World Library  
Flag as Inappropriate
Email this Article

Henri Le Fauconnier

Article Id: WHEBN0021560702
Reproduction Date:

Title: Henri Le Fauconnier  
Author: World Heritage Encyclopedia
Language: English
Subject: Cubism, Cubist sculpture, Joseph Csaky, Groupe de femmes, Société Normande de Peinture Moderne
Collection: 1881 Births, 1946 Deaths, 19Th-Century French Painters, 20Th-Century French Painters, Cubist Artists
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Henri Le Fauconnier

Henri Le Fauconnier
Ploumanac’h, 1908, Bergen, Museum Kranenburgh
Born Henri Victor Gabriel Le Fauconnier
(1881-07-05)5 July 1881
Hesdin
Died 25 December 1946(1946-12-25) (aged 65)
Paris
Nationality French
Education Academie Julian
Known for Painting
Movement Cubism

Henri Victor Gabriel Le Fauconnier (July 5, 1881 – December 25, 1946) was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in Der Blaue Reiter Almanach (The Blue Rider Almanac).[1]

Contents

  • Career 1
  • Works 2
  • References 3
  • External links 4

Career

In 1901 Henri Le Fauconnier moved from northern France to Paris, where he studied law, then attended painting classes in the studio of Jean-Paul Laurens, then in the Academie Julian.[1] He changed his from Fauconnier to Le Fauconnier and exhibited at the Salon des Indépendants in 1904 and 1905, implementing bold colors in line with Henri Matisse. He moved to Brittany in 1907 and painted the rocky landscapes of Ploumanac'h in a proto-Cubist style characterized by chastened tones of brown and greens with thick outlines delimiting the simplified forms. He explored a personal style and put it into practice; painting nudes or portraits (such as that of the poet Pierre Jean Jouve in 1909 (Musée National d'Art Moderne). Under the influence of Paul Cézanne he developed his own form of Cubism.[1] Back in Paris, he mingles with the artistic and literary gathered around Paul Fort at the Closerie des Lilas in Montparnasse.[2]

At the 1909 Salon d’Automne Le Fauconnier exhibited alongside Constantin Brâncuși, Jean Metzinger and Fernand Léger.

Louis Vauxcelles, in his review of the 1910 Salon des Indépendants, made a passing and inaccurate reference to Le Fauconnier, Jean Metzinger, Albert Gleizes, Robert Delaunay and Fernand Léger, as "ignorant geometers, reducing the human body, the site, to pallid cubes."[3]

Henri Le Fauconnier, 1910-11, L'Abondance (Abundance), oil on canvas, 191 x 123 cm (75.25 x 48.5 in.), Gemeentemuseum Den Haag
Henri Le Fauconnier, Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) 1912, oil on canvas, 241 x 307 cm, Museum of Art - Rhode Island School of Design. Exhibited at the 1912 Salon d'Automne, Paris.

Metzinger had written in 1910 of 'mobile perspective' as an interpretation of what would soon become known as "Cubism" with respect to Picasso, Braque, Delaunay and Le Fauconnier.[4]

At the invitation of Wassily Kandinsky, Le Fauconnier published a theoretical text in the catalog of the Neue Künstlervereinigung (Munich, 1910). He opened his Rue Visconti studio in Paris to artists eager like him to apply the lessons of Cézanne. With Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay, he contributed to the Cubist scandal of the 1911 Salon des Indépendants. Le Fauconnier exhibited his vast Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) at the Salon d'Automne of 1912 (Paris).[5]

February 1912 Henri Le Fauconnier was appointed to succeed Jacques-Émile Blanche as chef d'atelier of the avant-garde school of art Académie de La Palette.[6] Le Fauconnier commissioned Jean Metzinger and André Dunoyer de Segonzac as full-time instructors for the morning sessions; Eugeniusz Żak (Eugène Zak) and Jean Francis Auburtin took over in the afternoon.[7]

Le Fauconnier was a contributing member of the Section d'Or (Puteaux Group).

At the outset of World War I Le Fauconnier moved to the Netherlands where he stayed for six years. His work at this time combined Cubism and Expressionism, which generated considerable success and influence in the Netherlands. He returned to France in 1920 where his paintings became more realistic.[1]

He died of a heart attack in Paris (1946).

Varvara Stepanova, Henri Le Fauconnier and Jean Metzinger, Paris 1921
The Salon d'Automne of 1912, held in Paris at the Grand Palais from 1 October to 8 November. Le Fauconnier's monumental Mountaineers Attacked by Bears is exhibited on the right. Other works are shown by Jean Metzinger, Joseph Csaky, František Kupka, Francis Picabia, and Amedeo Modigliani

Works

  • Femme nue dans un intérieur, Lyon, Musée des Beaux-Arts
  • L’Église de Grosrouvre, Lyon, Musée des Beaux-Arts
  • L’Enfant breton, Lyon, Musée des Beaux-Arts
  • Nature morte aux fleurs, Beauvais, Musée Départemental de l’Oise
  • Paysage, Lyon, Musée des Beaux-Arts
  • Portrait de vieille femme, Lyon, Musée des Beaux-Arts
  • Maisons dans les rochers à Ploumanac'h, Brest, Musée des Beaux-Arts

References

  1. ^ a b c d Hermitage Amsterdam, Artist biographies, Henri Le Fauconnier
  2. ^ Guillaume Apollinaire, Dorothea Eimert, Anatoli Podoksik, Cubism.
  3. ^ Daniel Robbins, Jean Metzinger: At the Center of Cubism, 1985, Jean Metzinger in Retrospect, The University of Iowa Museum of Art (J. Paul Getty Trust, University of Washington Press) p. 13
  4. ^ Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1910
  5. ^ David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, pp. 104-107
  6. ^ , Belknap Press of Harvard University Press, 1988Cubism: A History and an Analysis, 1907-1914John Golding,
  7. ^ Academies in Paris, Kubisme.info (Dutch)

External links

  • Hermitage Museum, Saint Petersburg, Russia, The Lake, 1911, Village among the Rocks, ca.1910, Little Schoolgirl, 1907, The Signal, 1915
  • The Huntsman (Le chasseur), 1912
  • Henri le Fauconnier (1881-1946)
  • The Modernist Journals Project
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.