), an adaptation of Truman Capote's 1958 novella of the same name. His works are considered well-crafted, often unsympathetic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricality and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in works such as The Goat, or Who Is Sylvia? (2002).


  • Life and career 1
    • Honors 1.1
  • Plays 2
  • Essays 3
  • Discography 4
  • The Edward F. Albee Foundation 5
  • Quotes 6
  • Awards and nominations 7
  • See also 8
  • References 9
  • Further reading 10
  • External links 11

Life and career

According to Magill's Survey of American Literature (2007), Edward Albee was born somewhere in Virginia (one popular belief is that he was born in Washington, D.C.). He was adopted two weeks later and taken to Larchmont, New York in Westchester County, where he grew up. Albee's adoptive father, Reed A. Albee, the wealthy son of vaudeville magnate Edward Franklin Albee II, owned several theaters. Here the young Edward first gained familiarity with the theatre. His adoptive mother, Reed's third wife, Frances (Cotter), tried to raise Albee to fit into their social circles.

Edward Albee at the 1987 Miami Book Fair International.

Albee attended the Clinton High School, then the Wayne, Pennsylvania, where he was dismissed in less than a year. He enrolled at The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut, graduating in 1946. His formal education continued at Trinity College in Hartford, Connecticut, where he was expelled in 1947 for skipping classes and refusing to attend compulsory chapel. In light of his expulsion, Albee's play Who's Afraid of Virginia Woolf? is believed to be based on his experiences at Trinity College.

Albee left home for good when he was in his late teens. In a later interview, he said: "I never felt comfortable with the adoptive parents. I don't think they knew how to be parents. I probably didn't know how to be a son, either."[1] More recently, he told interviewer Charlie Rose that he was "thrown out" because his parents wanted him to become a "corporate thug" and did not approve of his aspirations to become a writer.[2]

Albee moved into New York's Greenwich Village, where he supported himself with odd jobs while learning to write plays. His first play, The Zoo Story, was first staged in Berlin. The less than diligent student later dedicated much of his time to promoting American university theatre. He currently is a distinguished professor at the University of Houston, where he teaches an exclusive playwriting course. His plays are published by Dramatists Play Service[3] and Samuel French, Inc..

Edward Albee

Albee is openly gay and states that he first knew he was gay at age 12 and a half.[4] He has insisted, however, that he does not want to be known as a "gay writer", stating in his acceptance speech for the 2011 Lambda Literary Foundation's Pioneer Award for Lifetime Achievement: "A writer who happens to be gay or lesbian must be able to transcend self. I am not a gay writer. I am a writer who happens to be gay."[5]

Albee's longtime partner, Jonathan Thomas, a sculptor, died on May 2, 2005, from bladder cancer.

Edward Albee by Irish artist Reginald Gray (The New York Times, 1966), inspired by a photograph taken in 1962 from Bettmann/Corbis.


A member of the Dramatists Guild Council, Albee has received three Pulitzer Prizes for drama—for A Delicate Balance (1967), Seascape (1975), and Three Tall Women (1994). His play Who's Afraid of Virginia Woolf was selected for the 1963 Pulitzer Prize by the award's drama jury, but was overruled by the advisory committee, which elected not to give a drama award at all. Albee was elected a Fellow of the American Academy of Arts and Sciences in 1972.[6] In 1985, Albee was inducted into the American Theatre Hall of Fame.[7] In 1999, Albee received the PEN/Laura Pels International Foundation for Theater Award as a Master American Dramatist. He received a Special Tony Award for Lifetime Achievement (2005); the Gold Medal in Drama from the American Academy and Institute of Arts and Letters (1980); as well as the Kennedy Center Honors and the National Medal of Arts (both in 1996). In 2009 Albee received honorary degree a.k.a. "Doctor Honoris Causa" by the Bulgarian National Academy of Theater and Film Arts (NATFA), a member of the Global Alliance of Theater Schools.

Albee is the President of the Edward F. Albee Foundation, Inc., which maintains the William Flanagan Memorial Creative Persons Center, a writers and artists colony in Montauk, New York.

In 2007, Edward Albee was named with online resources as an LGBT History Month Icon.

In 2008, in celebration of Albee's eightieth birthday, a number of his plays were mounted in distinguished Off Broadway venues, including the historic Cherry Lane Theatre. The playwright directed two of his one-acts, The American Dream and The Sandbox there. These were first produced at the theater in 1961 and 1962, respectively.



  • Stretching My Mind: Essays 1960–2005 (Avalon Publishing, 2005)


  • Mark Richman & William Daniels in The Zoo Story by Edward Albee—Directed by Arthur Luce Klein (LP, Spoken Arts SA 808)

The Edward F. Albee Foundation

The Edward F. Albee Foundation was founded in 1967 by Edward Albee, after proceeds from his play Who's Afraid of Virginia Woolf? proved abundant. The foundation had maintained the William Flanagan Memorial Creative Persons Center (better known as "The Barn") in Montauk, on Long Island in New York, as a residence for writers and visual artists. The mission of the foundation is to serve writers and visual artists from all walks of life, by providing time and space in which to work without disturbance. The only criteria for selection is talent and need and the foundation invites any and all artists to apply.

  • Edward Albee: Founder and President
  • Rex Lau: Co-Caretaker of the Barn
  • Diane Mayo: Co-Caretaker of The Barn


  • "What could be worse than getting to the end of your life and realizing you hadn't lived it?"[8]
  • "A usefully lived life is probably going to be, ultimately, more satisfying."[9]
  • "Writing should be useful. If it can't instruct people a little bit more about the responsibilities of consciousness there's no point in doing it."
  • "If you're willing to fail interestingly, you tend to succeed interestingly."
  • "That's what happens in plays, yes? The shit hits the fan."
  • "Creativity is magic. Don't examine it too closely."[10]
  • "Sometimes it's necessary to go a long distance out of the way in order to come back a short distance correctly."
  • "All serious art is being destroyed by commerce. Most people don't want art to be disturbing. They want it to be escapist. I don't think art should be escapist. That's a waste of time."

Awards and nominations

  • 1960: Drama Desk Award Vernon Rice Award: The Zoo Story
  • 1963: Tony Award for Best Play: Who's Afraid of Virginia Woolf?
  • 1967: Pulitzer Prize for Drama: A Delicate Balance
  • 1975: Pulitzer Prize for Drama: Seascape
  • 1994: Pulitzer Prize for Drama: Three Tall Women
  • 1996: National Medal of Arts
  • 2002: Drama Desk Award Outstanding New Play: The Goat, or Who Is Sylvia?
  • 2002: Tony Award for Best Play: The Goat, or Who Is Sylvia?
  • 2005: Special Tony Award for Lifetime Achievement
  • 2005: Academy of Achievement's Golden Plate Award
  • 2008: Drama Desk Award Special Award
  • 2011: Edward MacDowell Medal for Lifetime Achievement
  • 2011: Pioneer Award for Lifetime Achievement, Lambda Literary Foundation
  • 1964: Tony Award for Best Play: The Ballad of the Sad Cafe
  • 1965: Tony Award for Best Author of a Play: Tiny Alice
  • 1965: Tony Award for Best Play: Tiny Alice
  • 1967: Tony Award for Best Play: A Delicate Balance
  • 1975: Drama Desk Award Outstanding New Play: Seascape
  • 1975: Tony Award for Best Play: Seascape
  • 1976: Drama Desk Award Outstanding Director of a Play: Who's Afraid of Virginia Woolf?
  • 1994: Drama Desk Award Outstanding Play: Three Tall Women
  • 2001: Pulitzer Prize for Drama: The Play About the Baby
  • 2003: Pulitzer Prize for Drama: The Goat, or Who Is Sylvia?
  • 2005: Tony Award for Best Revival of a Play: Who's Afraid of Virginia Woolf?

The Pulitzer Prize committee for the Best Play in 1963 recommended Who's Afraid of Virginia Woolf?, but the Pulitzer board, which has sole discretion in awarding the prize, rejected the recommendation, due to the play's perceived vulgarity, and no award was given that year.[11]

See also


  1. ^ "Biography and Video Interview of Edward Albee at Academy of Achievement". Retrieved 2012-05-21. 
  2. ^ "Albee interview", The Charlie Rose Show, May 27, 2008
  3. ^ "Dramatists Play Service". Retrieved 2012-05-21. 
  4. ^ "Who's Afraid of Edward Albee?", Metroweekly, March 10, 2011.
  5. ^ "Playwright Edward Albee defends 'gay writer' remarks". National Public Radio. June 6, 2011. 
  6. ^ "Book of Members, 1780-2010: Chapter A". American Academy of Arts and Sciences. Retrieved 6 April 2011. 
  7. ^ "Broadway's Best". New York Times. 
  8. ^ "Edward Albee Interview". Academy of Achievement. 2008-04-11. p. 5. Retrieved 2013-08-13. 
  9. ^ "Edward Albee Interview". Academy of Achievement. 2008-04-11. p. 6. Retrieved 2012-05-21. 
  10. ^ Green, Jesse (11 November 2007). "Albee the Enigma, Now the Inescapable". The New York Times. 
  11. ^ Klein, Alvin. "Albee's 'Tiny Alice', The Whole Enchilada", The New York Times, 24 May 1998: CT11.

Further reading

  • Solomon, Rakesh H. Albee in Performance. Bloomington: Indiana University Press, 2010.

External links

  • Edward F. Albee Foundation
  • The Edward Albee Society
  • Edward Albee at the Internet Broadway Database
  • Edward Albee at the Internet Off-Broadway Database
  • Edward Albee at the Internet Movie Database
  • Appearances on C-SPAN
  • Works by or about Edward Albee in libraries (WorldCat catalog)
  • Edward Albee collected news and commentary at The Guardian
  • Edward Albee collected news and commentary at The New York Times
  • Guardian (UK) Profile of Edward Albee, The Guardian, 2004
  • William Flanagan (Fall 1966). "Edward Albee, The Art of Theater No. 4". The Paris Review. 
  • "Interviews with Edward Albee", TonyAwards
  • Notes on a Colloquy with Edward Albee, Artslynx
  • Performance by Edward Albee, Long House Theatre
  • Cherry Lane Theatre website
  • "The Friars Club"
  • Who's afraid of Edward Albee, Laura Parker, Intelligent Life, 2009
  • Albee with Joe Cino at benefit for the Caffe Cino
  • Edward Albee "The Theater Today: Several Forms of Absurdity" The Baltimore Museum of Art: Baltimore, Maryland, 1963 Accessed June 26, 2012
  • Edward Albee scripts, 1949-1966, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
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