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Rec. 601

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Title: Rec. 601  
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Subject: Rec. 709, Anamorphic widescreen, D-1 (Sony), Color space, Pixel aspect ratio
Collection: Digital Television, Film and Video Technology, Itu-R Recommendations
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Rec. 601

International Telecommunication Union – Radiocommunication sector) for encoding interlaced analog video signals in digital video form.[1] It includes methods of encoding 525-line 60 Hz and 625-line 50 Hz signals, both with an active region covering 720 luminance samples and 360 chrominance samples per line. The color encoding system is known as YCbCr 4:2:2.

The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC MPEG and ITU-T H.26x compressed formats – although compressed formats for consumer applications usually use vertical as well as horizontal chroma subsampling, thus using 4:2:0 sampling rather than directly using the 4:2:2 sampling used in Rec. 601.

The standard has been revised several times in its history. Its edition 7, referred to as BT.601-7, was approved in March 2011 and was formally published in October 2011.

Contents

  • Signal format 1
  • Primary chromaticities 2
  • Awards 3
  • See also 4
  • References 5

Signal format

The Rec. 601 signal can be regarded as if it is a digitally encoded analog component video signal, and thus the sampling includes data for the horizontal and vertical sync and blanking intervals. Regardless of the frame rate, the luminance sampling frequency is 13.5 MHz. The samples are uniformly quantized using 8 or 10 bit PCM codes in the YCbCr domain.

For each 8 bit luminance sample, the nominal value to represent black is 16 and the value for white is 235. Eight-bit code values from 1 through 15 provide footroom, and can be used to accommodate transient signal content such as filter undershoots. Similarly, code values 236 through 254 provide headroom and can be used to accommodate transient signal content such as filter overshoots. The values 0 and 255 are used to encode the sync pulses and are forbidden within the visible picture area. The Cb and Cr samples are unsigned and use the value 128 to encode the neutral color difference value, as used when encoding a white, grey or black area.

Rec. 709 chromaticity diagram. The three primary chromacities are almost identical in Rec. 601.

Primary chromaticities

Slightly different primaries are specified for the 625 line and 525 line systems.

RGB color space parameters for Rec. 601
Color space White point (D65) Primary color
xW yW xR yR xG yG xB yB
625 line 0.3127 0.3290 0.640 0.330 0.290 0.600 0.150 0.060
525 line 0.3127 0.3290 0.630 0.340 0.310 0.595 0.155 0.070

Awards

The CCIR received a 1982–83 Technology and Engineering Emmy Award for its development of the Rec. 601 standard.[2]

See also

References

  1. ^ ITU-R Recommendation BT.601: Studio encoding parameters of digital television for standard 4:3 and wide-screen 16:9 aspect ratios, ITU-R
  2. ^ Rec. ITU-R BT.601 25th Anniversary and still "in force" - the bridge that joined the analogue and digital worlds (1982-2007), ITU-R, 2007.
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