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Ravi Shankar

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Ravi Shankar

Ravi Shankar
Shankar at the Woodstock Festival in 1969
Background information
Birth name Robindro Shaunkor Chowdhury
রবীন্দ্র শঙ্কর চৌধুরী
Born (1920-04-07)7 April 1920
Benares, India
Died 11 December 2012(2012-12-11) (aged 92)
San Diego, California, US
Genres Hindustani classical
  • Musician
  • composer
Years active 1939–2012
Labels East Meets West Music [1]
Associated acts
Website .orgravishankar

Ravi Shankar (IPA: ; 7 April 1920 – 11 December 2012), born Robindro Shaunkor Chowdhury,[2] his name often preceded by the title Pandit, was an Indian musician and composer who was one of the best-known exponents of the sitar in the second half of the 20th century as a composer of Hindustani classical music.

Shankar was born to a Bengali family in Benares, India,[3] and spent his youth touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956 he began to tour Europe and the Americas playing Parliament of India. He continued to perform up until the end of his life. In 1999 Shankar was awarded India's highest civilian honour, the Bharat Ratna.


  • Early life 1
  • Career 2
    • Training and work in India 2.1
    • 1956–69: International career 2.2
    • 1970–2012: International career 2.3
  • Style and contributions 3
  • Recognition 4
    • Indian governmental honours 4.1
    • Other governmental and academic honours 4.2
    • Arts awards 4.3
    • Other honours and tributes 4.4
  • Personal life and family 5
  • Illness and death 6
  • Discography 7
  • Books 8
  • See also 9
  • Notes 10
  • References 11
  • External links 12

Early life

Shankar was born on 7 April 1920 in Varanasi, India, to a Bengali family, as the youngest of seven brothers.[2][4][5] His father, Shyam Shankar, was a Middle Temple barrister and scholar from East Bengal (now Bangladesh). A respected statesman, lawyer and politician, he served for several years as dewan (chief minister) of Jhalawar, Rajasthan, and used the Sanskrit spelling of the family name and removed its last part.[2][6] Shyam was married to Shankar's mother Hemangini Devi who hailed from a small village named Nasrathpur in Mardah block of Ghazipur district, near Benares, and her father was a prosperous landlord. Shyam later worked as a lawyer in London, England,[2] and there he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old.[2] Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun".[2] Shankar had six siblings, only four of whom lived past infancy: Uday, Rajendra, Debendra and Bhupendra. Shankar attended the Bengalitola High School in Benares between 1927 and 1928.[7]

At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.[8][9] By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments.[4][5] Uday's dance group toured Europe and the United States in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, cinema and became acquainted with Western customs.[10] Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group's soloist for a tour of Europe.[10] Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.[10]


Training and work in India

Shankar's parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II.[11] Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system.[8] Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar.[8][12] He often studied with Khan's children Ali Akbar Khan and Annapurna Devi.[11] Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.[13]

Shankar completed his training in 1944.[4] Following his training, he moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946.[4][14] Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25.[15][16] He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956.[4] Shankar founded the Indian National Orchestra at AIR and composed for it; in his compositions he combined Western and classical Indian instrumentation.[17] Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.[5][18] He was music director for several Hindi movies including Godaan and Anuradha.[19]

1956–69: International career

An old man sits cross-legged on the ground and rests his hands on two small drums.
Tabla player Alla Rakha, who was a frequent accompanist of Shankar, photographed in 1988

V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.[20] Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.[21][22] Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead.[22] Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.[23]

Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.[24] He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956.[24] In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris.[14] From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films.[14] Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role.[24] Shankar founded the Kinnara School of Music in Mumbai in 1962.[25]

Shankar befriended Richard Bock, founder of Ali Akbar Khan where musicians like Shivkumar Sharma, Birju Maharaj, Hari Prasad Chaurasia, Zakir Hussain, Girija Devi etc. performed.[81]



See also


  1. ^
  2. ^ a b c d e f Lavezzoli 2006, p. 48
  3. ^
  4. ^ a b c d e f
  5. ^ a b c d Massey 1996, p. 159
  6. ^ Ghosh 1983, p. 7
  7. ^
  8. ^ a b c d e f g h i j k Slawek 2001, pp. 202–203
  9. ^ Ghosh 1983, p. 55
  10. ^ a b c Lavezzoli 2006, p. 50
  11. ^ a b Lavezzoli 2006, p. 51
  12. ^ a b Lavezzoli 2006, p. 52
  13. ^ Lavezzoli 2006, p. 53
  14. ^ a b c d e f g Ghosh 1983, p. 57
  15. ^ Sharma 2007, pp. 163–164
  16. ^ a b c
  17. ^ Lavezzoli 2006, p. 56
  18. ^
  19. ^
  20. ^ Lavezzoli 2006, p. 47
  21. ^ Lavezzoli 2006, p. 57
  22. ^ a b Lavezzoli 2006, p. 58
  23. ^ Lavezzoli 2006, pp. 58–59
  24. ^ a b c d Lavezzoli 2006, p. 61
  25. ^ a b c Brockhaus, p. 199
  26. ^ Lavezzoli 2006, p. 62
  27. ^ a b Schaffner 1980, p. 64
  28. ^ a b c d e
  29. ^ a b
  30. ^
  31. ^ Ravi Shankar interviewed on the Pop Chronicles (1969)
  32. ^ a b c d e
  33. ^ a b
  34. ^ Ghosh 1983, p. 56
  35. ^ a b Lavezzoli 2006, p. 66
  36. ^ Lavezzoli 2006, p. 221
  37. ^ a b c d e Neuhoff 2006, pp. 672–673
  38. ^
  39. ^ Lavezzoli 2006, p. 195
  40. ^ a b c Lavezzoli 2006, p. 196
  41. ^
  42. ^ Lavezzoli 2006, p. 222
  43. ^ a b
  44. ^
  45. ^ a b Lavezzoli 2006, p. 197
  46. ^
  47. ^
  48. ^ Lavezzoli 2006, p. 411
  49. ^
  50. ^
  51. ^
  52. ^
  53. ^
  54. ^ Menon 1995, p. 220
  55. ^
  56. ^ a b
  57. ^
  58. ^
  59. ^
  60. ^
  61. ^
  62. ^
  63. ^
  64. ^
  65. ^
  66. ^
  67. ^
  68. ^
  69. ^
  70. ^
  71. ^ a b c
  72. ^
  73. ^ a b
  74. ^ a b
  75. ^
  76. ^
  77. ^
  78. ^
  79. ^
  80. ^
  81. ^


External links


On 6 December 2012, Shankar was admitted to Scripps Memorial Hospital in La Jolla, San Diego, California after complaining of breathing difficulties. He died on 11 December 2012 at around 16:30 PST after undergoing heart valve replacement surgery.[80]

Illness and death

Shankar performed his final concert, with daughter Anoushka, on 4 November 2012 at the Terrace Theater in Long Beach, California.

Shankar was a Hindu and in his later years of life, a vegetarian.[76][77] He wore a large diamond ring which he said was "manifested" by Sathya Sai Baba.[78] He lived with Sukanya in Encinitas, California.[79]

Shubhendra "Shubho" Shankar often accompanied his father on tours.[73] He could play the sitar and surbahar, but elected not to pursue a solo career. He died in 1992.[73] Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003.[74] Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003.[74] Anoushka and her father were both nominated for Best World Music Album at the 2013 Grammy Awards for separate albums.[75]

After Shankar separated from Kamalaa Shastri in 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan. Shankar, however, lived with Sue Jones until 1986. He married Sukanya Rajan, whom he had known since the 1970s[71] in 1989 at Chilkur Temple in Hyderabad, India.[72]

An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.[71]

Shankar married Allauddin Khan's daughter Annapurna Devi in 1941 and his son Shubhendra Shankar was born in 1942.[12] Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s.[71]

Personal life and family

Other honours and tributes

Arts awards

Other governmental and academic honours

Indian governmental honours

Ravi Shankar in 1988


Shankar has been considered one of the top sitar players of the second half of the 20th century.[37] He popularised performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that used quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string.[8][37] Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles.[54] Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages.[37] Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music.[37] Shankar promoted the jugalbandi duet concert style and claims to have introduced new ragas Tilak Shyam, Nat Bhairav and Bairagi.[8]

Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.[8] His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.[8] Shankar often closed his performances with a piece inspired by the light-classical thumri genre.[8]

Shankar plays the raga Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s

Style and contributions

On 1 July 2010, at the Southbank Centre's Royal Festival Hall, London, England, Anoushka Shankar, on sitar, performed with the London Philharmonic Orchestra, conducted by David Murphy what was billed the first Symphony by Ravi Shankar. This performance was recorded and is available on CD. It is 40:52 minutes long and is composed of 4 movements (in the tempi allegro (fast), slow, scherzo (fast), finale (fast)) like a classical Western symphony but uses an Indian raga as the mode for each movement: I. Allegro (Kafi Zila) 9:21 minutes, II. Lento (Ahir Bhairav) 7:52 minutes, III. Scherzo (DoGa Kalyan) 8:49 minutes IV. Finale (Banjara) 14:50 minutes.[52] The website of the Ravi Shankar Foundation provides the information that "The symphony was written in Indian notation in 2010, and has been interpreted by his student and conductor, David Murphy."[53] The information available on the website does not explain this process of "interpretation" of Ravi Shankar's notation by David Murphy, nor how Ravi Shankar's Indian notation could accommodate Western orchestral writing.

Shankar underwent an Orpheus Chamber Orchestra.[49][50] In June 2008, Shankar played what was billed as his last European concert,[33] but his 2011 tour included dates in the United Kingdom.[51]

External video
. interview date 23 September 2009, NAMM (National Association of Music Merchants) Oral History LibraryOral History, Ravi Shankar explains what is to him the greatest moment of music

He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.[16][44] Shankar composed the dance drama Ghanashyam in 1989.[25] His liberal views on musical co-operation led him to contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.[8]

During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India.[39] The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.[40] In his absence, Shankar's sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra.[40] The touring band visited the White House on invitation of John Gardner Ford, son of US President Gerald Ford.[40] Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981.[41][42] Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams' ET[43]

In October 1970 Shankar became chair of the department of Indian music of the Concert for Bangladesh in August 1971, in which Shankar participated.[28] After the musicians had tuned up on stage for over a minute, the crowd broke into applause, to which the amused Shankar responded: "If you like our tuning so much, I hope you will enjoy the playing more."[38] Although interest in Indian music had decreased in the early 1970s, the concert album became one of the best-selling recordings to feature the genre and won Shankar a second Grammy Award.[32][35]

Gerald Ford, and Ravi Shankar in the Oval Office in December 1974

1970–2012: International career

Harrison met Shankar in London in June 1966 and visited India later that year for six weeks to study sitar under Shankar in Srinagar.[16][28][29] During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971.[30] Shankar's association with Harrison greatly increased Shankar's popularity and Ken Hunt of AllMusic would state that Shankar had become "the most famous Indian musician on the planet" by 1966.[4][28] In 1967, he performed at the Monterey Pop Festival[31] and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin.[28][32] The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper's Lonely Hearts Club Band, which included "Within You Without You" by Harrison, a song that was influenced by Indian classical music.[29][32] Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, in May 1967, and published an autobiography, My Music, My Life, in 1968.[14][25] In 1968, he scored for the movie Charly. He performed at the Woodstock Festival in August 1969, and found he disliked the venue.[28] In the 1970s Shankar distanced himself from the hippie movement.[33]

[27] trend.raga rock This led to Indian music being used by other musicians and created the [27]".Norwegian Wood (This Bird Has Flown) and used it to record the song "sitar Harrison became interested in Indian classical music, bought a [26]

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