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Mannequin (1987 film)

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Title: Mannequin (1987 film)  
Author: World Heritage Encyclopedia
Language: English
Subject: Andrew McCarthy, Kim Cattrall, Fantafestival, Carole Davis, One Touch of Venus (film)
Collection: 1980S Fantasy Films, 1980S Lgbt-Related Films, 1980S Romantic Comedy Films, 1987 Films, 20Th Century Fox Films, American Fantasy-Comedy Films, American Films, American Independent Films, American Romantic Comedy Films, American Romantic Fantasy Films, Directorial Debut Films, English-Language Films, Films Based on Greco-Roman Mythology, Films Directed by Michael Gottlieb, Films Set in 1987, Films Set in Department Stores, Films Set in Philadelphia, Pennsylvania, Films Shot in Harrisburg, Pennsylvania, Films Shot in Philadelphia, Pennsylvania
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Mannequin (1987 film)

Mannequin
Mannequin theatrical release poster
Theatrical release poster
Directed by Michael Gottlieb
Produced by Art Levinson
Edward Rugoff
executive
Joseph Farrell
Written by Michael Gottlieb
Edward Rugoff
Starring
Music by Sylvester Levay
Cinematography Tim Suhrstedt
Edited by Richard Halsey
Frank E. Jimenez
Production
company
Distributed by 20th Century Fox (USA)
Cannon Films (International)
Release dates
  • February 13, 1987 (1987-02-13)
Running time
90 minutes [1]
Country United States
Language English
Budget $7.9 million[2]
Box office $42.7 million[3]

Mannequin is a 1987 romantic comedy fantasy film starring Andrew McCarthy, Kim Cattrall, Meshach Taylor, James Spader, G. W. Bailey, and Estelle Getty. Directed and written by Michael Gottlieb, the film was also co-written by Edward Rugoff. The original music score was composed by Sylvester Levay. The film tells about a chronically underemployed artist named Jonathan Switcher (played by Andrew McCarthy) who gets a job as a department-store window dresser and falls in love with a mannequin (played by Kim Cattrall)—the attraction being that she comes to life on occasion, but only for him.

Mannequin received a nomination for an Academy Award for Best Original Song for its main title tune, "Nothing's Gonna Stop Us Now" by Starship.[4] The song reached #1 in the Billboard Hot 100 on April 4, 1987, and #1 on the UK Singles Chart for four weeks the following month.

In 1991, a sequel to the film called Mannequin Two: On the Move was released.

Contents

  • Plot 1
  • Cast 2
  • Production 3
    • Development 3.1
    • Filming 3.2
  • Reception 4
    • Box office 4.1
    • Critical response 4.2
    • Reception in Philadelphia 4.3
  • Sequel 5
  • Remake 6
  • Home Media 7
  • References 8
  • External links 9

Plot

In Ancient Egypt, Ema "Emmy" Heshire (Kim Cattrall) hides in a pyramid from her mother, who wants her daughter to marry against Emmy's will. Emmy prays for the gods to get her out of the mess and to find her true love. The gods answer her prayer by making her disappear.

Philadelphia, 1987; young would-be artist Jonathan Switcher (Andrew McCarthy), takes a number of odd jobs. The first job, where he assembles a beautiful, perfect mannequin, portends the rest of the movie and is representative of his efforts. In each of these jobs, Jonathan painstakingly expresses his artistic self; but each of these early employers dismisses him for taking too much time or deviating from a set pattern.

One night, Jonathan is driving in the rain when he passes the Prince & Company department store and recognizes his "perfect" mannequin in a display window. He declares that she is the first work he's ever done that made him feel like an artist. The next morning he manages to save the owner, Claire Timkin (Estelle Getty), from being hit by a falling sign. The grateful Claire hires Jonathan, much to the chagrin of Vice President Richards (James Spader), who assigns Jonathan to be a stock boy. In his spare time, Jonathan hits it off with flamboyant window dresser Hollywood Montrose (Meshach Taylor). That night, Hollywood and Jonathan construct a window display starring Jonathan's mannequin. They have a run-in with the store's night security chief, Captain Felix Maxwell (G. W. Bailey). When Jonathan is alone, the mannequin he is obsessed with comes to life as Emmy.

To the surprise of his detractors, Jonathan's window-dressing for Prince & Company attracts large audiences. Jonathan's arrogant ex-girlfriend Roxie (Carole Davis) and president B.J. Wert (Steve Vinovich), both of rival department store Illustra, learn about it as well. It is revealed that Richards is a corporate spy for Wert. At their board meeting, Richards wants to fire Jonathan, who is ostensibly showing off with the window displays. In contrast, the board members promote Jonathan to visual merchandising.

Emmy and Jonathan's relationship snowballs over the following week. Every night, she helps him to create window displays which dazzle everyone at Prince & Company. As a result, Claire promotes Jonathan to a vice presidency.

As the window designs are bringing a tremendous amount of customers and profit for Prince & Company, people from Illustra plan to steal Emmy—not knowing that she is alive—and put her on display at Illustra. The next day, Roxie offers Jonathan work at Illustra, but is refused as he and Emmy are in love.

Maxwell and Richards break into Prince & Company and search for Emmy. The next morning, Hollywood and Jonathan discover Emmy and other mannequins missing. Jonathan suspects Illustra and dashes there, where he confronts Wert, who is dismissive regarding the stolen property. Roxie storms out of the office, swearing that Jonathan will never see Emmy ever again. Jonathan chases Roxie while being pursued by a dozen security guards. Hollywood bombards the guards with water from a fire hose as Roxie loads Emmy along with the other mannequins into a trash compactor. Jonathan charges up the trash compactor's conveyor belt to rescue Emmy. She comes to life in his hands.

Maxwell and his fellow guards rush in, followed by Wert, who attempts to have Jonathan arrested for trespassing. Then Claire walks in and accuses Richards and Maxwell of breaking and entering, conspiracy, kidnapping Emmy, and grand theft. Wert, Richards and Felix are arrested instead and hauled away. Wert fires Roxie as he is being dragged out.

Emmy and Jonathan are married in the shop window of Prince & Company, with Claire as a bridesmaid, and with Hollywood as best man.

Cast

Production

Development

In a press release, Michael Gottlieb, the film's director, got the idea for the feature when he was walking down Fifth Avenue and thought he saw a mannequin move in the window of Bergdorf Goodman.[5] Others observe the similarities to the plot of the 1948 film One Touch of Venus.[6]

The film was made based on the marketing principles of noted Hollywood market researcher Joseph Farrell, who served as an executive producer. The film was specifically designed to appeal to target demographics. McCarthy, though not a star, was cast after tests of his films showed that he strongly appealed to girls, the target audience.[2]

Filming

The producers contacted various state film commissions across America looking for an elegant center city department store in which to shoot the movie. They visited ones across the country before settling on John Wanamaker's in Philadelphia. (Now Macy's Center City.) The store was given the name Prince and Company for the film.[7]

Additional scenes were filmed in the formal gardens behind The Hotel Hershey. Scenes taking place at the fictitious department store Illustra were filmed at the Boscov's department store (previously an E. J. Korvette that was taken over by Boscov's in 1985 after the Korvette's chain went out of business) in the former Camp Hill Mall (now Camp Hill Shopping Center) near Harrisburg, Pennsylvania.

Philadelphia's Mayor W. Wilson Goode estimated the film injected $3 million into the city.[7]

Prior to the start of filming, Cattrell spent six weeks posing for a Santa Monica sculptor, who captured her likeness. Six mannequins, each with a different expression, were made.[7]

Cattrall later recalled, "There's no way to play a mannequin except if you want to sit there as a dummy... I did a lot of body-building because I wanted to be as streamlined as possible. I wanted to match the mannequins as closely as I could."[7]

The actress later said that doing the film made her feel "grown up":

I've become more of a leading lady instead of, like, the girl... All the other movies that I've done I played the girl, and the plot was around the guy. I've never had anybody to do special lighting for me, or find out what clothes look good on me, or what camera angles are best for me... In this movie, I learned a lot from it. It's almost like learning old Hollywood techniques... I've always been sort of a tomboy. I feel great being a girl, wearing a dress.[7]

Interior filming at Wanamaker's took about three weeks, with shooting usually beginning around 9 pm and going until 6 am the next day.

"I had one day off," recalled Cattrall. "I went out to the Amish country. It was beautiful. I flew my sister in from Montreal. We took a buggy ride."[7]

Reception

The film had its premiere in Philadelphia.

Box office

The film was successful at the box office, grossing over $42 million[3] on a $6 million budget. The film debuted at No. 1 surpassing Over the Top.[8]

Critical response

Despite its success in box office, the film received mostly negative reviews on its release. It currently holds a 22% "rotten" rating on Rotten Tomatoes.[9] It has since become a cult classic.[10] It was savaged by Leonard Maltin, who called it "[...]absolute rock-bottom fare, dispiriting for anyone who remembers what movie comedy should be." Moreover, the film received "Two Thumbs Down" on Siskel & Ebert and The Movies. In his print review, Roger Ebert awarded it a half star, deeming it "dead" and full of clichés.[5]

Rita Kempley of The Washington Post called the film "made by, for, and about dummies."[11] Janet Maslin of The New York Times puts the blame on the writer/director; "as co-written and directed by Michael Gottlieb, Mannequin is a state-of-the-art showcase of perfunctory technique."[12]

Reception in Philadelphia

Dan McQuade, writing in the online version of Philadelphia Magazine, in a nod to the movie's use of Philadelphia as a setting, after panning the film itself declared, "The message of Mannequin, clumsy as it is, is that the greatest place and time in recorded history is 1980s Philadelphia...Truly, this is the most uplifting film ever made about the city."[13]

Sequel

In 1991, a partial sequel called Mannequin Two: On the Move was released and was directed by Stewart Raffill. The film was dubbed as "one of the worst follow-ups ever made."[14]

Remake

An Indian remake of the film titled Prem Shakti (Love Power) was released in 1994, starring Govinda and Karisma Kapoor.

In 2010, Gladden Entertainment executives were said to be in the "early development" stage of the remake, but they envisioned a plot of the man's having a crush on a "laser display hologram" as opposed to a mannequin.[15][16][17] However, no further details were made public about its development.[18]

Home Media

Mannequin was released on VHS and digital stereo LaserDisc format in 1987 by Cannon films through Media Home Entertainment. The film was also released on DVD by MGM Home Entertainment on October 7, 2004, in a widescreen Region 1 DVD, and was later re-released to DVD on January 11, 2011, in a new double bill edition with Mannequin Two: On the Move as the second disc. Mannequin is scheduled to be released to Blu-ray for the first time by Olive Films (under license from MGM) on September 22, 2015.

References

  1. ^
  2. ^ a b
  3. ^ a b
  4. ^
  5. ^ a b
  6. ^ reviewOne Touch of Venus, Vicpine
    reviewOne Touch of Venus, Steven Stanley, StageSceneLA, 7 February 2011
  7. ^ a b c d e f "Mannequin' Is Kim Cattrall's Display Window" February 14, 1987|by PAUL WILLISTEIN, The Morning Call accessed 17 April 2015
  8. ^
  9. ^
  10. ^
  11. ^
  12. ^
  13. ^
  14. ^
  15. ^
  16. ^
  17. ^
  18. ^

External links

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