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Russian Easter Festival Overture

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Title: Russian Easter Festival Overture  
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Subject: Scheherazade (Rimsky-Korsakov), Cosmos: A Personal Voyage, Compositions by Nikolai Rimsky-Korsakov, Obikhod, Symphony No. 2 (Tchaikovsky)
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Russian Easter Festival Overture

Head of a man with dark greying hair, glasses and a long beard
Portrait of Nikolai Rimsky-Korsakov in 1898 by Valentin Serov (detail)

Courtesy of Musopen. Performed by the Czech National Symphony Orchestra

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Russian Easter Festival Overture: Overture on Liturgical Themes (Alexander Borodin, two members of the group of composers known in English as "The Five". It is the last of what many call his three most exceptionally brilliant orchestral works, preceded by Capriccio Espagnol and Scheherazade. The work received its premiere at a Russian symphony concert in St. Petersburg in late December 1888.

Contents

  • Instrumentation 1
  • Background 2
  • Structure 3
  • References 4
  • External links 5

Instrumentation

The overture is scored for a Romantic orchestra consisting of 3 flutes (1 doubling piccolo), 2 oboes, 2 clarinets in C, 2 bassoons, 4 horns in F, 2 trumpets in B-flat, 3 trombones, tuba, 3 timpani tuned to A, D and G, percussion (glockenspiel, triangle, cymbals, tam-tam), harp, and strings.[1]

Background

The score is prefaced by quotations from Psalm 68:1–2, Mark 16:1–6, and a third which is not identified.

The tunes in the overture are largely from the Russian Orthodox liturgy, based on a collection of old Russian Orthodox liturgical chants called the Obikhod.

Rimsky-Korsakov said in his autobiography that he was eager to reproduce "the legendary and heathen aspect of the holiday, and the transition from the solemnity and mystery of the evening of Passion Saturday to the unbridled pagan-religious celebrations of Easter Sunday morning". He had always been interested in – and enjoyed – liturgical themes and music, though he was himself a non-believer.

Miloš Velimirović explained that, "The Obikhod was like the Russian's Liber usualis... In 1848 it became mandatory for all of the Churches in Russia." Thus the Obikhod became nationalistic in a sense. The tunes that Rimsky chose from the Obikhod would carry a certain nationalistic and religious weight to them, and the Russians would absolutely know them. The second way that the piece helps to pull on the heart strings of Russians as well as express its nationalistic appeal is by drawing on religious subject matter via word painting for the Easter Holiday.

Professor Robert Greenberg describes the Russian Easter Festival Overture as, "A narrative story of a Russian Easter day from dawn until dusk." In Russian, Easter is known as the "Bright Holiday".

Structure

The Russian Easter Festival Overture is mainly in sonata allegro form, with a lengthy introduction at the beginning. Throughout the piece, there are a number of prominent solo sections, featuring violin, cello, trombone, clarinet, and flute.

The opening section is written in 5/2 time, and is one of the more famous works for orchestra in quintuple meter. The final section of the piece is notated in 2/1 time, making occasional use of 3/1, and is one of very few orchestral works to use either of these time signatures.[2]

References

  1. ^ Russian Easter Overture, Op.36 (Rimsky-Korsakov, Nikolai): Scores at the International Music Score Library Project
  2. ^ http://imslp.org/articles/Russian_Easter_Festival,_Op.36_(Rimsky-Korsakov,_Nikolay)

External links

  • Rimsky-Korsakov: Russian Easter Overture, Op. 36 (La Grande Pâque Russe) on Internet Archive: Philadelphia Orchestra, Eugene Ormandy, conductor
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