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John Gower

John Gower shooting the world, a sphere of earth, air, and water (from a manuscript of his works ca. 1400)

John Gower (; c. 1330 – October 1408) was an English poet, a contemporary of William Langland and a personal friend of Geoffrey Chaucer. He is remembered primarily for three major works, the Mirour de l'Omme, Vox Clamantis, and Confessio Amantis, three long poems written in French, Latin, and English respectively, which are united by common moral and political themes.[1]


  • Life 1
  • Works 2
  • List of works 3
  • See also 4
  • Notes 5
  • References 6
  • External links 7


Few details are known of Gower's early life. He was probably born into a prominent Yorkshire family which held properties in Kent, Yorkshire, Norfolk and Suffolk. It is thought that he practised law in or around London.

While in London, he became closely associated with the nobility of his day. He was apparently personally acquainted with Richard II: in the prologue of the first edition of the Confessio Amantis, he tells how the king, chancing to meet him on the Thames (probably circa 1385), invited him aboard the royal barge, and that their conversation then resulted in a commission for the work that would become the Confessio Amantis. Later in life his allegiance switched to the future Henry IV, to whom later editions of the Confessio Amantis were dedicated. Much of this is based on circumstantial rather than documentary evidence, and the history of revisions of the Confessio Amantis, including the different dedications, is yet to be fully understood.

The tomb of John Gower in Southwark Cathedral. For more information click on the picture

Gower's friendship with Chaucer is also well documented. When Chaucer was sent as a diplomat to Italy in 1378, Gower was one of the men to whom he gave power of attorney over his affairs in England. The two poets also paid one another compliments in their verse: Chaucer dedicated his Troilus and Criseyde in part to "moral Gower", and Gower reciprocated by placing a speech in praise of Chaucer in the mouth of Venus at the end of the Confessio Amantis.

At some point during the early 1370s, he took up residence in rooms provided by the Priory of St Mary Overie (now Southwark Cathedral). In 1398, while living here, he married, probably for the second time: his wife, Agnes Groundolf, who survived him. In his last years, and possibly as early as 1400, he became blind.

After his death in 1408, Gower was interred in an ostentatious tomb in the Priory church (now Southwark Cathedral), which remains today.


Gower's verse is by turns religious, political, historical, and moral—though he has been narrowly defined as "moral Gower" ever since Chaucer graced him with the epithet. His primary mode is allegory, although he shies away from sustained abstractions in favour of the plain style of the raconteur.

His earliest works were probably ballades in Anglo-Norman French, some of which may have later been included in his work the Cinkante Ballades. The first work which has survived is in the same language, however: it is the Speculum Meditantis, also known by the French title Mirour de l'Omme, a poem of just under 30,000 lines, containing a dense exposition of religion and morality.

Gower's second major work, the Vox Clamantis, was written in Latin: it takes as its subject the state of England, and incorporates commentary on the Peasants' Revolt that occurred during the composition of the poem. Gower takes the side of the aristocracy, and appears to have admired the techniques Richard II used to suppress the revolt.

His third work is the Confessio Amantis, a 30,000-line poem in octosyllabic English couplets, which makes use of the structure of a Christian confession (presented allegorically as a confession of sins against Love) as a narrative frame within which a multitude of individual tales are told. Like his previous works, the theme is very much morality, even where the stories themselves have a tendency to describe rather immoral behaviour. One scholar asserts that Confessio Amantis "almost exclusively" made Gower's "poetic reputation."[2]

In later years Gower wrote a number of minor works in all three languages: the Cinkante Ballades, a series of French ballades on romantic subjects, and several poems addressed to the new Henry IV—in return for which he was granted a pension, in the form of an annual allowance of wine.

Gower's poetry has had a mixed critical reception. In the 15th century, he was generally regarded alongside Chaucer as the father of English poetry. Over the years, however, his reputation declined, largely on account of a perceived didacticism and dullness. During the 20th century he has received more recognition, notably by C. S. Lewis in The Allegory of Love (1936). However, he has not obtained the same following or critical acceptance as other major poets of the period.

Gower's reputation has also suffered from having been viewed as a servile follower of the Lancastrian regime, but Sebastian Sobecki's discovery of the early provenance of the trilingual Trentham manuscript reveals Gower as a poet who was not afraid to give Henry IV stern political advice.[3] Sobecki has also identified Gower's autograph hand in two manuscripts.[4]

List of works

  • Mirour de l'Omme, or Speculum Hominis, or Speculum Meditantis (French, c.1376–1379)
  • Vox Clamantis (Latin, c.1377–1381)
  • Confessio Amantis (English, c.1386–1393)
  • Traité (French, 1397)
  • Cinkante Balades (French, 1399–1400)
  • Cronica Tripertita (Latin, c.1400)
  • In praise of peace (English, c.1400)

See also


  1. ^  
  2. ^ Grey, Douglas. "John Gower." Oxford Dictionary of National Biography. Oxford UP, 2004.
  3. ^ Sobecki, Sebastian (2015). , and John Gower's Autograph Hand."In Praise of Peace"Ecce patet tensus: The Trentham Manuscript, Speculum, 90, pp 925-59.
  4. ^ Sobecki. , and John Gower's Autograph Hand."In Praise of Peace"Ecce patet tensus: The Trentham Manuscript,


  • Arner, Lynn (2013) "Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace after 1381". Penn State UP.
  • Fisher, John H. (1964) John Gower: Moral Philosopher and Friend of Chaucer. New York University Press. ISBN 978-0814701492
  • Macaulay, G. C. (1908) "John Gower," in Ward, A. W., and Waller, A. R., eds. The Cambridge History of English Literature, vol. II. The End of the Middle Ages, chapter VI. Cambridge University Press
  • Echard, Siân (ed.) (2004) A Companion to Gower. Cambridge: D. S. Brewer ISBN 978-1843842446
  • Urban, M. (ed.) (2009) John Gower, Manuscripts, Readers, Contexts, Turnhout: Brepols ISBN 978-2-503-52470-2
  • Watt, Diane (2003) Amoral Gower. University of Minnesota Press
  • Yeager, R. F. (ed.) (2007) On John Gower: Essays at the Millennium. (Studies in Medieval Culture, XLVI) Kalamazoo: Medieval Institute Publications, Pp. x, 241

External links

  • The International John Gower Society
  • The Gower Project
  • CrowdSourcing Confessio Amantis
  • Works by John Gower at Project Gutenberg
  • Works by or about John Gower at Internet Archive
  • Luminarium: John Gower Life, works, essays
  • Confessio AmantisExcerpt from – Harvard Chaucer Pages
  • Confessio AmantisVolume 1 of the (containing the Prologue, Book 1, and Book 8); Volumes 2 (Books 2–4) and 3 (Books 5–7) can be accessed at the Complete Catalogue of TEAMS texts
  • John Gower at the Catholic Encyclopedia
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