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Sympathy for the Devil (film)

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Title: Sympathy for the Devil (film)  
Author: World Heritage Encyclopedia
Language: English
Subject: Mick Jagger, Sympathy for the Devil (disambiguation), Eleni Cubitt, Crane shot, Soft and Hard
Collection: 1968 Films, English-Language Films, Films Directed by Jean-Luc Godard, French Films, The Rolling Stones Films
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Sympathy for the Devil (film)

Sympathy for the Devil
(One Plus One)
Directed by Jean-Luc Godard
Produced by Eleni Collard
Michael Pearson, 4th Viscount Cowdray
Iain Quarrier
Written by Jean-Luc Godard
Starring Mick Jagger
Brian Jones
Keith Richards
Bill Wyman
Charlie Watts
Nicky Hopkins
Cinematography Colin Corby
Anthony B. Richmond
Edited by Agnès Guillemot
Release dates
  • 30 November 1968 (1968-11-30)
Running time
110 minutes
Language English

Sympathy for the Devil (originally titled One Plus One by the film director and distributed under that title in Europe) is a 1968 film shot mostly in color by director Jean-Luc Godard.[1][2]

Contents

  • Background 1
  • Plot summary 2
  • References 3
  • External links 4

Background

After May 1968, Godard moved to London to film the Rolling Stones recording “Sympathy for the Devil.” In Sympathy for the Devil, Godard juxtaposed the Rolling Stones rehearsing with seemingly unrelated scenes with a soundtrack featuring, among others, the Black Panthers. The film showed the Stones at work, deconstructing the myth of the genius creator.

Plot summary

Composing the film's main narrative thread are several long, uninterrupted shots of The Rolling Stones in a sound studio, recording and rerecording various parts to "Sympathy for the Devil." The dissolution of Stone Brian Jones is vividly portrayed, and the chaos of 1968 is made clear when a line referring to the killing of John F. Kennedy is heard changed to the plural after the assassination of Robert F. Kennedy in June.

Interwoven through the movie are outdoor shots of Black Panthers milling about in a junkyard littered with the rusting cars heaped upon each other. They read from revolutionary texts (including Amiri Baraka) and toss their rifles to each other, from man to man, as if in an assembly line, or readying for an impending battle. A group of white women, apparently kidnapped and dressed in white, are brutalized and ultimately shot, off-camera; their bloody bodies are subsequently seen in various tableaus throughout the film.

The rest of the film contains a powerful political message in the form of a voiceover about Marxism, the need for revolution and other topics in which Godard was interested. One scene involves a camera crew following a woman about, played by Anne Wiazemsky in a yellow peasant dress, in an outdoor wildlife setting, and no matter what she's asked, always answers "yes" or "no". As can be seen from the chapter heading to the scene, she is supposed to be a personification of democracy, a woman named Eve Democracy.

At least one quarter of the film is devoted to indoor shots of a bookstore that sells such diverse items as Marvel's Doctor Strange, DC's The Atom, and The Flash comic books, Nazi pamphlets for propaganda, and various men's magazines. Alternating with the shots of comic books, pinup magazines, and Nazi pamphlets, consumers casually enter the bookstore, approach a bookshelf, pick up books or magazines, exchange them for a sheet of paper, and then slap the faces of two Maoist hostages sitting patiently next to a book display. Toward the end of the scene, a small child is admitted for the purpose of buying a pamphlet and slapping the faces of the hostages. After exchanging their purchases and receiving their document, each customer raises his/her right arm in a Nazi salute, and leaves the store.

Mimicking the earlier scene of the camera crew following Eve Democracy is the last scene to the movie where the camera crew mills about on the beach and from afar one man asks another "what are they doing over there?" To which the other answers "I think they're shooting a movie". A large camera crane is positioned on the beach and another woman in white is laid down upon the end of the crane and elevated along with a motion picture camera on the platform until she is well above the beach. She doesn't rise up but remains motionless, half-hanging off the crane, one leg dangling.

References

  1. ^ The New York Times
  2. ^ Artfilm.ch

External links

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