World Library  
Flag as Inappropriate
Email this Article

Heinrich Glarean

 

Heinrich Glarean

Heinrich Glarean (also Glareanus) (June 1488 – 28 March 1563) was a Swiss music theorist, poet and humanist. He was born in Mollis (in the canton of Glarus, hence his name) and died in Freiburg.

After a thorough early training in music, he enrolled in the University of Cologne, where he studied theology, philosophy, and mathematics as well as music. It was there that he wrote a famous poem as a tribute to Emperor Maximilian I. Shortly afterwards, in Basle, he met Erasmus and the two humanists became lifelong friends.[1]

Glarean's first publication on music, a modest volume entitled Isagoge in musicen, was in 1516. In it he discusses the basic elements of music; probably it was used for teaching. But his most famous book, and one of the most famous and influential works on music theory written during the Renaissance, was the Dodecachordon, which he published in Basle in 1547. This massive work includes writings on philosophy and biography in addition to music theory, and includes no less than 120 complete compositions by composers of the preceding generation (including Josquin, Ockeghem, Obrecht, Isaac and many others). In three parts, it begins with a study of Boethius, who wrote extensively on music in the sixth century; it traces the use of the musical modes in plainsong (e.g. Gregorian chant) and monophony; and it closes with an extended study of the use of modes in polyphony.[2]

The most significant feature of the Dodecachordon (literally, "12-stringed instrument") is Glarean's proposal that there are actually twelve modes, not eight, as had long been assumed, for instance in the works of the contemporary theorist Pietro Aron. The additional four modes included authentic and plagal forms of Aeolian (modes 9 and 10) and Ionian (modes 11 and 12) — the modes equivalent to minor and major scales, respectively. Glarean went so far as to say that the Ionian mode was the one most frequently used by composers in his day.[3]

The influence of his work was immense. Many later theorists, including Zarlino, accepted the twelve modes, and though the distinction between plagal and authentic forms of the modes is no longer of contemporary interest (reducing the number to six), Glarean's explanation of the musical modes remains current today.[3]

References and further reading

  • Clement A. Miller, "Heinrich Glarean." The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
  • Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
  • Oliver Strunk, Source Readings in Music History. New York, W.W. Norton & Co., 1950.
  •  "Henry Glarean".  
  • A facsimile of Dodecachordon, http://imslp.org/articles/Dodecachordon_(Glareanus,_Henricus)
  • Iain Fenlon, Inga Mai Groote (Ed.): Heinrich Glarean's books. The intellectual world of a sixteenth-century musical humanist. Cambridge, Cambridge Univ. Press, 2013. ISBN 978-1-107-02269-0

Notes

  1. ^ Miller, Grove, Vol. VII p. 422-423
  2. ^ Miller, Grove, Vol. VII p. 423-4
  3. ^ a b Miller, Grove, Vol. VII p. 423

External links

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.