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Gubbio, Italy

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Gubbio, Italy

Gubbio
Comune
Città di Gubbio

Panorama of Gubbio
Gubbio
Gubbio
Location of Gubbio in Italy

Coordinates: 43°21′N 12°34′E / 43.350°N 12.567°E / 43.350; 12.567

Country Italy
Region Umbria
Province Perugia (PG)
Frazioni see list
Government
 • Mayor Praefect commissar
Area
 • Total 525 km2 (203 sq mi)
Elevation 522 m (1,713 ft)
Population (31 December 2010)[1]
 • Total 32,998
 • Density 63/km2 (160/sq mi)
Demonym Eugubini
Time zone CET (UTC+1)
 • Summer (DST) CEST (UTC+2)
Postal code 06024, 06020
Dialing code 075
Patron saint St. Ubaldus
Saint day May 16
Website

Gubbio is a town and comune in the far northeastern part of the Italian province of Perugia (Umbria). It is located on the lowest slope of Mt. Ingino, a small mountain of the Apennines.

History

The city's origins are very ancient. The hills above the town were already occupied in the Bronze Age.[2] As Ikuvium, it was an important town of the ancient Umbrian people in pre-Roman times, made famous for the discovery there of the Eugubine (or Iguvine) Tables, a set of bronze tablets that together constitute the largest surviving text in ancient Umbrian. After the Roman conquest in the 2nd century BC — it kept its name as Iguvium — the city remained important, as attested by its Roman theatre, the second-largest surviving in the world.

Gubbio became very powerful in the beginning of the Middle Ages. The town sent 1000 knights to fight in the First Crusade under the lead of count Girolamo Gabrielli, and according to an undocumented local tradition, they were the first to penetrate into the Holy Sepulchre when the city was seized (1099).

The following centuries were quite turbulent, and Gubbio was engaged in wars against the surrounding towns of Umbria. One of these wars saw the miraculous intervention of its bishop, St. Ubaldo Baldassini, who secured Gubbio an overwhelming victory (1151) and a period of prosperity. In the struggles of Guelphs and Ghibellines, the Gabrielli, such as the condottiero Cante de' Gabrielli da Gubbio (c. 1260 - 1335), were of the Guelph faction, supportive of the papacy; as Podestà of Florence, Cante exiled Dante Alighieri, ensuring his own lasting notoriety.


In 1350 Giovanni Gabrielli, count of Borgovalle, a member of the most prominent noble family of Gubbio, seized communal power and became lord of Gubbio. However his rule was short, and he was forced to hand over the town to Cardinal Albornoz, representing the Church (1354).

A few years later, Gabriello Gabrielli, bishop of Gubbio, proclaimed himself again lord of Gubbio (Signor d’Agobbio). Betrayed by a group of noblemen which included many of his relatives, the bishop was forced to leave the town and seek refuge at his home castle at Cantiano.

With the decline of the political prestige of the Gabrielli family, Gubbio was thereafter incorporated into the territories of the Montefeltro. Federico da Montefeltro rebuilt the ancient Palazzo Ducale, incorporating in it a studiolo veneered with intarsia like his studiolo at Urbino.[3] The maiolica industry at Gubbio reached its apogee in the first half of the 16th century, with metallic lustre glazes imitating gold and copper.

Gubbio became part of the Papal States in 1631, when the family della Rovere, to whom the Duchy of Urbino had been granted, was extinguished. In 1870 Gubbio was incorporated into the Kingdom of Italy along with the rest of the Papal States.

Main sights



The historical centre of Gubbio is beautiful and of decidedly medieval aspect: the town is austere in appearance because of the dark grey stone, narrow streets, and Gothic architecture.

A fair number of the houses in Gubbio date to the 14th and 15th centuries, and were originally the dwellings of wealthy merchants; they often have a second door fronting on the street, usually just a few inches from the main entrance. This secondary entrance is narrower, and a foot or so above the actual street level. This type of door is called a porta dei morti (door of the dead) because it is commonly stated that it was used only for removing the bodies of any who might have died inside the house. This is almost certainly false, but there is no firm agreement on the true purpose of the secondary doors. One of the most likely theories is that the door was used by the owners to protect themselves when opening to unknown persons, leaving them in a dominating position.

The main monuments and sightseeings of the city include:

  • The Roman Theatre, built in the 1st century BC using square blocks of local limestone. Traces of mosaic decoration have been found. Originally, the diameter of the cavea was 70 metres, and could house up to 6,000 spectators.
  • The Roman Mausoleum (sometimes said to be of Pomponius Graecinus, but on no satisfactory grounds)
  • The massive Palazzo dei Consoli (first half of the 14th century), housing the museum with the Eugubine Tables.
  • The Palazzo and Torre Gabrielli
  • The Duomo (Cathedral), built in the late 12th century. The most striking feature is the rose-window in the façade with, at its sides, the symbols of the Evangelists: the eagle for St. John, the lion for St. Mark, the angel for St. Matthew and the ox for St. Luke. The interior has latine cross plan with a single nave. The most precious art piece is the wooden Christ over the altar, of Umbrian school.
  • The Palazzo Ducale, built from 1470 by Luciano Laurana or Francesco di Giorgio Martini for Federico da Montefeltro. Famous is the inner court, reminiscent of the Palazzo Ducale of Urbino.
  • The Church of S. Francesco (second half of the 13th century), the sole religious edifice in the city having a nave with two aisles. The vaults are supported by octagonal pilasters. The frescoes in the left side date from the 15th century.
  • The Church of Santa Maria Nuova, a typical Cistercian edifice of the 13th century. In the interior is a 14th-century fresco portraying the so-called Madonna del Belvedere (1413), by Ottaviano Nelli. It also has a work by Guido Palmerucci. Also from the Cistercians is the Convent of St. Augustine, with some frescoes by Nelli.
  • The Basilica of Sant'Ubaldo, with a nave and four aisles is a sanctuary outside the city. Noteworthy are the marble altar and the great windows with episodes of the life of St. Ubaldo, patron of Gubbio. The finely sculpted portals and the fragmentary frescoes give a hint of the magnificent 15th-century decoration once boasted by the basilica.
  • The Museo Cante Gabrielli in the Palazzo del Capitano del Popolo (which once belonged to the Gabrielli).
  • The Vivian Gabriel Oriental Collection of Tibetan, Nepalese, Chinese and Indian art. The collection was donated to the municipality by Sir Edmund Vivian Gabriel (1875–1950), British colonial officer and adventurer, collateral descendant of the Gabrielli who were lords of Gubbio in the Middle Ages.
  • The Piazza S. Giovanni, mentioned in documents as far back as the 12th century. Its plan, one nave only with four transversal arches supporting the pitched roof, was taken as a model for other Gubbio churches later on.

Culture


Gubbio is home to the Corsa dei Ceri, a run held every year always on the 15th day of May, in which three teams, devoted to St. Ubaldo (the patron saint of Gubbio), S. Giorgio, and S. Antonio, run through throngs of cheering supporters (clad in the distinctive colours of yellow, blue and black, with white trousers and red belts and neckbands), up much of the mountain from the main square in front of the Palazzo dei Consoli to the basilica of St. Ubaldo, each team carrying a statue of their saint mounted on a wooden octagonal prism, similar to an hour-glass shape 4 metres tall and weighing about 280 kg (617 lb).

The race has strong devotional, civic, and historical overtones and is one of the best-known folklore manifestations in Italy; the Ceri were chosen as the heraldic emblem on the coat of arms of Umbria as a modern administrative region.

A celebration like the Corsa dei Ceri is held also in Jessup, Pennsylvania. In this small town the people carry out the same festivities as the residents of Gubbio do by "racing" the three statues through the streets during the Memorial Day weekend. This remains an important and sacred event in both towns.

Gubbio was also one of the centres of production of the Italian pottery (maiolica), during the Renaissance. The most important Italian potter of that period, Mastro Giorgio, was active in Gubbio during the early 16th century.

The city is the setting for the popular story of St. Francis and the Wolf of Gubbio, recorded in the medieval Fioretti di San Francesco.

Frazioni

The frazioni (territorial subdivisions) of the comune of Gubbio are: Belvedere, Biscina, Branca, Burano, Camporeggiano, Carbonesca, Casamorcia-Raggio, Cipolleto, Colonnata, Colpalombo, Ferratelle, Loreto, Magrano, Mocaiana, Monteleto, Monteluiano, Nogna, Padule, Petroia, Ponte d'Assi, Raggio,San Benedetto Vecchio, San Marco, San Martino in Colle, Santa Cristina, Scritto, Semonte, Spada, Torre Calzolari and Villa Magna.

The Gubbio Layer

Gubbio is also known among geologists and palaeontologists as the discovery place of what was at first called the "Gubbio layer", a sedimentary layer enriched in iridium that was exposed by a roadcut outside of town. This thin, dark band of sediment marks the Cretaceous–Paleogene boundary, also known as the K–T boundary or K–Pg boundary, between the Cretaceous and Paleogene geological periods about 66 million years ago, and was formed by infalling debris from the gigantic meteor impact responsible for the mass extinction of the dinosaurs. Its iridium, a heavy metal rare on Earth's surface, is plentiful in extraterrestrial material such as comets and asteroids. It also contains small globules of glassy material called tektites, formed in the initial impact. Discovered at Gubbio, the Cretaceous–Paleogene boundary is also visible at many places all over the world. The characteristics of this boundary layer support the theory that a devastating meteorite impact, with accompanying ecological and climatic disturbance, was directly responsible for the Cretaceous–Paleogene extinction event.

In fiction

One of the town's most celebrated citizens is the wolf of Gubbio, who was converted to Christianity by St. Francis of Assisi and whose legend is related in the 14th-century Fioretti.

In Hermann Hesse's novel Steppenwolf (1927) the isolated and tormented protagonist- a namesake of the wolf- consoles himself at pne point by recalling a scene that the author might have beheld during his travels: "(...) That slender cypress on the hill over Gubbio that, though split and riven by a fall of stone, yet held fast to life and put forth with its last resources a new sparse tuft at the top".[4]

The town is a backdrop in Antal Szerb's novel Journey by Moonlight (1937) as well as Danièle Sallenave's fr:Les Portes de Gubbio (1980).

Starting in 2000 the TV series Don Matteo has been shot on location in Gubbio, where the title character ministers to his parish while solving crimes.

International relations

Twin towns – Sister cities

Gubbio is twinned with:

See also

References

Sources

External links

  • Official website
  • Panoramic View of Gubbio
  • Official site of the Festa dei Ceri
  • Gubbio at Associazione Eugubini nel Mondo website
  • Thayer's Gazetteer
  • Rugby Gubbio - Official Web Site
  • Paradoxplace Gubbio Photo Pages
  • Sbandieratori di Gubbio (flag-wavers, flag-throwers)


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