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The Bathers (Cézanne)

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Title: The Bathers (Cézanne)  
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Subject: Paul Cézanne, National Gallery, Modern art, Philadelphia Museum of Art, Les Demoiselles d'Avignon, The Bathers
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The Bathers (Cézanne)

For other uses, see The Bathers.
The Bathers
Artist Paul Cézanne
Year 1898–1905
Type Oil-on-canvas
Dimensions 210.5 cm × 250.8 cm (8278 in × 9834 in)
Location Philadelphia Museum of Art, Philadelphia, United States

The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne first exhibited in 1906. The painting is the largest of a series of "Bather" paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London and the Art Institute of Chicago.[1][2][3][4] Occasionally referred to as the Big Bathers or Large Bathers to distinguish it from the smaller works, the painting is considered one of the masterpieces of modern art,[2][5] and is often considered Cézanne's finest work.[6]

Cézanne worked on the painting for seven years, and it remained unfinished at the time of his death in 1906.[7] The painting was purchased in 1937 for $110,000 with funds from a trust fund for the Philadelphia Museum of Art by their major benefactor Joseph E. Widener.[1][2] It was previously owned by Leo Stein.[8]

With each version of the bathers, Cézanne moved away from the traditional presentation of paintings, intentionally creating works which would not appeal to the novice viewer.[9] He did this in order to avoid fleeting fads and give a timeless quality to his work, and in so doing paved the way for future artists to disregard current trends and paint pieces which would appeal equally to all generations.[9] The abstract nude females present in Large Bathers give the painting tension and density.[9] It is exceptional among his work in symmetrical dimensions, with the adaption of the nude forms to the triangular pattern of the trees and river.[10] Using the same technique as employed in painting landscapes and still lifes, Large Bathers is reminiscent of the work of Titian and Peter Paul Rubens.[11] Comparisons are also often made with the other famous group of nude women of the same period, Picasso's Les Demoiselles d'Avignon.[12][13]

The purchase of the painting, while generally praised, was nevertheless questioned by The Philadelphia Record, which noted that 41,000 (or ten percent) of Philadelphia's residents were without bathtubs, and that the money could therefore have been better spent elsewhere.[2] While Cézanne's drawing ability has always been criticized, a critic once said that he "made the ineptly drawn Bathers a warm evocation of leisurely summer bliss."[14] The painting was featured in the BBC Two series 100 Great Paintings.

Other versions


External video

External links

  • at the Philadelphia Museum of Art
  • at the National Gallery

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