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Sophie Tucker

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Subject: List of pre-1920 jazz standards, Jack Yellen, Thoroughbreds Don't Cry, Connecticut Women's Hall of Fame, My Yiddishe Momme
Collection: 1887 Births, 1966 Deaths, 20Th-Century American Actresses, Actresses from Hartford, Connecticut, American Blues Singers, American Buskers, American Female Singers, American Film Actresses, American Radio Actresses, American Radio News Anchors, American Stage Actresses, American Television Actresses, American Women Comedians, Blackface Minstrel Performers, Cancer Deaths in New York, Deaths from Lung Cancer, Imperial Russian Emigrants to the United States, Imperial Russian Jews, Jewish American Actresses, Jewish American Musicians, Jewish Comedians, Jewish Singers, Musicians from Hartford, Connecticut, Okeh Records Artists, Radio Personalities from Connecticut, Vaudeville Performers
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Sophie Tucker

Sophie Tucker
Sophie Tucker, 1930
Born Sonya Kalish
(Russian: Соня Калиш)

(1887-01-13)January 13, 1887
Tulchyn, Ukraine, (then Russian Empire)[1]
Died February 9, 1966(1966-02-09) (aged 79)
New York, New York[2]
Other names Sophie Abuza
Occupation Singer
Actress
Comedian
Radio Personality
Years active 1903–1965
Religion Jewish[3]
Spouse(s) Louis Tuck (1903 - 1913)[2]
Frank Westphal (1917 - 1920)
Al Lackey (1928 - 1934)[4]

Sophie Tucker (January 13, 1887 – February 9, 1966) was a Ukrainian-born American singer, comedian, actress, and radio personality. Known for her stentorian delivery of comical and risqué songs, she was one of the most popular entertainers in America during the first half of the 20th century. She was widely known by the nickname "The Last of the Red Hot Mamas."[5]

Contents

  • Early life 1
  • Career 2
    • Stage 2.1
    • Popularity 2.2
    • American Federation of Actors 2.3
  • Later life 3
  • Personal life 4
  • Works 5
    • Theatre 5.1
    • Film 5.2
    • Radio 5.3
    • Recordings 5.4
    • Compilations 5.5
  • Influences 6
  • Legacy 7
  • References 8
  • External links 9

Early life

Tucker was born Sonya Kalish (Russian Соня Калиш) to a Jewish family en route to America from Tulchyn, Vinnytsia Region, Russian Empire.[6] The family appropriated the last name Abuza, settled in Hartford, Connecticut, and opened a restaurant.

At a young age, she began singing at her parents' restaurant for tips.[7] Between taking orders and serving customers, Sophie "would stand up in the narrow space by the door and sing with all the drama I could put into it. At the end of the last chorus, between me and the onions there wasn't a dry eye in the place."

In 1903, at the age of 16, Tucker eloped with a local beer cart driver named Louis Tuck, from whom she would later derive her famous last name. When she returned home, her parents arranged an Orthodox wedding for the couple and in 1906, she gave birth to a son, Albert. However, shortly after Albert was born, the couple separated and Tucker left the baby with her family to move to New York.[2]

Career

After she left her husband, Willie Howard gave Tucker a letter of recommendation to Harold Von Tilzer,[2] a composer and theatrical producer in New York.[8] Despite Tilzer not wanting to hire her, Tucker found work in cafés and beer gardens, singing for food and money from the customers. She sent most of this money back home to Connecticut to support her son and family.

Stage

In 1907, Tucker made her first theatre appearance, singing at an amateur night in a vaudeville establishment.[2] It was here that Tucker was first made to wear blackface during performance as her producers thought that the crowd would razz her for being "so big and ugly." By 1908, she had joined a burlesque show in Pittsburgh but was ashamed to tell her family that she was performing in a deep southern accent wearing burnt cork on her face. While touring later that year, luggage including her makeup kit was lost and Tucker was allowed to go on stage without the blackface.[4] She then stunned the crowd by saying, "You all can see I'm a white girl. Well, I'll tell you something more: I'm not Southern. I'm a Jewish girl and I just learned this Southern accent doing a blackface act for two years. And now, Mr. Leader, please play my song."[2] Tucker also began integrating "fat girl" humor, which became a common thread in her acts. Her songs included "I Don't Want to Get Thin," and "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can Love."[4]

In 1909, at the age of 22, Tucker performed with the Ziegfeld Follies. Though a hit, the other female stars refused to share the spotlight with Tucker and they were forced to let her go. This caught the attention of William Morris, a theater owner and future founder of the William Morris Agency, which would become one of the largest and most powerful talent agencies of the era. Two years later, Tucker released "Some of These Days" on Edison Records, written by Shelton Brooks. This song would later lend its name to the title of Tucker's 1945 biography.[3]

Sophie Tucker's autograph in a copy of her 1945 autobiography

In 1921, Tucker hired pianist and songwriter Ted Shapiro as her accompanist and musical director, a position he would keep throughout her career. Besides writing a number of songs for Tucker, Shapiro became part of her stage act, playing piano on stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s, and became friends with stars such as Mamie Smith and Ethel Waters who introduced her to jazz. Sophie learned from these talented women and became one of the first performers to introduce jazz to white vaudeville audiences.

In 1925, Jack Yellen wrote one of her most famous songs, "My Yiddishe Momme". The song was performed in large American cities where there were sizable Jewish audiences. Tucker explained, "Even though I loved the song and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by My Yiddishe Momme." During the Hitler regime, the song was banned by the German government for evoking Jewish culture.

Popularity

By the 1920s, Tucker's success had spread into Europe, and she began a tour of London Palladium in 1926. Tucker re-released her hit song Some of These Days, backed by Ted Lewis and his band, which stayed at the #1 position of the charts for five weeks beginning 23 November 1926.[9] It sold over one million copies, and was awarded a gold disc by the RIAA.[10]

Sophie Tucker in the 1920s

Tucker was strongly affected by the decline of vaudeville. Speaking about performing in the final show at E. F. Albee's Palace in New York City, Sophie remarked, "Everyone knew the theater was to be closed down, and a landmark in show business would be gone. That feeling got into the acts. The whole place, even the performers, stank of decay. I seemed to smell it. It challenged me. I was determined to give the audience the idea: why brood over yesterday? We have tomorrow. As I sang I could feel the atmosphere change. The gloom began to lift, the spirit which formerly filled the Palace and which made it famous among vaudeville houses the world over came back. That's what an entertainer can do."[2] During this time, Tucker began to look to film and radio as possible extensions of her career. In 1929, she made her first movie appearance in the sound picture Honky Tonk. During the 1930s, Tucker brought elements of nostalgia for the early years of 20th century into her show. She was billed as "The Last of the Red Hot Mamas," as her hearty sexual appetite was a frequent subject of her songs, unusual for female performers of the day after the decline of vaudeville.[4]

The cartoon The Woods Are Full of Cuckoos caricatures Tucker as "Sophie Turkey".

My Pet

American Federation of Actors

In 1938, Sophie Tucker was elected president of the American Federation of Actors, an early actors' trade union.[4] Originally formed for vaudeville and circus performers, the union expanded to include nightclub performers and was chartered as a branch of the Associated Actors and Artistes.[11] In 1939, the union was disbanded by the American Federation of Labor (AFL) for financial mismanagement. However, Sophie Tucker was not in any way implicated in the proceedings. The AFL later issued a charter for the succeeding American Guild of Variety Artists, which remains active.[12]

Later life

In 1938–1939 she had her own radio show, The Roi Tan Program with Sophie Tucker, broadcasting on Libi Staiger as the lead. It closed after eight performances.

Tucker continued to perform throughout the rest of her life. In 1962, she performed in the Royal Variety Performance, which was also broadcast on the BBC. She appeared on the Ed Sullivan Show on October 3, 1965. For the color broadcast, her last television appearance, she performed Give My Regards To Broadway, Louise, and her signature Some Of These Days.

Photo of Tucker from 1952

Sophie Tucker died of a lung ailment and kidney failure on February 9, 1966, in New York at age 79. Tucker had continued working until the months before her death, playing shows at the Latin Quarter just weeks before. She is buried in Emmanuel Cemetery in Wethersfield, Connecticut, her home state.[7]

Personal life

Sophie Tucker was married three times, each marriage lasting no longer than five years. Her first marriage was to Louis Tuck, a local beer cart driver, with whom she eloped in 1903. The marriage produced Tucker's only child, a son named Albert. In 1906 the couple separated and Tucker left Albert with her family, supporting them with money from her singing jobs in New York.[2] They were legally divorced in May 1913.

Tucker's second and third marriages were to Frank Westphal (1917–1920), her accompanist, and Al Lackey (1928–1934), her manager. Both ended in divorce and produced no children.[4] Tucker blamed the failure of her marriages on the fact that she had been too adjusted to economic independence saying, "Once you start carrying your own suitcase, paying your own bills, running your own show, you've done something to yourself that makes you one of those women men like to call 'a pal' and 'a good sport,' the kind of woman they tell their troubles to. But you've cut yourself off from the orchids and the diamond bracelets, except those you buy yourself."[2]

Albert was raised by Sophie's sister Annie. The sisters had a very close relationship and kept in touch with weekly letters. Sophie consistently sent money home to help support her family. [13]

Works

1923 record on the Okeh label by Sophie Tucker of "Old King Tut", composed by William Jerome & Harry Von Tilzer.

Theatre

  • Louisiana Lou (1911-1912) (Chicago and US national tour)
  • Earl Carroll's Vanities of 1924 (1924) (Broadway)
  • Leave It to Me! (1938) (Broadway and US national tour)
  • High Kickers (1941-1942) (Broadway and US national tour)

Film

Radio

Recordings

[14]

Compilations

  • Greatest Hits (1967) (Decca DL 4942)

Influences

Tucker's comic and singing styles are credited with influencing later female entertainers including Mae West, Rusty Warren, Carol Channing, Totie Fields, Joan Rivers, Roseanne Barr, Ethel Merman, "Mama" Cass Elliot of The Mamas & the Papas, and most notably Bette Midler who has included "Soph" as one of her many stage characters (and whose daughter Sophie is reputedly named after Tucker). She also influenced Miami-based radio and television host-cum-singer Peppy Fields, sister of noted pianist Irving Fields, who Variety and Billboard magazines called the Sophie Tucker of Miami. Her second album was to be named The First Of The New Red Hot Mamas but she refused to do so as long as Tucker was alive.

Probably the greatest influence on Sophie's later song delivery was Clarice Vance (1870–1961). They appeared many times on the same vaudeville bill. Sophie made her first recordings in 1910, and Clarice made her final records in 1909. Clarice had perfected and was known for her subtle narrative talk-singing style that Sophie later used to her advantage when her vocal range became increasingly limited. At the time that Clarice Vance was using the narrative style it was unique to her among women entertainers.[3]

Legacy

Tucker is briefly mentioned in the lyrics of the song "Roxie" from the musical Chicago ("And Sophie Tucker'll shit I know/To see her name get billed below/Roxie Hart"), and was cited as the main influence for its character of Matron "Mama" Morton.[15][16]

A popular music revue developed by Florida Studio Theatre (FST) in Sarasota entitled Sophie Tucker: The Last of the Red Hot Mamas, celebrates Tucker's brassy and bawdy behavior, songs, and persona. Developed in-house by Artistic Director Richard Hopkins in 2000, it has enjoyed several productions across the country including theatres from New York City, Chicago, Atlanta, and Toronto. Kathy Halenda, who originated the role of Sophie Tucker in the production, returned to FST for a limited engagement of "The Last of the Red Hot Mamas" in March 2012.[17]

William Gazecki’s documentary The Outrageous Sophie Tucker (2014) is about her.[18][19]

Maurice Chevalier substitutes "Sophie Tucker" to the lyrics of "Yankee Doodle Dandy" in the Lucy-Desi Comedy Hour episode "Lucy Goes to Mexico".

References

  1. ^ Sophie Tucker: First Lady of Show Business - Armond Fields - Google Boeken. Books.google.com. 2003-05-08.  
  2. ^ a b c d e f g h i Jewish Women's Archive. "Jewish Women in Comedy - Sophie Tucker". Jewish Women's Archive. Retrieved 1 June 2013. 
  3. ^ a b c Ecker, Sue and Lloyd. "Sophie Tucker - Bio". Retrieved 1 June 2013. 
  4. ^ a b c d e f "Sophie Tucker". About.com. Retrieved 1 June 2013. 
  5. ^ Rosen, Judy. "A Century Later, She’s Still Red Hot". New York Times. Retrieved 1 June 2013. 
  6. ^ "Sophie Tucker Biography". A+E Television Networks, LLC. Retrieved 1 June 2013. 
  7. ^ a b "Biography for Sophie Tucker". IMDb.com, Inc. Retrieved 1 June 2013. 
  8. ^ "Von Tilzer - Gumm Collection" (PDF). Library of Congress. Retrieved 1 June 2013. 
  9. ^ CD liner notes: Chart-Toppers of the Twenties, 1998 ASV Ltd.
  10. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 15.  
  11. ^ Stewert, Estelle May. Handbook of American trade-unions: 1936 edition. Bureau of Labor Statistics. Retrieved 1 June 2013. 
  12. ^ "The Theatre: Sophie Spanked". TIME. 1939-07-24. Retrieved 2015-08-27. 
  13. ^ Cohn, Robert A. "Co-authors say Sophie’s story needed no embellishment". St. Louis Jewish Light. Retrieved 1 June 2013. 
  14. ^ Mark my words: great quotations and the stories behind them - Page 431 0760735328 Nigel Rees - 2002 PITKIN, William American teacher (1878-1953) 3 Life Begins at Forty. Title of book (1932), in which ... Helping it along was a song with the title by Jack Yellen and Ted Shapiro (recorded by Sophie Tucker in 1937). The phrase seems to have ..."
  15. ^ Watkins, Maurine Dallas (1924). Chicago. p. 41. 
  16. ^ "What's On". Leeds City Council. Retrieved 1 June 2013. 
  17. ^ Handelman, Jay. "FST celebrates construction and supporters at gala". Sarasota Herald Tribune. Retrieved 1 June 2013. 
  18. ^ "Review: ‘The Outrageous Sophie Tucker’ Recalls a Jazz Powerhouse".  
  19. ^ "The Outrageous Sophie Tucker: A Film Review | Jewish Women's Archive". Jwa.org. 2014-11-19. Retrieved 2015-07-25. 

External links


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