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Reverse perspective

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Title: Reverse perspective  
Author: World Heritage Encyclopedia
Language: English
Subject: Perspective (graphical), Vanishing point, Patrick Hughes (artist), Graphical projection, Axonometric projection
Collection: Christian Iconography, Perspective Projection
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Reverse perspective

On the left the perspective of a cube, on the right the reverse perspective.
The throne and footstool in this icon show reverse perspective, with lines converging towards the viewer.

Reverse perspective, also called inverse perspective,[1] inverted perspective,[2] divergent perspective,[3][4] or Byzantine perspective,[5] is a form of perspective drawing in which the objects depicted in a scene are placed between the projective point and the viewing plane. This has the visual effect that objects farther away from the viewing plane are drawn as larger, and closer objects are drawn as smaller, in contrast to the more conventional linear perspective for which closer objects appear larger.[3] Lines that are parallel in three-dimensional space are drawn as diverging against the horizon, rather than converging as they do in linear perspective.[1] Technically, the vanishing points are placed outside the painting with the illusion that they are "in front of" the painting.

The name Byzantine perspective comes from the use of this perspective in Byzantine and Russian Orthodox icons; it is also found in the art of many pre-Renaissance cultures, and was sometimes used in Cubism and other movements of modern art, as well as in children's drawings.[3][4] The reasons for the convention are still debated among art historians;[6] since the artists concerned in forming the convention did not have access to the more realistic linear perspective convention it is not clear how deliberate the effects achieved were.[7]

References

  1. ^ a b Hopkins, Robert (1998), Picture, Image and Experience: A Philosophical Inquiry, Cambridge University Press, p. 157,  .
  2. ^  .
  3. ^ a b c Kulvicki, John V. (2006), On Images : Their Structure and Content, Oxford University Press, pp. 102–105,  .
  4. ^ a b Howard, Ian P.; Allison, Robert S. (2011), "Drawing with divergent perspective, ancient and modern" (PDF), Perception 40: 1017–1033,  .
  5. ^ Deregowski, Jan B.; Parker, Denis M.; Massironi, Manfredo (1994), "The perception of spatial structure with oblique viewing: an explanation for Byzantine perspective?", Perception 23 (1): 5–13,  .
  6. ^ Antonova, Clemena (2010), "On the problem of "reverse perspective": definitions east and west", Leonardo 43 (5): 464–469,  
  7. ^ Antonova, Clemena (2010), Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God, Ashgate studies in the history of philosophical theology, Ashgate Publishing, Ltd., p. 54,  .

External links

  • Video demonstrating consistent reverse perspective
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