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The Graduate

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The Graduate

The Graduate
Theatrical release poster
Directed by Mike Nichols
Produced by Joseph E. Levine
Lawrence Turman
Screenplay by Calder Willingham
Buck Henry
Based on The Graduate 
by Charles Webb
Starring Anne Bancroft
Dustin Hoffman
Katharine Ross
Music by Dave Grusin
Cinematography Robert Surtees
Edited by Sam O'Steen
Distributed by Embassy Pictures
(USA & Canada)
United Artists
Release dates
  • December 21, 1967 (1967-12-21)
Running time 105 minutes[1]
Country United States
Language English
Budget $3 million
Box office $104,901,839[2]

The Graduate is a 1967 American comedy-drama film directed by Mike Nichols.[3] It is based on the 1963 novel The Graduate by Charles Webb, who wrote it shortly after graduating from Williams College. The screenplay is by Calder Willingham and Buck Henry, who appears in the film as a hotel clerk.

The film tells the story of 20-year-old Benjamin Braddock (played by a 29-year-old Dustin Hoffman), a recent college graduate with no well-defined aim in life, who is seduced by an older woman, Mrs. Robinson (a 35-year-old Anne Bancroft), and then proceeds to fall in love with her daughter Elaine (Katharine Ross).

In 1996, The Graduate was selected for preservation in the U.S. National Film Registry as being "culturally, historically, or aesthetically significant". Initially, the film was placed at number 7 on AFI's 100 Years... 100 Movies list in 1998. When AFI revised the list in 2007, the film was moved to number 17.

Adjusted for inflation, the film is number 21 on the list of highest-grossing films in the United States and Canada.[4]


Benjamin Braddock, going on from twenty to twenty-one years old, has earned his bachelor's degree from an unnamed college in the Northeast and has returned home to a party celebrating his graduation at his parents' house in Pasadena, California. Benjamin, visibly uncomfortable as his parents deliver accolades and neighborhood friends ask him about his future plans, evades those who try to congratulate him. He drives Mrs. Robinson, the neglected wife of his father's law partner, home. Once at the Robinson home, Benjamin is coerced inside and to have a drink as Mrs. Robinson attempts to seduce him. Her initial attempt at an affair rebuffed (even going so far as being naked in front of the young man), Benjamin leaves. However, after a few days, he clumsily organizes a tryst at a hotel, thus beginning their sexual relationship.

Benjamin spends the remainder of the summer drifting around in the pool by day, purposefully neglecting to select a graduate school, and seeing Mrs. Robinson at the hotel by night. He discovers that he and Mrs. Robinson have nothing to talk about and that she only wants sex. However, after Benjamin pesters her one evening, Mrs. Robinson reveals that she is in a loveless marriage because she errantly became pregnant with her daughter, Elaine. Both Mr. Robinson, who is unaware of his wife's affair, and Benjamin’s parents encourage him to call on Elaine. Benjamin is forced to date Elaine, but he consciously tries to sabotage his first date with her by ignoring her, driving recklessly, and taking her to a strip club. After Elaine runs out of the strip club in tears, Benjamin has a change of heart, realizes how rude he was to her, and discovers that Elaine is someone he is comfortable with. A relationship ensues.

Trying to stave off a jealous Mrs. Robinson who threatened to reveal their affair to destroy any chance with Elaine, Benjamin rashly decides he has to tell Elaine everything. Upset over hearing about Benjamin's tryst with her mother, Elaine escapes to Berkeley and refuses to speak with him. He follows in pursuit and, after briefly stalking her, reveals his presence. Elaine accuses Benjamin of raping her mother while she was drunk, refusing to believe that it was in fact Mrs. Robinson that craftily seduced him and initiated the affair. After much discussion and over the next few days, Benjamin and Elaine grow closer, and he continually asks to marry her. Mr. Robinson arrives at Berkeley, with all the details of his wife’s affair, where he meets Benjamin in his apartment. He did not know whether he could prosecute Benjamin but he thought he could and threatens to have him behind bars if he saw his daughter again. Mr. Robinson then forces Elaine to drop out of school and takes her away to marry Carl, a classmate with whom she had briefly been involved.

Returning to Pasadena in search of Elaine and Mr. Robinson, Benjamin forces himself into the Robinson home but encounters Mrs. Robinson. She coldly tells him he won't be able stop the wedding and then calls the police, claiming that her house is being burgled. Benjamin returns to Berkeley. After learning from Carl’s fraternity brothers that the wedding is in Santa Barbara, California that very morning, he rushes out to stop the wedding. Running out of gas a few blocks from the church, Benjamin must sprint the last few blocks. He arrives just as the bride and groom are about to kiss. Realizing the ceremony is concluding, he bangs on the glass at the back of the church and screams out "Elaine!" repeatedly. After a brief hesitation, Elaine screams out "Ben!" and starts running towards him. A brawl ensues as guests try to stop Elaine and Ben from leaving together. Elaine manages to break free from her mother, who claims "It's too late!" as Elaine has already said her marriage vows and kissed, to which Elaine replies, "Not for me!"; Mrs. Robinson then slaps Elaine. Benjamin holds guests at bay by swinging a cross ripped from the wall, then using it to jam the outside door while the pair escape. They board a bus and take the back seat, elated at their victory. However, in the final shot, Benjamin's smile gradually fades to an enigmatic, neutral expression as he gazes forward down the bus, not looking at Elaine. Elaine first looks lovingly across at Ben but notices his demeanor and turns away with a similar expression as the bus drives away, taking the two lovers towards a future of uncertainty.




According to TCM host Robert Osborne, "Mike Nichols wanted Doris Day for Mrs. Robinson, Robert Redford for Benjamin Braddock, and Gene Hackman for Mr. Robinson." But there were numerous actors considered or tested for, or who wanted, roles in the film.

Day turned down the offer because the nudity required by the role offended her.[5] Nichols' actual first choice for Mrs. Robinson was French actor Jeanne Moreau. The idea behind this was that in the French culture, the "older" women tended to "train" the younger men in sexual matters. Joan Crawford inquired as to play the part, while Lauren Bacall and Audrey Hepburn both wanted the role. Patricia Neal turned down the film as she had recently recovered from a stroke and did not feel ready to accept such a major role. Geraldine Page also turned it down. Other actors considered for the part included Claire Bloom, Angie Dickinson, Sophia Loren, Judy Garland, Rita Hayworth, Susan Hayward, Anouk Aimee, Jennifer Jones, Deborah Kerr, Eva Marie Saint, Rosalind Russell, Simone Signoret, Jean Simmons, Lana Turner, Eleanor Parker, Anne Baxter and Shelley Winters. Angela Lansbury also asked about playing the part. Ava Gardner sought the role of Mrs. Robinson, and reportedly called Nichols saying,"I want to see you! I want to talk about this Graduate thing!". Nichols did not seriously consider her for the role (he wanted a younger woman as Bancroft was 36 and Gardner was 45), but did end up visiting her hotel. He later recounted that "she sat at a little French desk with a telephone, she went through every movie star cliché. She said, 'All right, let's talk about your movie. First of all, I strip for nobody.'" Meanwhile, Natalie Wood turned down not only the role of Mrs. Robinson, but also that of Elaine.

For the character of Elaine, casting was also problematic. Patty Duke turned down the part as she did not want to work at the time. Faye Dunaway was also considered for Elaine, but had to turn it down, in favor of Bonnie and Clyde. Sally Field and Shirley MacLaine refused the role as well. Raquel Welch and Joan Collins both wanted the role, but did not succeed in getting it. Carroll Baker tested, but was said to have been too old to portray Anne Bancroft's daughter. Candice Bergen screen-tested as well, as did Goldie Hawn and Jane Fonda. On the other hand, Ann-Margret, Elizabeth Ashley, Carol Lynley, Sue Lyon, Yvette Mimieux, Suzanne Pleshette, Lee Remick, Pamela Tiffin, Julie Christie, and Tuesday Weld were all on the director's shortlist before Katharine Ross was cast.

When Albert Finney, Gene Wilder, Steve McQueen, Jack Nance, Anthony Perkins, Robert Wagner, and Jack Nicholson were all considered for the part of Benjamin. Burt Ward, who starred as Robin on the Batman television series, had to pass on the role as he was committed to filming the show, and the studio would not lend him anyway.

In the roles of Mr. Robinson, Jack Palance, Frank Sinatra, Walter Matthau and Gregory Peck were all other choices for the role that Murray Hamilton eventually played. Susan Hayward was the first choice for Benjamin's mother, Mrs. Braddock, but the role was given to Elizabeth Wilson. And to play Mr. Braddock, Yul Brynner, Kirk Douglas, Jack Lemmon, Robert Mitchum, Karl Malden, Christopher Plummer and Ronald Reagan all came close to getting the role that ended up going to William Daniels.[7]

There are considerable age discrepancies between the lead roles and the actors who portrayed them. Benjamin Braddock says, "I will be 21 next week "; at the time of filming, Dustin Hoffman was 29. Mrs. Robinson states, "Benjamin, I am twice your age." Anne Bancroft was 35, only six years older than Hoffman. Mrs. Robinson's daughter Elaine is 19 and was portrayed by Katharine Ross, who was 27 at the time. Elaine May, who portrayed Elaine's college roommate and delivered a note to Benjamin from Elaine, was 35 at the time and only seven months younger than Anne Bancroft.

Filming locations

Many of the exterior university campus shots of Benjamin were actually filmed on the brick campus of USC in Los Angeles.[8] Other scenes were filmed on Durant Avenue and College Ave. Across from the Unit One Dorms[9] in the city of Berkeley, as well as on the Berkeley campus itself (shot remotely from Telegraph Avenue, as the university did not permit commercial filming at the time).

The Taft Hotel scenes were filmed at the Ambassador Hotel.

The church used for the wedding scene is actually the United Methodist Church in La Verne. In a commentary audio released with the 40th anniversary DVD, Hoffman revealed that he was uneasy about the scene in which he pounds on the church window, as the minister of the church had been watching the filming disapprovingly. The residences used for the Braddocks' house and the Robinsons' house were located on North Palm Drive in Beverly Hills. The scene with Benjamin and Elaine at night in his car at the drive-in restaurant was filmed in Westwood Village, Los Angeles.

The scenes of Benjamin driving to Berkeley on the San Francisco – Oakland Bay Bridge were filmed on the top level of the bridge — leading into San Francisco — the opposite direction of Berkeley. In another scene as he drives south to Santa Barbara, his Alfa Romeo Spider is shown heading north through the Gaviota Tunnel, also the wrong direction.


The film boosted the profile of folk-rock duo Simon & Garfunkel. Originally, Nichols and O'Steen used their existing songs like "The Sound of Silence" merely as a pacing device for the editing until Nichols decided that substituting original music would not be effective and decided to include them on the soundtrack, an unusual move at that time.[10]

According to a Variety article by Peter Bart in the 15 May 2005 issue, Lawrence Turman, his producer, then made a deal for Simon to write three new songs for the movie. By the time they had nearly finished editing the film, Simon had only written one new song. Nichols begged him for more, but Simon, who was touring constantly, told him he did not have the time. He did play him a few notes of a new song he had been working on; "It's not for the movie... it's a song about times past — about Mrs. Roosevelt and Joe DiMaggio and stuff." Nichols advised Simon, "It's now about Mrs. Robinson, not Mrs. Roosevelt."[11]

On the strength of the hit single "Mrs. Robinson", the soundtrack album rose to the top of the charts in 1968 (knocking off The Beatles' White Album). However, the version that appears in the film is markedly different from the hit single version, which would not be issued until Simon and Garfunkel's next album, Bookends. The actual film version of "Mrs. Robinson" does appear on The Graduate soundtrack LP.


Critical response

The Graduate was met with positive reviews from critics upon its release. A.D. Murphy of Variety and Roger Ebert of the Chicago Sun-Times praised the film, with Murphy describing it as a "delightful satirical comedy-drama"[12] and Ebert claiming it was the "funniest American comedy of the year".[13]

For the film's thirtieth anniversary reissue, Ebert retracted some of his previous praise for the film, noting that he now felt its time has passed and he now had more sympathy for Mrs. Robinson than Benjamin, whom he considered "an insufferable creep."[14] He, along with Gene Siskel, gave the film a positive if unenthusiastic review on the television program Siskel & Ebert.[15]

Modern critics continue to praise the film. The review aggregator Rotten Tomatoes, which collects and ranks reviews (mostly modern) gives the film an aggregated score of 87% based on 52 reviews with an average rating of 8.2/10. The site's consensus reads, "The music, the performances, the precision in capturing the post-college malaise -- The Graduate's coming-of-age story is indeed one for the ages."[16] On the similar website Metacritic, the film has a score of 77 out of 100, based on 10 critics, indicating "generally favorable reviews".[17]

In the 1999 romantic comedy "The Other Sister", protagonists consider "The Graduate" as their favorite film, repeatedly watch it and at key moments consciously seek to emulate its protagonists in the conduct of their own love affair.


The film received Academy Award nominations for Best Picture (Lawrence Turman), Best Actor (Dustin Hoffman), Best Actress (Anne Bancroft), Best Supporting Actress (Katharine Ross), Best Adapted Screenplay (Buck Henry and Calder Willingham), and Best Cinematography (Robert L. Surtees). Mike Nichols won the Academy Award for Best Director.

The film also received Golden Globe Award nominations for Best Actor – Motion Picture Musical or Comedy (Hoffman), and Best Screenplay (Henry and Willingham). Bancroft won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, Nichols won the Golden Globe Award for Best Director, Turman and Joseph E. Levin won the Golden Globe Award for Best Motion Picture – Musical or Comedy, Hoffman won the Golden Globe Award for New Star of the Year – Actor, and Ross won the Golden Globe Award for New Star of the Year – Actress.

In addition, the film won the BAFTA Award for Best Film, BAFTA Award for Best Direction (Nichols), the BAFTA Award for Best Editing (Sam O'Steen). Bancroft was nominated for the BAFTA Award for Best Actress in a Leading Role.

In 1996, The Graduate was selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", and placed #21 on the list of highest-grossing films in the United States and Canada, adjusted for inflation.[4]

Years later in interviews, Bancroft conceded that, much to her surprise, Mrs. Robinson was the role with which she was most identified, and added "Men still come up to me and tell me 'You were my first sexual fantasy.'"

American Film Institute recognition

The film is listed in the 1001 Movies You Must See Before You Die book.[18]

In 1985 Alfa Romeo introduced the Graduate, a version of the Alfa Romeo Spider which recalled the car used in the movie. This version of the car was produced until 1990.

Stage adaptation

Anne Archer, Vera Fischer, Patricia Richardson and Linda Gray. The Broadway production in 2002 starred Kathleen Turner, Jason Biggs, and Alicia Silverstone.

The stage production adds several scenes that are not in the novel or the film. It also uses songs by Simon & Garfunkel not used in the film, such as "Baby Driver" as well as music from other popular musicians from the era such as The Byrds and The Beach Boys.

Possibility of sequel

Charles Webb has written a sequel to his original novel titled Home School, but initially refused to publish it in its entirety because of a contract he signed in the 1960s. When he sold film rights to The Graduate, he surrendered the rights to any sequels. If he were to publish Home School, Canal+, the French media company that owns the rights to The Graduate, would be able to adapt it for the screen without his permission.[19] Extracts of Home School were printed in The Times on May 2, 2006.[20] Webb also told the newspaper that there was a possibility he would find a publisher for the full text, provided he could retrieve the film rights using French copyright law.[21] On May 30, 2006, The Times reported that Webb had signed a publishing deal for Home School with Random House which he hoped would enable him to instruct French lawyers to attempt to retrieve his rights. The novel was published in Britain in 2007,[22] but was poorly received.[23][24]

Further reading

  • J. W. Whitehead. Appraising The Graduate: The Mike Nichols Classic and Its Impact in Hollywood. McFarland, 2011. ISBN 978-0-7864-6306-0.


  1. ^ (AA)"THE GRADUATE".  
  2. ^ "The Graduate, Box Office Information".  
  3. ^ Variety's Film Reviews. December 20, 1967. p. 6.  
  4. ^ a b "Domestic Grosses, Adjusted for Ticket Price Inflation".  
  5. ^ McGee, Garry (November 22, 2011). Doris Day: Sentimental Journey. McFarland. p. 160.  
  6. ^ Zeitlin, David (24 November 1967). "The Graduate".  
  7. ^ Kashner, Sam (March 2008). "Here’s to You, Mr. Nichols: The Making of The Graduate".  
  8. ^ Moore, Annette (Spring 2006). "USC’s Lists & Urban Legends: Just a Few of the Feature Films Shot on the University Park Campus". USC Trojan Family Magazine. Retrieved 2014-03-03. 
  9. ^ I
  10. ^ Harris, Mark (February 14, 2008). Pictures at a Revolution. The Penguin Press. pp. 360–1.  
  11. ^ Bart, Peter (May 15, 2005). "The perfect pic alignment".  
  12. ^ A.D. Murphy (December 18, 1967). "Film Reviews—The Graduate". Variety ( Retrieved 2011-04-13. 
  13. ^ Ebert, Roger (December 26, 1967). "The Graduate". Chicago Sun-Times ( Retrieved 2011-04-13. 
  14. ^ Ebert, Roger (March 28, 1997). "The Graduate". Chicago Sun-Times ( Retrieved 2011-04-13. 
  15. ^ "LiarLiar / Crash / Selena / The Graduate (1997)". Siskel & Ebert at the Movies. Season 11. Episode 28. Siskel & Ebert at the Movies Season 11 Episode 28. Siskel& March 22, 1997. 3:40 minutes in. Retrieved 2014-03-03.
  16. ^
  17. ^
  18. ^ Steven Jay Schneider, ed. (September 2003). 1001 Movies You Muse See Before You Die. London: Quintessence Editions Ltd.  
  19. ^ David Smith (25 March 2005). "What happened next? (the author will let you know after he dies)".  
  20. ^ Webb, Charles (2 May 2006). "Mrs Robinson Returns". The Times ( Retrieved 2007-10-12. 
  21. ^ Malvern, Jack (18 April 2006). "The Graduate's not-so-happy sequel". The Times ( Retrieved 2014-03-03. 
  22. ^ Malvern, Jack (30 May 2006). "At last, Mrs Robinson is getting her groove back". The Times ( Retrieved 2011-04-13. 
  23. ^ Ulin, David L. (10 January 2008). "Post 'Graduate' work is a failure".  
  24. ^ "Home School". 1 November 2007. Retrieved 2011-04-13. 

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