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The Hobbit (1977 film)

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Title: The Hobbit (1977 film)  
Author: World Heritage Encyclopedia
Language: English
Subject: Middle-earth in film, The Hobbit, The Return of the King (1980 film), Hobbit, Smaug
Collection: 1970S American Animated Films, 1970S Fantasy Films, 1977 Animated Films, 1977 Films, 1977 in American Television, 1977 Television Films, 1977 Television Specials, American Animated Films, American Fantasy Films, American Films, Animated Television Specials, Children's Fantasy Films, Films About Dragons, Films Based on Children's Books, Films Based on Fantasy Novels, Middle-Earth Films, Musical Television Specials, Nbc Television Specials, Peabody Award Winning Broadcasts, Television Programs Based on Novels, The Hobbit, Topcraft, Warner Bros. Animated Films
Publisher: World Heritage Encyclopedia

The Hobbit (1977 film)

The Hobbit
Cover of 1991 USA video release
Genre Fantasy
Based on The Hobbit 
by J. R. R. Tolkien
Written by Romeo Muller
Directed by Jules Bass
Arthur Rankin, Jr.
Theme music composer Glenn Yarbrough
Composer(s) Maury Laws
Country of origin United States
Original language(s) English
Producer(s) Jules Bass
Arthur Rankin, Jr.
Running time 77 minutes[1]
Production company(s)
Distributor Warner Bros. Family Entertainment
Budget US$3 million
Original channel NBC
Original release
  • November 27, 1977 (1977-11-27)
Followed by The Return of the King

The Hobbit is a 1977 animated musical television special created by Rankin/Bass, a studio known for their holiday specials, and animated by Topcraft, a precursor to Studio Ghibli, using lyrics adapted from the book. The film is an adaptation of the 1937 book of the same name by J. R. R. Tolkien and was first broadcast on NBC in the United States on Sunday, November 27, 1977.


  • Plot 1
  • Voices 2
  • Background 3
  • Soundtrack and story LP 4
    • Original Soundtrack Songs 4.1
  • Comparison to the source material 5
  • Critical reception 6
  • Home video releases 7
  • Sequel 8
  • See also 9
  • Notes 10
  • References 11
  • External links 12


The plot of the animated production is in most respects similar to that of the book; but certain plot points are significantly compressed or removed due to the time limitations of the format. In addition, certain scenes are obviously edited for commercial breaks. In general, alterations are confined to simple omission of detail, and the plot adheres to the written text, including lyrics adapted from the songs in the book but in much longer and greater format.[2]



The film was produced and directed by Arthur Rankin, Jr. and Jules Bass of Rankin/Bass Productions and was adapted for the screen by Romeo Muller, with Rankin taking on the additional duties of production designer. When interviewed for the film, Rankin declared that he would add nothing to the story that wasn't in the original.[2] The New York Times reported that The Hobbit cost $3 million.[2]

The story's hero, Bilbo Baggins, is voiced by Orson Bean, backed up by noted Hollywood director and actor John Huston as the voice of Gandalf. In supporting roles, the comedian and performance artist Brother Theodore was chosen for the voice of Gollum, and Thurl Ravenscroft performed the baritone singing voices of the goblins. The gravelly voice of the dragon Smaug was provided by Richard Boone, with Hans Conried as Thorin Oakensheild, rounding out the cast of primarily American voice actors.

The Hobbit was animated by Topcraft, a now-defunct Japanese animation studio whose animation team would re-form as Studio Ghibli under Hayao Miyazaki. Topcraft successfully partnered with Rankin/Bass on several other co-productions, including The Last Unicorn. According to Rankin, the visual style of the film took its basic cue from the early illustrations of Arthur Rackham.[2]

While Topcraft produced the animation, the concept artwork was completed in the US under the direction of Arthur Rankin.[2] Principal artists included coordinating animator Toru Hara; supervising animator/character designer Tsuguyuki Kubo; character and effects animators Hidetoshi Kaneko and Kazuko Ito; and background designer Minoru Nishida. The same studio and crew members were also used for The Return of the King.

Harry N. Abrams published a large coffee-table illustrated edition of the book featuring concept art and stills.[2]

Soundtrack and story LP

Jules Bass primarily adapted Tolkien's original lyrics for the film's musical interludes, drawn primarily from the songs that feature prominently in the book. He also assisted Maury Laws, Rankin/Bass's composer and conductor-in-residence, in the composition of an original theme song, "The Greatest Adventure (The Ballad of the Hobbit)", sung by Glenn Yarbrough as the sole original song written for the film. This folk ballad came to be associated with Yarbrough, who reprised it in the soundtrack to 1980 animated film The Return of the King.[2]

The Hobbit first aired as an animated television special in 1977 with the goal of producing an accompanying tie-in storybook and song recordings for children, as in other Rankin/Bass productions.

The Hobbit was released on LP with the soundtrack[2] and dialogue from the film was also released in 1977 by Disney through its Buena Vista Records label, and an edited version, along with accompanying "storyteller read-alongs", was later issued for the Mouse Factory's Disneyland Records imprint. A second music album by Glenn Yarbrough of music "inspired" by The Hobbit was also released.

Original Soundtrack Songs[3]

The Hobbit: Original Soundtrack Songs
Soundtrack album by Maury Laws
Released 1977
Length 26:46
Label Buena Vista Records
Producer Rankin/Bass Productions Inc.
Side 1
No. Title Length
1. "The Greatest Adventure" (performed by Glenn Yarbrough) 2:11
2. "In The Valley, Ha! Ha!" (performed by Glenn Yarbrough) 1:46
3. "Old Fat Spider" (performed by Glenn Yarbrough) 2:22
4. "Roads" (performed by Glenn Yarbrough) 1:52
5. "Roads" (Instrumental) 1:55
6. "The Greatest Adventure" (Instrumental) 1:56
Side 2
No. Title Length
1. "That's What Bilbo Baggins Hates / Misty Mountains Cold / Gandalf's Recitation" (a&b performed by the Dwarves' Chorus, c performed by John Huston) 4:18
2. "Down, Down To Goblin Town" (performed by the Goblin Chorus) 1:23
3. "Rollin’ Down The Hole" (performed by the Hobbit Chorus) 1:28
4. "Gollum’s Riddle" (performed by Sirens) 2:15
5. "Funny Little Things" (performed by the Goblin Chorus) 1:18
6. "In The Valley, Ha! Ha!" (performed by the Elves' Chorus) 1:54
7. "Misty Mountains Cold" (performed by the Dwarves' Chorus) 2:08

Comparison to the source material

While the script adheres fairly closely to the book, several significant plot points are altered or missing:

  • The character of Beorn and the associated locale of Beorn's house and the Carrock do not appear in the film; the Eagles take the party to the edge of Mirkwood.
  • Although the film lingers on the dwarves' reclaimed treasure, the Arkenstone is not mentioned, and is replaced with truncated verbal negotiations and Gandalf's sudden appearance. Thorin's anger at Bilbo and subsequent forgiveness appear in his final scene.
  • The Elvenking's feast and the dwarves' starvation after escaping from the spiders were incorporated into a scene storyboarded but apparently never filmed, leaving a reference to it without explanation in the subsequent dialogue (In their first appearance in the finished film, Bilbo announces that "the wood elves had returned," while the Elf-king later asks Thorin "why do you Dwarves attack us?").
  • While several additional dwarves die in the Battle of Five Armies from the main cast, none are specified other than Thorin. As in the book, Bilbo witnesses only part of the final battle and its aftermath. Also in the book, Thorin, Fili, and Kili are the only dwarves from Thorin's Company killed in the final battle.
  • In the end of the film, Gandalf reveals to Bilbo that he knows of the One Ring, and foreshadows the events of Lord of the Rings. In the books, the ring is not identified until Fellowship of the Ring.

Although the majority of visual stylistic choices mostly drew on the book for some inspiration and detail illustrations, the characters of the wood elves are inexplicably given green (or purple) skin, short stature, blond hair, and Otto Preminger's German accent; highly unlike the more typical elves of Rivendell, such as Elrond.

In depicting Gollum, the animators emphasize his more monstrous and amphibian appearance in Tolkien's early descriptions of the character, although retaining a humanoid form and a tortured personality familiar to readers. The "Hobbit scale" of his design would become more apparent in Rankin/Bass's artwork for The Return of the King (1980 film). Gollum's own dialogue and riddles are included largely intact (one is included as background music, with the accompanying lyrics 'chanted' by a female chorus, presumably under the direction of choral director Lois Winter).

Critical reception

In 1978, Romeo Muller won a Peabody Award for his teleplay for The Hobbit. The film was also nominated for the Hugo Award for Best Dramatic Presentation, but lost to Star Wars. A few days before its first airing, John J. O'Connor wrote in The New York Times that "Rankin and Bass Productions have now carefully translated 'The Hobbit' into film. The result is curiously eclectic, but filled with nicely effective moments. […] The drawings frequently suggest strong resemblances to non-Tolkien characters… The goblins could have stepped out of a Maurice Sendak book. But […] the Dragon and Gollum the riddle aficionado bring some clever original touches… Whatever its flaws, this television version of 'The Hobbit' warrants attention."[4]

Critics primarily focused on adaptation issues, including the unfamiliar style of artwork used by the Japanese-American co-production team, whereas some Tolkien fans questioned the appropriateness of repackaging the material as a family film for a very young audience. Douglas A. Anderson, a Tolkien scholar, called the adaptation "execrable" in his own introduction to the Annotated Hobbit, although he did not elaborate;[5] and a few critics said it was confusing for those not already familiar with the plot.[6] On the other hand, critic Tom Keogh praised the adaptation as "excellent", saying the work received "big points" for being "faithful to Tolkien's story" and that the "vocal cast can't be improved upon."[7]

Review aggregate website Rotten Tomatoes, which compiles reviews from a wide range of critics, gives the film a score of 67%.[8]

Home video releases

The Hobbit was released by ABC Video Enterprises in the early 1980s on Betamax and VHS by Sony, and CED by RCA. Warner Home Video released the film on VHS in 1991, again in 1996 (as part of the Warner Bros. Classic Tales VHS line), and on DVD in 2001 (through Warner Bros. Family Entertainment). Parade Video released the film on DVD and VHS in 2004. The earlier 1980s and 1990s videocassette releases contain sound effects that were edited out of the 2001 DVD without explanation.[2]

The film was also released on DVD by Warner Bros. as part of the DVD trilogy boxed set, which includes Ralph Bakshi's The Lord of the Rings and the Rankin Bass production of The Return of the King. The Warner Bros. edition DVD is now out of print, though a remastered deluxe edition DVD was released on July 22, 2014. Sound effects missing in previous DVD releases are absent from this release as well.[11]


Before The Hobbit ever aired on NBC, Rankin/Bass and its partner animation houses were preparing a sequel.[2] Meanwhile, United Artists released J.R.R. Tolkien's The Lord of the Rings in 1978, an animated adaptation directed by Ralph Bakshi, originally intended as the first part in a two-part film.

Their own sequel having been cancelled after a disagreement with Bakshi, Rankin/Bass proceeded with their plans to produce their own television installment of The Lord of the Rings, bringing back most of the animation team and voice cast. Taking elements from the last volume of The Lord of the Rings which had not been used by Bakshi, they developed the musical The Return of the King. They were unable to provide continuity for the missing segments, developing instead a framing device in which both films begin and end with Bilbo's stay at Rivendell, connecting the later film directly to the better-received Hobbit.

See also


  1. ^ The film has a running time of 77 minutes; several Internet sites list the full 90 minute air time.[1]
  2. ^ E.g. goblets clanking and hammer-tinkering noises omitted, spider death screams, along with several lines of dialogue.[9][10]


  1. ^ "Rankin/Bass 'The Hobbit' Follow Up", The One Ring net (archive) 
  2. ^ a b c d e f g h i Culhan, John. Will the Video Version of Tolkien Be Hobbit Forming? The New York Times, Nov 27, 1977.
  3. ^ "Rankin / Bass Featuring Glenn Yarbrough – The Hobbit: Original Soundtrack Songs", Discogs. Retrieved on 9 August 2015.
  4. ^ O'Connor, John J (25 November 1977), """TV Weekend: "The Hobbit,  
  5. ^ Anderson. Douglas A. The Annotated Hobbit
  6. ^ Kask, TJ, "NBC's The Hobbit", Dragon Magazine, December 1977.
  7. ^ "The Hobbit", IMDb (reviews) 
  8. ^ "The Hobbit (1978)"Tomatometer for .  
  9. ^ "The Hobbit", Mimsy (review), Hoboes 
  10. ^ "The Hobbit DVD vs. the hi-fi Hobbit", YouTube (video), Google 
  11. ^ "Hobbit: Orson Bean, John Huston, Otto Preminger, Jules Bass, Jr. Arthur Rankin: Movies & TV". Retrieved 2014-05-16. 

External links

  • The Hobbit at the Internet Movie Database
  • The Hobbit at the Big Cartoon DataBase
  • "Hobbit", CED magic (screen captures)  from the CED edition. Also features links to galleries of screen captures from other Tolkien animated films.
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