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Figure with Meat

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Title: Figure with Meat  
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Subject: Influences on Francis Bacon, 1954 paintings, Study after Velázquez's Portrait of Pope Innocent X, Modern paintings, Francis Bacon (artist)
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Figure with Meat

Figure with Meat
Artist Francis Bacon
Year 1954
Type Oil on canvas
Dimensions 129.9 cm × 121.9 cm (51.1 in × 48.0 in)
Location Art Institute of Chicago

Figure with Meat is a 1954 painting by the Irish-born artist Francis Bacon. The figure is based on the Pope Innocent X portrait by Diego Velázquez; however, in the Bacon painting the Pope is shown as a gruesome figure and placed between two bisected halves of a cow. The carcass hanging in the background is likely derived from Rembrandt's Carcass of Beef, 1657.[1] The painting is in the permanent collection of the Art Institute of Chicago.

Velázquez's portrait of Pope Innocent X was a direct influence on Bacon's work

According to Mary Louise Schumacher of the Milwaukee Journal Sentinel,

"Bacon appropriated the famous portrait, with its subject, enthroned and draped in satins and lace, his stare stern and full of authority. In Bacon's version, animal carcasses hang at the pope's back, creating a raw and disturbing Crucifixion-like composition. The pope's hands, elegant and poised in Velázquez's version, are rough hewn and gripping the church's seat of authority in apparent terror. His mouth is held in a scream and black striations drip down from the pope's nose to his neck. It's as if Bacon picked up a wide house painting brush and brutishly dragged it over the face. The fresh meat recalls the lavish arrangements of fruits, meats and confections in 17th-century vanitas paintings, which usually carried subtle moralizing messages about the impermanence of life and the spiritual dangers of sensual pleasures. Sometimes, the food itself showed signs of being overripe or spoiled, to make the point. Bacon weds the imagery of salvation, worldly decadence, power and carnal sensuality, and he contrasts those things with his own far more palpable and existential view of damnation".[2]

The painting is featured in Tim Burton's 1989 film Batman, in a scene where the Joker and his henchmen destroy several works of art at the Gotham City Museum. However, the Joker spares Figure with Meat, saying, "I kind of like this one, Bob. Leave it."[3]

Citations

  1. ^ Carcass of Beef. rembrandtpainting.net. Retrieved on June 14, 2009.
  2. ^ Batman, the Joker, and Francis Bacon's Figure with Meat. Chronological Snobbery, Retrieved on March 17, 2010.
  3. ^ Kroll, Jack (June 26, 1989). "The Joker is Wild, but Batman Carries the Night.". Newsweek. Time Burton Collective. Archived from the original on June 30, 2015. Retrieved October 16, 2015. 

External links

  • at The Art Institute of ChicagoFigure with Meat
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