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Faun

 

Faun

A faun, as painted by Hungarian painter Pál Szinyei Merse

The faun (Latin: faunus, Ancient Greek: φαῦνος, phaunos, pronounced ) is a half human–half goat (from the head to the waist being human, but with the addition of goat horns) manifestation of forest and animal spirits that would help or hinder humans at whim. They are often associated with the satyrs of Greek mythology.[1]

Contents

  • Origins 1
  • Fauns in art 2
  • Fauns in fiction 3
  • See also 4
  • References 5

Origins

Romans believed fauns inspired fear in men traveling in lonely, remote or wild places. They were also capable of guiding humans in need, as in the fable of The Satyr and the Traveller, in the title of which Latin authors substituted the word Faunus. Fauns and satyrs were originally quite different creatures: whereas fauns are half-man and half-goat, satyrs originally were depicted as stocky, hairy, ugly dwarfs or woodwoses with the ears and tails of horses or asses. Satyrs also were more woman-loving than fauns, and fauns were rather foolish where satyrs had more knowledge.

Ancient Roman mythological belief also included a god named Faunus often associated with enchanted woods and the Greek god Pan[2] and a goddess named Fauna who were goat people.

Fauns in art

The Barberini Faun (located in the Glyptothek in Munich, Germany) is a Hellenistic marble statue from about 200 BCE, found in the Mausoleum of the Emperor Hadrian (the Castel Sant'Angelo) and installed at Palazzo Barberini by Cardinal Maffeo Barberini (later Pope Urban VIII). Gian Lorenzo Bernini restored and refinished the statue.[3]

The House of the Faun in Pompei, dating from the 2nd century BCE, was so named because of the dancing faun statue that was the centerpiece of the large garden. The original now resides in the National Museum in Naples and a copy stands in its place.[4]

The French symbolist Stéphane Mallarmé's famous masterpiece L'après-midi d'un faune (published in 1876) describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue.[5] The composer Claude Debussy based his symphonic poem Prélude à l'après-midi d'un faune (1894) on the poem.[6] It has become a noticeable trend recent years for some fantasy artists to depict fauns as having the hind legs, tail, and antlers of a deer instead those of a goat. This may be due to the English word "faun" sounding the same as the English word for baby deer "fawn".

Fauns in fiction

See also

References

  1. ^ Canadian Oxford Dictionary, second ed., Oxford University Press, 2004, p. 541.
  2. ^ "Theoi Greek Mythology - Phaunos". Theoi.com. Retrieved 2014-06-23. 
  3. ^ "View online". Retrieved 2014-06-23. 
  4. ^ "View online". Retrieved 2014-06-23. 
  5. ^ Roger Fry's translation can be read online
  6. ^ There is a performance on YouTube
  7. ^ The work and its connection with the statue are discussed online
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