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Gregor Piatigorsky

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Subject: Grammy Award for Best Chamber Music Performance, Jacob Lateiner, Miklós Rózsa, Sitka Summer Music Festival, Jascha Heifetz
Collection: 1903 Births, 1976 Deaths, 20Th-Century American Musicians, 20Th-Century Classical Musicians, 20Th-Century German Musicians, American Classical Cellists, American Music Educators, Burials at Westwood Village Memorial Park Cemetery, Chess Patrons, Deaths from Lung Cancer, German Emigrants to the United States, Grammy Award Winners, Honorary Members of the Royal Philharmonic Society, Imperial Russian Jews, Jewish Classical Musicians, Moscow Conservatory Alumni, People from Elizabethtown, New York, Players of the Berlin Philharmonic, Soviet Emigrants to Germany
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Gregor Piatigorsky

Piatigorsky in 1945

Gregor Piatigorsky (Russian: Григо́рий Па́влович Пятиго́рский, Grigoriy Pavlovich Pyatigorskiy; April 17 [O.S. April 4] 1903 – August 6, 1976) was a Russian-born American cellist.

Contents

  • Biography 1
    • Early life 1.1
    • United States 1.2
  • Appraisal 2
  • Works 3
  • Partial discography 4
  • Chess 5
  • References 6
  • Further reading 7
  • External links 8

Biography

Early life

Gregor Piatigorsky was born in Ekaterinoslav (now Dnipropetrovsk in Ukraine) into a Jewish family. As a child, he was taught violin and piano by his father. After seeing and hearing the cello, he determined to become a cellist and was given his first cello when he was seven.

He won a scholarship to the Moscow Conservatory, studying with Alfred von Glehn, Anatoliy Brandukov, and a certain Gubariov. At the same time he was earning money for his family by playing in local cafés.

He was 13 when the Russian Revolution took place. Shortly afterwards he started playing in the Lenin Quartet. At 15, he was hired as the principal cellist for the Bolshoi Theater.

The Soviet authorities, specifically Anatoly Lunacharsky, would not allow him to travel abroad to further his studies, so he smuggled himself and his cello into Poland on a cattle train with a group of artists. One of the women was a heavy-set soprano who, when the border guards started shooting at them, grabbed Piatigorsky and his cello. The cello did not survive intact, but it was the only casualty.

Now 18, he studied briefly in Berlin and Leipzig, with Hugo Becker and Julius Klengel, playing in a trio in a Russian café to earn money for food. Among the patrons of the café were Emanuel Feuermann and Wilhelm Furtwängler. Furtwängler heard him and hired him as the principal cellist of the Berlin Philharmonic.

United States

In 1929, he first visited the United States, playing with the Philadelphia Orchestra under Leopold Stokowski and the New York Philharmonic under Willem Mengelberg. In Ann Arbor, Michigan, in January 1937 he married Jacqueline de Rothschild, daughter of Édouard Alphonse James de Rothschild of the wealthy Rothschild banking family of France. That fall, after returning to France, they had their first child, Jephta. Following the Nazi occupation in World War II, the family fled the country back to the States and settled in Elizabethtown, New York, in the Adirondack Mountains. Their son, Joram, was born in Elizabethtown in 1940.

From 1941 to 1949, he was head of the cello department at the Curtis Institute of Music in Philadelphia, and he also taught at Tanglewood, Boston University, and the University of Southern California, where he remained until his death. The USC established the Piatigorsky Chair of Violoncello in 1974 to honor Piatigorsky.

Piatigorsky participated in a [1][2]

He played chamber music privately with Heifetz, [1][3] Piatigorsky also performed at Carnegie Hall with Horowitz and Milstein in the 1930s.[4]

In 1965 his popular autobiography Cellist was published.

Gregor Piatigorsky died of lung cancer at his home in Los Angeles, California, in 1976. He was interred in the Westwood Village Memorial Park Cemetery in Los Angeles.

Appraisal

It has been reported that the great violin pedagogue Ivan Galamian once described Piatigorsky as the greatest string player of all time. He was an extraordinarily dramatic player. His orientation as a performer was to convey the maximum expression embodied in a piece. He brought a great authenticity to his understanding of this expression. He was able to communicate this authenticity because he had had extensive personal and professional contact with many of the great composers of the day.

Many of those composers wrote pieces for him, including Sergei Prokofiev (Cello Concerto[5]), Paul Hindemith (Cello Concerto), Mario Castelnuovo-Tedesco (Cello Concerto[6]), William Walton (Cello Concerto), Vernon Duke (Cello Concerto), and Igor Stravinsky (Piatigorsky and Stravinsky collaborated on the arrangement of Stravinsky's "Suite Italienne", which was extracted from Pulcinella, for cello and piano; Stravinsky demonstrated an extraordinary method of calculating fifty-fifty royalties[7]). At a rehearsal of Richard Strauss's Don Quixote, which Piatigorsky performed with the composer conducting, after the dramatic slow variation in D minor, Strauss announced to the orchestra, "Now I've heard my Don Quixote as I imagined him."

Piatigorsky had a magnificent sound characterized by a distinctive fast and intense vibrato and he was able to execute with consummate articulation all manner of extremely difficult bowings, including a downbow staccato that other string players could not help but be in awe of. He often attributed his penchant for drama to his student days when he accepted an engagement playing during the intermissions in recitals by the great Russian basso, Feodor Chaliapin. Chaliapin, when portraying his dramatic roles, such as the title role in Boris Godunov, would not only sing, but declaim, almost shouting. On encountering him one day, the young Piatigorsky told him, "You talk too much and don't sing enough." Chaliapin responded, "You sing too much and don't talk enough." Piatigorsky thought about this and from that point on, tried to incorporate the kind of drama and expression he heard in Chaliapin's singing into his own artistic expression.

He owned two Stradivarius cellos, the "Batta" and the "Baudiot." According to Cozio.com, Piatigorsky also owned the famous Montagnana cello known as the Sleeping Beauty from 1939 to 1951.

Works

Piatigorsky was also a composer. His Variations on a Paganini Theme (based on Caprice No. 24) was composed in 1946 for cello and orchestra and was orchestrated by his longtime accompanist Ralph Berkowitz; it was later transcribed for cello and piano.[8] Each of the fifteen variations whimsically portrays one of Piatigorsky’s musician colleagues. Denis Brott, a student of Piatigorsky, identified them as: Casals, Hindemith, Garbousova, Morini, Salmond, Szigeti, Menuhin, Milstein, Kreisler, a self-portrait of Piatigorsky himself, Cassadó, Elman, Bolognini, Heifetz, and Horowitz.[9]

Partial discography

  • Heifetz, Primrose & Piatigorsky (RCA Victor LP LSC-2563) RCA Victor Red Seal 1961
  • Heifetz & Piatigorsky (Stereo LP LSC-3009) RCA Victor Red Seal 1968

Chess

Piatigorsky also enjoyed playing Los Angeles, won by Paul Keres and Tigran Petrosian. A second Piatigorsky Cup was held in Santa Monica in 1966, and was won by Boris Spassky.

References

  1. ^ a b cello.org biography
  2. ^ Arthur Rubinstein. My Many Years. Knopf
  3. ^ Thiollet, Jean-Pierre (2012), Piano ma non solo, Anagramme Ed., p. 147. ISBN 978-2-35035-333-3
  4. ^ Plaskin, Glenn (1983). Biography of Vladimir Horowitz Quill ISBN 0-688-02656-7
  5. ^ Solow, Jeffrey (31 March 2010), "Prokofiev: Cello Concerto in E minor, Op.58", MusicaNova's Blog (MusicaNova Orchestra of Scottsdale), retrieved 19 March 2013 
  6. ^ King, Terry (2010), Gregor Piatigorsky: The Life and Career of the Virtuoso Cellist, Jefferson, North Carolina: McFarland & Co,  
  7. ^ Prieto 2006, p.251
  8. ^ Lambooij, Henk; Feves, Michael (2007) [1999]. A cellist’s companion: a comprehensive catalogue of cello literature. Netherlands: Stichting The Cellist’s Companion. p. 430.  
  9. ^ Lamoreaux, Andrea (2009). Wendy Warner Plays Popper and Piatigorsky (Liner notes).  
  • Prieto, Carlos; Murray, Elena C.; Mutis, Alvaro (2006). The Adventures of a Cello. University of Texas Press. pp. 249–251.  

Further reading

  • His autobiography: Cellist (1965). Doubleday. Limited edition reprint: Da Capo Press (1976). ISBN 0-306-70822-1
  • Bartley, M. (2006). Grisha: The Story of Cellist Gregor Piatigorsky. Otis Mountain Press.  
  • "Gregor Piatigorsky". The Musical Times 117 (1604): 849–849. October 1976. 
  • King, Terry (2010). Gregor Piatigorsky: The Life and Career of the Virtuoso Cellist. McFarland.  
  • "With the Artists". World Famed String Players Discuss Their Art, Samuel and Sada Applebaum, John Markert & Co., New York (1955). Pages 192-202 are devoted to Gregor Piatigorsky.
  • Jump in the Waves, a Memoir, Jacqueline Piatigorsky, St. Martin's Press, New York (1988). ISBN 0-312-01834-7.

External links

  • Biography at cello.org
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