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Green Card (film)

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Title: Green Card (film)  
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Subject: Peter Weir, Gérard Depardieu, Andie MacDowell, 48th Golden Globe Awards, 1990 in film
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Green Card (film)

Green Card
Theatrical release poster
Directed by Peter Weir
Produced by Peter Weir
Written by Peter Weir
Starring Gérard Depardieu
Andie MacDowell
Music by Hans Zimmer
Cinematography Geoffrey Simpson
Edited by William M. Anderson
Distributed by Buena Vista Pictures
Release dates
  • 23 December 1990 (1990-12-23) (United States)
  • 31 January 1991 (1991-01-31) (Australia)
  • 20 February 1991 (1991-02-20) (France)
Running time 107 minutes
Country United States
Language English
Box office $29,888,235 (US)[1]

Green Card is a 1990 romantic comedy film written, produced, directed by Peter Weir and starring Gérard Depardieu and Andie MacDowell. The screenplay focuses on an American woman who enters into a marriage of convenience with a Frenchman so he can obtain a green card and remain in the United States. Depardieu won the Golden Globe Award for Best Actor. The film won the Golden Globe for Best Motion Picture – Musical or Comedy, and was nominated for an Academy Award for Best Original Screenplay.


  • Plot summary 1
  • Cast 2
  • Production 3
  • Reception 4
    • Critical response 4.1
    • Box office 4.2
    • Accolades 4.3
  • Home media release 5
  • See also 6
  • References 7
  • External links 8

Plot summary

Brontë Parrish (MacDowell), a illegal alien from France, so he may obtain a green card. In turn, Brontë uses her fake marriage credentials to rent the apartment of her dreams. After moving in, to explain her spouse's absence, she tells the doorman and neighbors he is conducting musical research in Africa.

Contacted by the Immigration and Naturalization Service for an interview to determine if her marriage is legitimate, Brontë tracks down Georges, who is working as a waiter. Although the two have little time to get their facts straight, the agents who question them appear to be satisfied with their answers. But when one of the agents asks to use the bathroom and Georges directs him to a closet, their suspicions are aroused, and they schedule a full, formal interview to be conducted two days later at their office.

Advised by her attorney she could face criminal charges if their deception is uncovered, Brontë reluctantly invites Georges to move in with her. They try to learn about each other's past and their quirks and habits but quickly find they can barely tolerate each other. Georges is a fiery-tempered selfish slob and smoker who prefers red meat to vegetarian food, while Brontë is shown as an uptight and cold liberal progressive obsessed with her plants and wrapped up in environmental issues.

Brontë's best friend Lauren Adler's parents plan to leave handyman.

When Brontë's boyfriend Phil returns from a trip, Georges reveals he is her husband. Brontë angrily kicks Georges out, but the pair nonetheless appear at the immigration interview the next day. The two are questioned separately, and when Georges is caught out by the interviewer, he confesses the marriage is a sham. He agrees to deportation but insists Brontë not be charged for her role in the charade. He lets Brontë believe the interview was a success and the two go their separate ways.

A few days later, Georges invites Brontë to join him at the cafe where they first met. When she notices one of the immigration agents is seated nearby, she realizes Georges is being deported, and finally aware she loves him, tries to stop him from leaving. Georges promises to write every day asking the same question "When are you coming, Cherie?", a line he had also used when describing their fabricated courtship to the INS. Then, Georges is deported back to France, just as they have admitted their love for each other.



Peter Weir wrote the script, an original, specifically as a vehicle for Gérard Depardieu to introduce him to a wide English-speaking audience.[2]

Partial funding for the film was provided by the Film Finance Corporation Australia and Union Générale Cinématographique. Although the film was set in America and did not feature Australian actors, the fact it was written, directed, filmed, designed and edited by an Australian enabled it to receive funding from the Australian government. This was $3.8 million from the FFC.[3]

The soundtrack includes "River", "Watermark", and "Storms in Africa" by Enya, "Holdin' On" by Soul II Soul, "Oyin Momo Ado" by Babatunde Olatunji, "Surfin' Safari" by The Beach Boys, and "Subway Drums" by Larry Wright.


Critical response

The film earned mixed reviews from critics, as it currently holds a 56% rating on Rotten Tomatoes based on 18 reviews.

New York Yankees cap, proves that he is nothing if not a sport ... He comes to life most fully when he lapses into French or is otherwise momentarily freed from the story's constraints."[4] Roger Ebert of the Chicago Sun-Times observed the film "is not blindingly brilliant, and is not an example of the very best work of the director who made The Year of Living Dangerously or the actor who starred in Cyrano de Bergerac. But it is a sound, entertaining work of craftsmanship, a love story between two people whose meet is not as cute as it might have been."[5]

Peter Travers of Rolling Stone called the film a "captivating romantic bonbon" and added, "Don't look for the originality and grit that distinguished Weir's Australian films Picnic at Hanging Rock and Gallipoli, Green Card has all the heft of a potato chip. But Depardieu's charm recognizes no language barriers, and MacDowell, the revelation of Sex, Lies, and Videotape, proves a fine, sexy foil."[6] Rita Kempley of the Washington Post said, "Like Ghost and Pretty Woman, this romance is blissfully dependent on our staying good and starry-eyed, seduced by the charisma of the leads. And we do, despite its lackadaisical pace and disappointing ending."[7]

Variety said, "Although a thin premise endangers its credibility at times, Green Card is a genial, nicely played romance."[8] Time Out London stated "Weir's first romantic comedy boasts a central relationship which is tentative and hopeful, a mood beautifully realised by Depardieu (venturing into new territory with a major English-speaking role). Complemented by the refined MacDowell, his gracious, generous performance is never dominating, and their exchanges offer unexpected pleasures. In terms of the genre's conventions, Weir likens this film to 'a light meal.' It's one to savour."[9] Channel 4 said, "Weir's film has its fair share of cute moments as the opposites slowly begin to attract, but this is largely over rated stuff, which proved curiously popular with critics on its release. Depardieu does his obnoxious-yet-strangely-lovable act with ease; however, the romantic comedy fixture MacDowell is less convincing."[10]

Box office

Green Card grossed $10,585,060 at the box office in Australia,[11][12] which is equivalent to $16,725,817 in 2009 dollars.


Year Group Award Result
1990 Golden Globe Awards Best Motion Picture – Musical or Comedy Won
Best Actor – Motion Picture Musical or Comedy (Gérard Depardieu) Won
Best Actress – Motion Picture Musical or Comedy (Andie MacDowell) Nominated
Academy Awards Best Original Screenplay (Peter Weir) Nominated
BAFTA Awards Best Original Screenplay Nominated
Writers Guild of America Awards Best Original Screenplay Nominated

Home media release

Touchstone released the film on VHS around 1991 and Touchstone Home Entertainment released the film on Region 1 DVD on 4 March 2003. It is in anamorphic widescreen format with audio tracks in English and French.

Green Card was released on DVD by Umbrella Entertainment in February 2004. The DVD is compatible with all region codes and includes special features such as the original theatrical trailer, Umbrella Entertainment trailers, and interviews with Peter Weir, Gérard Depardieu and Andie MacDowell.[13]

See also


  1. ^
  2. ^ Katherine Tucker, "Peter Weir", Cinema Papers, August 1990 p 6-10
  3. ^ Bob Evans, "OUR PIECE OF THE ACTION", The Australian Financial Review, 18 October 1991 p 33
  4. ^ reviewNew York Times
  5. ^ reviewChicago Sun-Times
  6. ^ reviewRolling Stone
  7. ^ reviewWashington Post
  8. ^ reviewVariety
  9. ^ reviewTime Out London
  10. ^ Channel 4 review
  11. ^ Broeske, Pat H. (14 January 1991). "Home Alone in 9th Week as No. 1 Film : Movies: 'Godfather Part III' takes dramatic slide from second to sixth place in its third week out. 'Awakenings' is in second".  
  12. ^ Film Victoria - Australian Films at the Australian Box Office
  13. ^ "Umbrella Entertainment". Retrieved 23 May 2013. 

External links

Awards and achievements
Preceded by
Driving Miss Daisy
Golden Globe Award for Best Motion Picture - Musical or Comedy
Succeeded by
Beauty and the Beast
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