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Linton Kwesi Johnson

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Title: Linton Kwesi Johnson  
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Subject: Bass Culture, Poet and the Roots, Ras Nas, Dub poetry, John Cooper Clarke
Collection: 1952 Births, 20Th-Century British Poets, 20Th-Century English Poets, Alumni of Goldsmiths, University of London, Black British Writers, British Male Writers, British Poets, British Reggae Musicians, English Atheists, English People of Jamaican Descent, Island Records Artists, Jamaican Atheists, Jamaican Dub Poets, Jamaican Male Writers, Living People, Male Poets, People from Clarendon Parish, Recipients of the Musgrave Medal, Recipients of the Musgrave Medal (Jamaica), Spoken Word Artists, Wrasse Records Artists
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Linton Kwesi Johnson

Linton Kwesi Johnson
Linton Kwesi Johnson at Coachella, 2008
Background information
Also known as LKJ
Born (1952-08-24) 24 August 1952
Chapelton, Jamaica
Genres Dub poetry
Years active 1978–present

Linton Kwesi Johnson (aka LKJ, born in Jamaica, 24 August 1952) is a UK-based dub poet. In 2002 he became the second living poet, and the only black poet, to be published in the Penguin Modern Classics series.[1][2] His performance poetry involves the recitation of his own verse in Jamaican Patois over dub-reggae, usually written in collaboration with renowned British reggae producer/artist Dennis Bovell. His middle name, "Kwesi", is a Ghanaian name that is given to boys who—like Johnson—are born on a Sunday.

Contents

  • Biography 1
  • Awards and honours 2
  • Poetry 3
  • Other writing 4
  • Music 5
  • Bibliography 6
  • Discography 7
  • References 8
  • External links 9

Biography

Johnson was born in Chapelton, a small town in the rural parish of Clarendon, Jamaica. In 1963 he came to live in Brixton, London, joining his mother who had emigrated to Britain shortly before Jamaican independence in 1962.[1] Johnson attended Tulse Hill School in Lambeth. While still at school he joined the British Black Panther Movement,[3] helped to organise a poetry workshop within the movement, and developed his work with Rasta Love, a group of poets and drummers.

Johnson went on to study for a degree in sociology at Goldsmiths College in New Cross, London (graduating in 1973),[4] which currently holds his personal papers in its archives. During the early to mid-1970s he was employed as the first paid library resources and education officer at the Keskidee Centre,[5][6] where his poem Voices of the living and the dead was staged, produced by Jamaica novelist Lindsay Barrett, with music by the reggae group Rasta Love. Johnson has recalled: "it was fantastic, you know, having written something and having it staged with actors and musicians. That was back in 1973 before I had a poem published anywhere. That was before anyone had ever heard of Linton Kwesi Johnson."[7]

Awards and honours

Johnson received a C. Day-Lewis Fellowship in 1977, and that year became writer-in-residence for the London Borough of Lambeth.[8] He was made an Associate Fellow of Warwick University in 1985 and an Honorary Fellow of Wolverhampton Polytechnic in 1987, and in 1990 received an award at the XIII Premo Internazionale Ultimo Novecento from the city of Pisa for his contribution to poetry and popular music.[9] In 1998 he was awarded the Premio Piero Ciampi Citta di Livorno Concorso Musicale Nazionale in Italy.[9]

In 2003 Johnson was bestowed with an honorary fellowship from his alma mater, Goldsmiths College, University of London. In 2004 he became an Honorary Visiting Professor of Middlesex University in London. In 2005 he was awarded a silver Musgrave Medal from the Institute of Jamaica for distinguished eminence in the field of poetry.[3] In 2012, he was awarded the Golden PEN Award by English PEN for "a Lifetime's Distinguished Service to Literature".[10][11][12]

He is a Trustee of the

  • LKJ Records – News, releases, tour dates, etc.
  • Linton Kwesi Johnson at British Council: Literature includes a "Critical Perspective" section
  • interviewSpike Magazine
  • Interview with Yuri Prasad in Socialist Review (2002)
  • "Linton Kwesi Johnson", The Poetry Archive
  • "Linton Kwesi Johnson performs If I Woz a Tap Natch Poet", The Guardian, 11 December 2008.

External links

  1. ^ a b c Maya Jaggi, "Profile: Linton Kwesi Johnson - Poet on the front line", The Guardian, 4 May 2002.
  2. ^
  3. ^ a b c
  4. ^ a b c d Larkin, Colin (1998), The Virgin Encyclopedia of Reggae, Virgin Books, ISBN 0-7535-0242-9, pp. 147-8.
  5. ^ Paul Harper, "Islington’s Black History Month celebrates Keskidee Centre", Islington Gazette, 1 October 2011.
  6. ^ "Archive Showcase: June", George Padmore Institute, 13 June 2013.
  7. ^ "The Keskidee - A community that discovered itself", Islington Local History Centre, 2009.
  8. ^ a b Sharmilla Beezmohun, "Linton Kwesi Johnson", Enciclopedia de Estudios Afroeuropeos.
  9. ^ a b "Linton Kwesi Johnson", Blue Flower Arts.
  10. ^
  11. ^
  12. ^ Sarah Morrison, "Linton Kwesi Johnson: 'Class-ridden? Yes, but this is still home'", The Independent, 2 December 2012.
  13. ^ "Linton Kwesi Johnson", George Padmore Institute.
  14. ^ Campbell, Howard (2014) "Marcia Griffiths to receive Order of Distinction", Jamaica Observer, 7 August 2014. Retrieved 10 August 2014.
  15. ^ a b
  16. ^ "Linton Kwesi Johnson", The Poetry Archive.

References

  • Live in Paris – Wrasse, 2004.
  • Straight to Inglan's Head – Universal, 2003 (compilation).
  • LKJ in Dub: Volume 3 – LKJ Records, 2002.
  • More Time – LKJ Records, 1999.
  • Independent Intavenshan – Island, 1998 (compilation).
  • A Cappella Live – LKJ Records, 1996.
  • LKJ Presents – LKJ Records, 1996.
  • LKJ in Dub: Volume 2 – LKJ Records, 1992.
  • Tings An' Times – LKJ Records, 1991.
  • Dub Poetry – Mango, 1985 (Compilation).
  • LKJ Live in Concert with the Dub Band – LKJ Records, 1985.
  • Reggae Greats – Mango, 1984 (Compilation).
  • Making History – Island, 1983.
  • LKJ in Dub – Island, 1980.
  • The Best of Linton Kwesi Johnson – Epic, 1980 (compilation).
  • Bass Culture – Island, 1980.
  • Forces of Victory – Island, 1979.
  • Dread Beat an' Blood – Virgin, 1978 (as Poet And The Roots).

Discography

  • Mi Revalueshanary Fren: Selected Poems - Penguin Modern Classics, 2002; 2006
  • Tings An' Times - Bloodaxe Books, 1991
  • Inglan is a Bitch - Race Today, 1980
  • Dread Beat An' Blood - Bogle-L'Ouverture, 1975
  • Voices of the Living and the Dead - Creation for Liberation, 1974

Bibliography

Of late, Johnson has only intermittently performed live, perhaps as a result of modern reggae's shift towards the more spontaneous and rapid-fire performers of ragga or dancehall.

Johnson's record label LKJ Records, launched in 1981,[16] is home to other reggae artists, some of whom made up the Dub Band, with whom Johnson mostly recorded, and other dub poets, such as Jean "Binta" Breeze. Past releases on the label include recordings by Mikey Smith.[4]

Johnson's work, allied to the Jamaican "toasting" tradition, is regarded as an essential precursor of rap.

Johnson's best-known albums include his debut Dread Beat an' Blood (1978), Forces of Victory (1979), Bass Culture (1980), LKJ in Dub (1980), and Making History (1983). Across them are spread classics of the dub poetry school of performance – and, indeed, of reggae itself – such as "Dread Beat An' Blood", "Sonny's Lettah", "Inglan Is A Bitch", "Independent Intavenshan" and "All Wi Doin Is Defendin". His poem Di Great Insohreckshan is his response to the 1981 Brixton riots.[15] The work was the subject of a BBC Radio 4 program in 2007.

LKJ on stage in Cardiff 1980

Music

Johnson wrote for New Musical Express, Melody Maker, and Black Music in the 1970s,[4] and while working on a freelance basis for Virgin Records during this period he wrote biographies for reggae artists on the label, as well as sleeve notes and copy for adverts.[8]

Other writing

A collection of his poems has been published as Mi Revalueshanary Fren by Penguin Modern Classics. Johnson is one of only three poets to be published by Penguin Modern Classics while still alive.

Johnson's poems first appeared in the journal Race Today, which published his first collection of poetry, Voices of the Living and the Dead, in 1974.[4] Dread Beat An' Blood, his second collection, was published in 1975 by Bogle-L'Ouverture.[3]

Most of Johnson's poetry is political, dealing mainly with the experiences of being an African-Caribbean in Britain: "Writing was a political act and poetry was a cultural weapon...",[15] he told an interviewer in 2008. However, he has also written about other issues, such as British foreign policy and the death of anti-racist marcher Blair Peach. Johnson wrote "Reggae fi Dada" on the death of his father in 1982, blaming social conditions.[1] His most celebrated poems were written during the government of Prime Minister Margaret Thatcher. The poems contain graphic accounts of the racist police brutality occurring at the time (cf. "Sonny's Lettah"). Johnson's poetry makes clever use of the unstandardised transcription of Jamaican patois.

Poetry

In August 2014 it was announced that he would receive the Order of Distinction in October that year.[14]

[13]

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