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Final Destination (film)

Final Destination
Theatrical release poster
Directed by James Wong
Produced by Glen Morgan
Warren Zide
Craig Perry
Screenplay by James Wong
Glen Morgan
Jeffrey Reddick
Story by Jeffrey Reddick
Starring Devon Sawa
Ali Larter
Kerr Smith
Tony Todd
Music by Shirley Walker
Cinematography Robert McLachlan
Edited by James Coblentz
Production
company
Distributed by New Line Cinema (US) StudioCanal (Germany)
Release dates
  • March 17, 2000 (2000-03-17)
Running time
98 minutes
Country United States[1]
Language English
Budget $23 million[2]
Box office $112,880,294[2]

Final Destination is a 2000 American Jeffrey Reddick, based on a story by Reddick. The film stars Devon Sawa, Ali Larter, Kerr Smith, and Tony Todd. Sawa portrays a teenager who cheats death after having a premonition of a catastrophic plane explosion. He and several of his classmates leave the plane before the explosion occurs, but Death gradually takes the lives of those who should have died on the plane.

The film began as a

External links

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  4. ^ a b c d e f g h i j k l m n o p q r s t u v w James Wong (director). Final Destination (New Line Platinum Series) (DVD).  
  5. ^ a b c "Special Feature ‘Final Destination’: Not So Final After All!".  
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  9. ^ a b c d e f g h i j DVD Review. "DVD Review – Film Vault (Final Destination)". Retrieved March 30, 2012. 
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  11. ^ a b CBS Interactive Inc., Metacritic. "Critic Reviews for Final Destination at Metacritic". Retrieved April 18, 2011. 
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  13. ^ a b Academy of Science Fiction, Fantasy & Horror Films, Saturn Awards. "Past Saturn Awards Winners for Best Performance by a Younger Actor". Retrieved October 28, 2010. 
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  15. ^ a b c d Yahoo!, Yahoo! Movies. "Final Destination Cast List in Yahoo! Movies UK and Ireland". Retrieved April 19, 2011. 
  16. ^ a b MaryAnn Johanson, FlickFilosopher. "Final Destination and Final Destination 2 (review) - MaryAnn Johanson's FlickFilosopher.com". Retrieved April 20, 2011. 
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  18. ^ YourProps.com, Your Props. "Final Destination (2000), Original Screen Used 747 Used During Production, original/screen-us". Retrieved April 20, 2011. 
  19. ^ a b Manning, Andrew. "Radio Free Movie Review: Final Destination (2000)". Retrieved April 13, 2012. 
  20. ^ a b c d Music from Film, Music From Film. "Music from Final Destination". Retrieved April 13, 2012. 
  21. ^ a b c United Press International, Inc., UPI.com. "Film composer Shirley Walker dies at 61". Retrieved April 13, 2012. 
  22. ^ a b c d Autotelics, LLC., Soundtrack.net. "Shirley Walker's Musical Destination". Retrieved April 13, 2012. 
  23. ^ a b c d e f g Klaatu Media, CineMusic.net. "Shirley Speaks". Retrieved April 13, 2012. 
  24. ^ a b The Film Music Society, Inc., FMS. "Shirley Walker: An Appreciation". Retrieved April 13, 2012. 
  25. ^ Jervais, Judge Harold (October 6, 2000). "DVD Verdict Review – Final Destination". Retrieved April 13, 2012. 
  26. ^ Germano, Derek. "THE CINEMA LASER DVD REVIEW—FINAL DESTINATION". Retrieved April 13, 2012. 
  27. ^ a b IMDb, Box Office Mojo. "Weekend Box Office Results for March 17–19, 2000 – Box Office Mojo". Retrieved April 25, 2011. 
  28. ^ IMDb, Box Office Mojo. "Weekend Box Office Results for March 24–26, 2000 – Box Office Mojo". Retrieved April 25, 2011. 
  29. ^ IMDb, Box Office Mojo. "Weekend Box Office Results for March 31 – April 2, 2000 – Box Office Mojo". Retrieved April 25, 2011. 
  30. ^ IMDb, Box Office Mojo. "Weekend Box Office Results for May 5–7, 2000 – Box Office Mojo". Retrieved April 25, 2011. 
  31. ^ IMDb, Box Office Mojo. "Weekend Box Office Results for August 11–13, 2000 – Box Office Mojo". Retrieved April 25, 2011. 
  32. ^ Amazon.com, Amazon. "Final Destination (New Line platinum Series) - Amazon.com". Retrieved April 26, 2011. 
  33. ^ a b Flixster, Rotten Tomatoes. "Final Destination Movie Reviews – ROTTEN TOMATOES". Retrieved April 22, 2011. 
  34. ^ CBS Interactive Inc., Metacritic. "15 Movies the Critics Got Wrong". Retrieved May 21, 2012. 
  35. ^ Baumgarten, Marjorie. "Final Destination Movie -AustinChronicle.com". Retrieved April 25, 2011. 
  36. ^ a b Holden, Stephen (March 17, 2000). Final Destination': Lucky Teenagers Skip A Doomed Flight Only To Meet Their Match On The Ground"'". The New York Times. Retrieved April 23, 2011. 
  37. ^ Lumenick, Lou. "Lou Lumenick's Reviews - Metacritic.com". Retrieved April 23, 2011. 
  38. ^ Maynard, Kevin. "Kevin Maynard's Reviews - Metacritic.com". Retrieved April 23, 2011. 
  39. ^ Kempley, Rita (March 17, 2000). "Bumped Man Tell No Tales: Washington Post.com: Entertainment Guide". The Washington Post. Retrieved April 23, 2011. 
  40. ^ Cashill, Robert. "Newsweek's Reviews - Metacritic.com". Retrieved April 23, 2011. 
  41. ^ Carr, Jay. "Final Destination Review – Boston Globe". Retrieved April 25, 2011. 
  42. ^ Flowers, Phoebe. "Miami Herald's Reviews - Metacritic.com". Retrieved April 25, 2011. 
  43. ^ Alspector, Lisa. "Final Destination Movie - Chicago Reader.com". Retrieved April 25, 2011. 
  44. ^ a b Thompson, Luke Y. "Final Destination Movie - DallasObserver.com". Retrieved April 25, 2011. 
  45. ^ Shulgasser, Barbara. "Barbara Shulgasser's Reviews - Metacritic.com". Retrieved April 25, 2011. 
  46. ^ Ryan, Desmond. "Desmond Ryan's Reviews - Metacritic.com". Retrieved April 25, 2011. 
  47. ^ Wloszczyna, Susan. "Susan Wloszczyna's Reviews - Metacritic.com". Retrieved April 25, 2011. 
  48. ^ Addiego, Walter (March 17, 2000). "Final Destination Movie - SFChronicle.com". The San Francisco Chronicle. Retrieved April 25, 2011. 
  49. ^ Ebert, Roger. "Final Destination Reviews - RogerEbert.com". Chicago Sun-Times. Retrieved April 22, 2011. 
  50. ^ a b LaSalle, Mick (17 March 2000). "Death, Teens Engage In Immortal Combat – 'Final Destination' a playful, stylish thriller". The San Francisco Chronicle. Retrieved April 22, 2011. 
  51. ^ a b Leydon, Joe (March 17, 2000). "Review: ‘Final Destination – Tepid Teen Thriller’". Variety. Retrieved February 23, 2014. 
  52. ^ Thomas, Kevin. "Final Destination Reviews - calendaralive.com". Retrieved April 25, 2011. 
  53. ^ Kaltenbach, Chris. "Chris Kaltenbach's Reviews - Metacritic.com". Retrieved April 25, 2011. 
  54. ^ McDonagh, Maitland. "Final Destination Trailer, Reviews, and Schedule for Final Destination". Retrieved April 23, 2011. 
  55. ^ Nusair, David (September 28, 2009). "The Final Destination Series Review". Reel Film Review. Retrieved October 26, 2010. 
  56. ^ Fox Broadcasting Company, Young Hollywood Awards. "Young Hollywood Awards Official Website". Retrieved April 13, 2011. 
  57. ^ Movie-Collection. "Final Destination (2000) – Movie Awards". Retrieved March 28, 2012. 
  58. ^ Canadian Society of Cinematographers, Directory of CSC Active Members. "Robert B. McLachlan – Directory of CSC Active Members (M)". Retrieved March 28, 2012. 
  59. ^ The Encyclopedia of Fantastic Film & Television, EOFFTV. "The 100 Greatest Scary Moments (2003) @ EOFFTV". Retrieved May 20, 2012. 
  60. ^ Break Studios, Made Man. "10 Best Plane Crash Movies". Retrieved April 15, 2012. 
  61. ^ Break Studios, Made Man. "10 Best Plane Crash Survival Movies". Retrieved April 15, 2012. 
  62. ^ Unreality Magazine, Unreality. "Five Realistic and Tough To Watch Movie Plane Crashes". Retrieved April 15, 2012. 
  63. ^ Movie Wallpapers, New Movies.net. "Top 10 Flight Scenes in Movies". Retrieved April 15, 2012. 
  64. ^ The Jetpacker, The Jetpacker. "Top 10 Movie Flights That Will Make You Fear Flying". Retrieved April 15, 2012. 
  65. ^ Alpha Media Group, Maxim. "The Greatest Movie Plane Crashes". Retrieved April 15, 2012. 
  66. ^ AMC, Filmsite.org. "Greatest Disaster Film Scenes – Part 5". Retrieved April 15, 2012. 
  67. ^ AMC, Filmsite.org. "Scariest Movie Moments and Scenes – F". Retrieved April 15, 2012. 
  68. ^ AMC, Filmsite.org. "Best Film Deaths Scenes – 2000–2001". Retrieved April 15, 2012. 
  69. ^ Future Publishing, Total Film. "50 Most Shocking Movie Deaths Of All Time". Retrieved April 15, 2012. 
  70. ^ Future Publishing, Total Film. "30 Unexpected Movie Deaths". Retrieved April 15, 2012. 
  71. ^ Eat Horror, Eat Horror.com. "Top Ten Shocking Horror Film Deaths". Retrieved April 15, 2012. 
  72. ^ Mania, Mania: Beyond Entertainment. "10 WTF Movie Character Deaths". Retrieved April 15, 2012. 

References

See also

The film had a major impact on the horror film audience, earning the Total Film (No. 29 and No. 10, respectively), Simon Hill of Eat Horror (No. 10), and Dirk Sonningsen of Mania (No. 10).[69][70][71][72]

Accolades

Despite the film's generally mixed reception, critics praised Sawa's performance as Alex. Holden of The New York Times commented that "The disaster and Alex's premonitions set up a heavy-handed fable about death and teenage illusions of invulnerability".[36] David Nusair of Reel Film Reviews remarked "Sawa's personable turn as the hero is matched by a uniformly effective supporting cast rife with familiar faces (i.e. Seann William Scott, Brendan Fehr, Tony Todd, etc)...,"[55] while Leydon of Variety pointed out that "Sawa is credible as the second-sighted Alex—unlike many other actors cast a teen protagonists, he actually looks like he might still be attending high school—but the supporting players are an uneven bunch".[51] LaSalle of the San Francisco Chronicle praised Sawa and Ali Larter's pairing, saying that "Larter and Sawa, who becomes more scruffy and wild-eyed as the film progresses, make an appealing pair".[50]

In contrast, the film gathered positive reviews from top critics. [52] Chris Kaltenbach of The Baltimore Sun found the film "fitfully thrilling",[53] while Maitland McDonagh of TV Guide defined the film as "serviceable enough, if you come to it with sufficiently modest expectations".[54]

Robert Cashill of Newsweek remarked that the film "should be in video store bins",[40] and Jay Carr of The Boston Globe commented that it "starts by cheating death and ends by cheating us".[41] Phoebe Flowers of Miami Herald felt the film "stoops well below substituting style for substance",[42] whereas Lisa Alspector of the Chicago Reader described the film as "disturbing—if less sophisticated than the best SF (science fiction)-horror TV".[43] Luke Thompson of the Dallas Observer found it "a waste of a decent premise";[44] Ernest Hardy of LA Weekly said that the film "fails because it takes itself both too seriously and not seriously enough".[44] Although Barbara Shulgasser of the Chicago Tribune said that it "met the low standards of a mediocre TV movie",[45] Desmond Ryan of the Philadelphia Inquirer commented that it was "as full of terrible acting as it is devoid of suspense".[46] Both Susan Wloszczyna of USA Today and Walter Addiego of the San Francisco Examiner thought it was "stupid, silly and gory".[47][48]

On the negative side, Stephen Holden of The New York Times said that "even by the crude standards of teenage horror, Final Destination is dramatically flat".[36] Lou Lumenick of the New York Post commented that "the film's premise quickly deteriorates into a silly, badly acted slasher movie—minus the slasher".[37] Kevin Maynard of Mr. Showbiz described the film as "crude and witless",[38] while Rita Kempley of The Washington Post wrote that "your own final destination just might be the box office, to demand your money back".[39]

"Providing itself some laughs and scares, Final Destination is a flawed but often entertaining teen horror flick".

— Marjorie Baumgarten of The Austin Chronicle[35]

The film received mixed to negative reviews from critics. Review aggregator website Rotten Tomatoes reported 33% of critics gave the film positive write-ups based on 93 reviews, with an average rating of 4.7/10.[33] The site's consensus of opinion is that "despite a panel of X-Files alums at the helm and a promising premise, flighty performances and poor execution keep Final Destination from ever taking off".[33] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film holds a mixed/average score of 36 based on 28 reviews.[11] On June 14, 2010, Nick Hyman of Metacritic included Final Destination in the website's editorial 15 Movies the Critics Got Wrong, noting that "the elaborate suspense/action set pieces from the first two films are more impressive than most".[34]

Critical response

Reception

The first documentary entitled A Look at Test Screenings runs for 13 minutes and outlines the test screening process, giving an overview of how those screenings were conducted and scored.[4][8][9] The featurette shows video footage of the test screening audience and specific comments regarding why the deleted scenes were either cut or reshot.[4][8][9] The second documentary, titled Premonitions, explores real-life intuitive investigator Pam Coronado, who has helped police solve many murders and missing person cases with her psychic abilities. The featurette runs for 20 minutes.[4][8][9] Some DVDs contain two non DVD-ROM games—Death Clock and Psychic Test—in addition to the film's theatrical trailer and filmographies of the cast and crew.[4][8][9]

Deleted scenes cover two subplots of Alex and Clear, an alternate ending where Alex dies after rescuing Clear from the live wires, Clear bearing a baby which she names Alex, and Clear and Carter finishing as the only survivors of the film.[4][8][9]

The second commentary includes Sawa, Smith, Cloke, and Donella discussing what was involved in certain scenes and how they each were cast.[8][9] The third commentary is the isolated music score of Walker included in the film's score.[8][9]

Final Destination was released on DVD on September 26, 2000, in the United States and Canada.[7] The DVD bonus features include three audio commentaries, three deleted scenes, and two documentaries.[3][4][8][9][32] The first commentary features Wong, Morgan, Reddick, and editor James Coblentz describing the minute subtleties included by the creative team throughout the film, which either allude to death or foreshadow the deaths in the film invisible upon initial airing. They also discuss how the film was made and how they fought the executives of New Line Cinema over various factors.[8][9]

Home media

The film premiered on March 17, 2000, in 2,587 theaters across the United States and Canada, earning $10,015,822 on its opening weekend, with an average of $3,871 per theater.[27] Final Destination placed at No. 3 in the United States box office on its opening weekend, behind biography film Erin Brockovich and the science fiction film Mission to Mars.[27] The film remained at No. 3 during the second weekend, before dropping to No. 7 on its third weekend.[28][29] Final Destination continuously dropped across subsequent weekends until it fell from the top-10 list on its eighth weekend.[30] The film lasted in theaters for 22 weekends, its last screening airing in 105 theaters and grossing $52,675, placing at No. 56.[31] Final Destination grossed $53,331,147 in the United States and Canada on its total screening, and earned $59,549,147 in other territories, earning an overall gross of $112,880,294 internationally.[2]

Box office

Release

The score was positively received by critics. Judge Harold Jervais of [25] Mike Long of DVD Review said that "Shirley Walker’s eerie score comes across powerfully with a wide spatial integration".[8] Derek Germano of The Cinema Laser wrote that "Walker's creepy musical score is really a winner, and is one of the things that will help to make Final Destination a minor genre classic a few years down the road".[26]

The score is mostly low-key, with the exception of the suspense and death scenes.[23] It was performed by a union orchestra, obliging New Line Cinema to grant the film its own score.[21][22][23] Walker described her score as "very theme-driven, conservative music that covers the range from bizarre animal noises with stronger visceral impact to stirring emotional music with well-defined melodies that evolve through the storytelling".[22] The "Main Title" piece, used for the opening credits, was rare for opening a film aimed at a youth audience at the time. "What a treat for me to get to write a piece that calls you into the movie and lets you know something bad is going to happen from the get go", Walker said.[23] According to Walker, "Main Title" consumed most of her time, due to its "dark theme and counter melody which carries throughout the score".[23]

Final Destination: The Complete Original Motion Picture Score was released on March 17, 2000.[21][22] The film's score was conducted by [23]

Final Destination: The Complete Original Motion Picture Score
Film score by Shirley Walker
Released March 17, 2000
Genre Film score
Length 47:53
Label Weendigo Records
Shirley Walker chronology
Superman: The Animated Series
(1999)
Final Destination: The Complete Original Motion Picture Score
(2000)
Final Destination 2: Original Motion Picture Score
(2003)

Score

No official album accompanied the motion picture. However, six songs are featured in the film, the most prominent of which is "Rocky Mountain High" by John Denver, which is heavily highlighted throughout the film,[19][20] reminding the survivors that Denver died in a plane crash. The song is heard either before an accident or a character's demise,[19][20] and is also played by a street performer (Alessandro Juliani) in French.[20] Other songs featured in the film include "Hundred Grand" by Pete Atherton (during the Flight 180 memorial scene), "Into the Void" by Nine Inch Nails (during the café scene), "All the Candles in the World" by Jane Siberry (during Carter's car scene), and "And When I Die" by Joe 90 (during the end credits).[20]

Soundtrack

Music

For the death scenes, the crew used several lifecasts of the actors and chocolate syrup for fake blood. Creating the Rube Goldberg effect for Ms. Lewton's death scene was the most difficult to plan according to the crew. Perry said that "it was very hard to generate an atmosphere of dread, to create suspense out of scenes that are common".[3][4]

The train scene (in which Carter's car is smashed by the train) was one of the most difficult scenes to shoot. The car used for the crash was a replica of the original, severed in half prior to filming. According to Sonderhoff, in order to ensure the safety of the actors, they had to make sure that there was no real sheet metal in the car.[3][4][6]

A miniature model of the Boeing 747 airplane was created for the explosion scene. The model, one of the most detailed miniature scenes in the film, was about 10 feet long and 7 feet wide, and the landing gear was made from all machined metals.[18] According to visual effects supervisor Ariel Velasco Shaw, the miniature had to be launched about 40 feet up into the air to make it look like a real Boeing 747 exploded into a fireball. If blowing up a four-foot plane, the explosion must be a minimum of eight feet in the air. To film the explosion in detail, the crew used three cameras running 120 frames per second and one camera running 300 frames per second (if they had filmed using a real-time camera, the succession of the explosion would not be filmed in a particular order).[3][4]

The plane scene during which passengers die in mid-air was created inside a very large sound stage. The three-ton hydraulic gimbal was operated automatically. "We spent two months building this central set piece that weighs about 45,000 pounds and holds 89 people," special effects supervisor Terry Sonderhoff explained. Used for filming the on-board sequences, it could be shifted on the gimbal to create a pitching movement of up to 45 degrees side-to-side and 60 degrees front-to-back, realistically conveying the horror of airborne engine failure. Sawa said that "the screams of the cast inside the gimbal made it appear more real". Wong said, "You walk into the studio and there's a huge gimbal with a plane on top and you think, 'What have I done?' I was afraid we were gonna have 40 extras vomiting."[3][4][6]

The crew of the film used a miniature model of the Boeing 747 used by the actors for the plane explosion scene. The model was lifted 40 feet up in the air and lit. The explosion was captured by four high-frame cameras rather than simple ones to let the audience visualize slowly the "crescendo" of the explosion.[3]

"On the skewed sets I force the perspective either vertically or horizontally," Willet explained. "Nothing is square and, although you can't put your finger on it, it just makes you feel like something is not right". Skewing was also part of the overall design for the color palette used in set decoration and costume design. "In the real world, the colors are bright and rich," Willet said. "In the skewed world, they're washed out and faded. Nothing is obvious, and it's only in the overall effect that these subtle differences will work their magic".[6]

The plan behind the scenes was to create an intriguing visual signature. To serve the subtleties of the script and to help personify death, production designer John Willet developed the concept of "skewing" the sets. "What I've tried to do with the sets themselves, with their design and with various color choices, is to make things just a little unnatural," Willet explained. "Nothing that calls attention to itself, but instead creates a sense of uneasiness—the unsettling feeling that something's not quite right". To achieve this mystique, Willet designed two versions of virtually every set—one version was used before the crash and the other sets were used for scenes after the jet explodes.

Effects

According to Detmer, her death scene (being rammed by a speeding bus) was filmed first because "it was easy but much anticipated".[3][4] All death scenes were filmed using lifecasts of the actual actors.[3] The death scenes, the memorial, the forest scene and the scenes in Paris were all filmed in Victoria.[4] Additional scenes were filmed in Toronto and San Francisco.[4] For the airport, the crew used Vancouver International Airport as a stand-in for John F. Kennedy International Airport, the airport mentioned in the film.[16]

With Final Destination cast, filming took place on Long Island for the plane scene and Vancouver Island for the additional scenes. Unfortunately, the cast members were filming other projects during production, so filming schedules had to be moved repeatedly in order for all of the cast to appear. Sawa restrained his appearance in The Guilty during production, and even commented that "[he] had to share a trailer with Bill Pullman because it was bigger and would make him look more famous".[14] Smith, who was a regular in Dawson's Creek, had to hold episodes for the film.[17]

Filming

The film mentioned John F. Kennedy International Airport was the location of the Flight 180 explosion, but the crew actually used Vancouver International Airport (above) for the film.[16]

Additional cast members included Barbara Tyson and Robert Wisden as Barbara and Ken Browning, Alex' parents; and Forbes Angus as teacher Larry Murnau.[15]

[4]

Newcomers Amanda Detmer and Chad E. Donella were cast as students Terry Chaney and Tod Waggner, respectively.[15] "When I first read the script, the thing that struck me most was that the characters were well-written and the relationships between them were strong and believable," Detmer said. "That's important, because you have to care about these people in order to be worried about what might happen to them". Detmer defined Terry as "very put-together [and] seems content to defer to [Carter] – to not make waves. But the stress of what happens affects their relationship and interestingly enough brings out a certain strength in her".[6] On the other hand, Donella observed how similar his role was to himself. "I believe in fate. I think you come into this life with some things to accomplish and you're taken out earlier or later depending on the game plan".[6]

[6] "I have incredible respect for them," said Cloke. "Jim's the kind of director who knows exactly what he wants. As an actor, I can find a way to get there if I know specifically what I'm going for, and Jim gives me that. The fact that he won't move on until he's got exactly what he wants creates a safe environment, which allows me to experiment and try different things". Cloke described her part as "strong and sassy – in control. After the crash she comes unglued, probably more than any of the kids, and it's a quick, drastic change. I had to understand the psychology of a person who can turn on a dime like that".[15]

"There's not a lot of good stuff, you know, for my age. You get a lot of scripts and all but they're teen ensembles and they're just crap. And then I got Flight 180... I mean, it's just awesome".

— Devon Sawa on the script of Final Destination.[3][4]

Dawson's Creek star Kerr Smith was cast as jock Carter Horton. Smith identified Carter as "your typical high school bully whose life depends on anger" and mentioned the fact that Carter feared Alex not having control of his own life.[3]

Seann William Scott, famous for portraying Steve Stifler in the 1999 film American Pie, was hired as class clown Billy Hitchcock. Scott admired the film, and felt that "it's [as] dark and eerie as any Twilight Zone".[6] He laughed at his role, saying that "[he] is lacking some social skills, he doesn't have quite a few friends, and he's like the tag-along".[3] Scott was surprised when in the script his character was written as fat. The writers eventually changed it for Scott.[4]

Ali Larter, who starred in the 1999 film Varsity Blues, was cast as female lead Clear Rivers. "The film shows how easy it is to turn on someone, to blame someone when you're scared," Larter said. "It's also about trusting your intuitions and yourself". She defined her part as "that girl who has a lot of loss in her life and has fallen for herself, and had made a life within that. She's an artist, she lives by herself, and she's kinda holding to her grip for what the world has given her".[3][4][6]

Sawa described his role as "in the beginning, [Alex] was kinda loopy and cotter, and you know, probably not the most popular guy in school. I think he might have been a dork, you know, doing their stuff and they had their own thing going and they're after the two beautiful girls in school, but there's no chance of that happening. I guess after the plane goes down, his world completely changes". "Devon has an every man quality that makes him accessible," Wong said. "He doesn't appear as if he's supremely self-assured. He's more of a regular kid who can take on the complexities of the role and become a hero".[3][4][6] Perry was amazed by Sawa's vulnerability in acting, describing him as "a very distinctive actor. He's very loose and he's kind of a cut-up when he's not on camera, but the moment the camera's on, I'd never seen anybody to completely slide right through the moment".[3]

[3] Alex Browning, the last role cast, went to Canadian actor

"One of the most important things we were looking for in casting was the actors' ability to play the subtleties – the little things that a character doesn't say or do that create the edge, the things that get under your skin and spook you," Morgan said about the auditions.

Casting

Producers Craig Perry and Warren Zide from [3][5] New Line Cinema accepted financing and distributing rights for the film after Reddick came to them personally.[4][6]

Morgain said, "The main thing they wanted about Death coming to get people is that you never saw a kind of a Michael Myers figure. You never saw a killer. And they liked that idea and they said, 'Okay. Go write it.' Once we had a basic story, I started cataloging the strange coincidences in my own life. For example, I was in the Vancouver airport waiting for a flight when John Denver came on over the loudspeaker. I remember saying to myself, 'Hey, he just died in a plane crash – that's a little weird.' We wrote that version of that experience into the script."[3][4][6]

New Line Cinema bought Jeffrey's treatment and hired him to write the original draft of the script, which featured Death as an unseen force. After the script was finished, New Line Cinema submitted the script to directors, including writing partners Jaws did for sharks and swimming".

The original idea was written by Jeffrey Reddick as a spec script for The X-Files in order to get a TV agent. "I was actually flying home to Kentucky and I read a story about a woman who was on vacation and her mom called her and said, 'Don’t take the flight tomorrow, I have a really bad feeling about it.’ She switched flights and the plane that she would have been on crashed," said Reddick. "I thought, that’s creepy—what if she was supposed to die on that flight?"[5] Building on his idea, Reddick wrote script and got an agent, but never submitted the script to The X-Files after a colleague at New Line Cinema suggested he write it as a feature film. One of the biggest misconceptions about the project is that it was based on the real-life disaster of TWA Flight 800 that occurred in 1996. Like in the movie, the TWA disaster involved a Boeing 747 that exploded after take-off from JFK International Airport in New York en route to Paris. The TV spec script for The X-Files however, was actually written in 1994.

Development

Production

For more details on the characters, see List of Final Destination characters.

Cast

Six months later, Alex, Clear, and Carter travel to Paris to celebrate their survival. While discussing their ordeal, Alex explains that Death never skipped him. After seeing more omens, he leaves the table and Clear warns him of an oncoming bus, which swerves and crashes into a large neon sign that swings down towards Alex. Carter pushes Alex out of the way at the last second, and Alex tells Carter that Death has skipped him. When Carter asks who's next, the sign suddenly swings back down towards Carter, implying that Death's plan is still in action.

Alex deduces that since he intervened Death skipped Carter and moved onto Billy, and realizes that he is next on Death's list. While hiding out in a fortified cabin, Alex recalls switching seats with two girls in his premonition, meaning Clear is actually next, and he rushes to save her while being chased by agents. Meanwhile, Clear is trapped inside her car with a leaking gas tank, surrounded by loose live wires. Alex arrives in time to save Clear and grabs the wire, allowing her to escape from the car seconds before it explodes, leaving Alex incapacitated.

The remaining survivors reunite and discuss what to do while driving through town. During the discussion, Carter learns that he is next on Death's list. Frustrated over having no control over his life, Carter parks his car on railroad tracks, wanting to die on his own terms. He changes his mind at the last minute; but cannot get out when his seat belt jams. Alex manages to save Carter when his seat belt rips, just before his car is smashed by an oncoming train. As Billy warns the others to stay away from Carter, he is suddenly decapitated by flying shrapnel from the car wreckage.

After watching a news report on the cause of the explosion, Alex concludes that the survivors are dying in the order they were meant to die on the plane. He deduces that Ms. Lewton is next, and rushes to her house to ensure her safety. Thinking Alex is up to no good, Ms. Lewton calls the FBI agents, who take him in for questioning. Although Alex is unable to convince the agents of what is happening, they decide to let him go. Nonetheless, he is too late to save Ms. Lewton, whose house explodes after she is impaled by a falling kitchen knife.

Thirty-nine days later, the survivors attend a memorial service for the victims. That night, Tod is killed when a chain reaction causes him to be strangled in his bathtub. His death is deemed a suicide, however, Alex does not believe that Tod killed himself. He and Clear sneaks into the funeral home to see Tod's body, where they meet mortician William Bludworth, who tells them that they have ruined Death's plan and Death is now claiming the lives of those who were meant to die on the plane. The next day, Alex and Clear discuss what the mortician said at a cafe. Alex believes that if they look out for omens they can cheat Death again, although Clear is skeptical. They encounter the rest of the survivors, and when Carter provokes Alex, Terry storms off in anger and is suddenly killed by a speeding bus.

High school student Alex Browning boards Volée Airlines Flight 180 with his classmates for their senior trip to Paris, France. Before take-off, Alex has a premonition that the plane will suffer a catastrophic engine failure, causing the plane to explode in mid-air, and killing everyone on board. When the events from his vision begin to repeat themselves in reality, he panics and a fight breaks out between Alex and his rival, Carter Horton. This leads to several passengers being removed from the plane, including Alex; Carter; Alex's best friend, Tod Waggner; Carter's girlfriend, Terry Chaney; teacher Valerie Lewton; and students Billy Hitchcock and Clear Rivers. None of the passengers, except for Clear, believe Alex about his vision until the plane explodes on take-off, killing the remaining passengers on board. Afterwards, the survivors are interrogated by two FBI agents, who believe that Alex had something to do with the explosion.

Plot

Contents

  • Plot 1
  • Cast 2
  • Production 3
    • Development 3.1
    • Casting 3.2
    • Filming 3.3
    • Effects 3.4
    • Music 3.5
      • Soundtrack 3.5.1
      • Score 3.5.2
  • Release 4
    • Box office 4.1
    • Home media 4.2
  • Reception 5
    • Critical response 5.1
    • Accolades 5.2
  • See also 6
  • References 7
  • External links 8

The film received mixed reviews from critics. Negative reviews described the film as "dramatically flat" and "aimed at the teen dating crowd," while positive reviews praised the film for "generating a respectable amount of suspense," "playful and energized enough to keep an audience guessing," and "an unexpectedly alert teen-scream disaster chiller".[10][11] It received the Saturn Award for Best Horror Film and Best Performance by a Younger Actor for Sawa's performance.[12][13] The film's success spawned a media franchise, encompassing four additional installments, as well as a series of novels and comic books.

[9][8][4] includes commentaries, deleted scenes, and documentaries.[7] The DVD release of the film, released on September 26, 2000, in the United States and Canada,[2]. It was released on March 17, 2000, and became a financial success, making $10 million on its opening weekend.San Francisco and Toronto, with additional scenes filmed in Vancouver and New York Filming took place in [6][5][4][3]

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