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Woman in the Moon

Woman in the Moon
Theatrical release poster
Directed by Fritz Lang
Written by Fritz Lang
Thea von Harbou, story
Starring Willy Fritsch
Gerda Maurus
Klaus Pohl
Fritz Rasp
Gustl Gstettenbaur
Gustav von Wangenheim
Cinematography Curt Courant
Distributed by UFA
Release dates
  • 15 October 1929 (1929-10-15)
Running time
156 min. / 200 min. (2000 restoration) / Spain:104 min. / Spain:162 min. (DVD edition) / USA:95 min / West Germany:91 min (edited version) (1970)
Country Germany
(Weimar Republic)
Language Silent film
German intertitles

Woman in the Moon (German Frau im Mond) is a science fiction silent film that premiered 15 October 1929. It is often considered to be one of the first "serious" science fiction films.[1] It was written and directed by Fritz Lang, based on the novel Die Frau im Mond (1928, translated as The Woman to the Moon in 1930) by his collaborator Thea von Harbou, his wife at the time. It was released in the USA as By Rocket to the Moon and in the UK as Woman in the Moon. The basics of rocket travel were presented to a mass audience for the first time by this film, including the use of a multi-stage rocket.[1]

Director Fritz Lang (on the right), on the set of his film Woman in the Moon, 1929.


  • Plot summary 1
  • Influence 2
  • Further reading 3
  • References 4
  • External links 5

Plot summary

The film is a melodrama with scientific speculation. Helius (Willy Fritsch) is an entrepreneur with an interest in space travel. He seeks out Professor Mannfeldt (Klaus Pohl), a visionary who has written a treatise on the likelihood of finding gold on the moon, only to be ridiculed by his peers. Helius recognizes the value of Mannfeldt's work, but a gang of evil businessmen have also taken an interest in Mannfeldt's theories.

Meanwhile, Helius's assistant Windegger (Gustav von Wangenheim) has announced his engagement to Helius's other assistant, Friede (Gerda Maurus). This is disconcerting to Helius, who secretly loves Friede, so he avoids their engagement party. He is mugged on the way home from his meeting with Mannfeldt by henchmen of the evil businessmen, commanded by an American, "The man who calls himself Walter Turner," (Fritz Rasp) as stated in the opening credits. They steal the research that Professor Mannfeldt had entrusted to him and also burgle Helius's home, taking other valuable material. They then present him with an ultimatum: they know he is planning a voyage to the moon; either he includes them in the project, or they will sabotage it and destroy his rocket. Reluctantly, Helius agrees to their terms.

The rocket team is assembled: Helius, Mannfeldt, Windegger, Friede and Turner, who represents the interests of the evil businessmen. After the rocket blasts off, they discover that Gustav (Gustl Gstettenbaur), a young boy who has befriended Helius, is aboard as a stowaway with his collection of science fiction pulp magazines. During the journey, Windegger emerges as a coward, and the feelings of Helius toward Friede become known to her, creating a romantic triangle.

Once they get to the far side of the Moon, Mannfeldt and Turner prove Mannfeldt's theory that there is gold on the moon. They struggle in a cave, and Mannfeldt falls to his death in a crevasse. Turner attempts to hijack the rocket, and in the struggle, he is shot and killed. Gunfire damages the oxygen tanks, and they come to the grim realization that there is not enough oxygen for all to make the return trip. One person must remain on the moon. (In this film, the moon has a breathable atmosphere on its far side, per the theories of Peter Andreas Hansen, who is mentioned near the beginning of the film.)

Helius and Windegger draw straws to see who must stay and Windegger loses. Seeing Windegger's anguish, Helius decides to drug Windegger and Friede with a last drink together and take Windegger's place, letting Windegger return to Earth with Friede. Friede senses that something is in the wine. She pretends to drink and then retires to the compartment where her cot is located, closes and locks the door. Windegger drinks the wine, becoming sedated. Helius makes Gustav his confidant and the new pilot for the ship. Helius counts down the time for the ship's liftoff from a distance away. He watches it depart and a stricken look crosses his face as he realizes that he is alone on the moon. As he lowers his head and resignedly starts to move towards the survival camp originally prepared for Windegger, Helius discovers that Friede has decided to stay with him on the moon. He throws his arms wide like a child seeking to be held and Friede runs to him. They embrace and Helius weeps into her shoulder while Friede strokes his hair and whispers words of comfort to him.


Lang, who also made Metropolis, had a personal interest in science fiction. When returning to Germany in the late 1950s he sold his extensive collection of Astounding Science Fiction, Weird Tales, and Galaxy magazines.[2] Several prescient technical/operational features are presented during the film's 1920's launch sequence, which subsqequently came into common operational use during America's postwar space race:

  • the rocket is fully built in a tall building and moved to the launch pad
  • as launch approaches, the launch team counts down the seconds from ten to zero ("now" was used for zero), and Woman in the Moon is often cited as the first occurrence of the "countdown to zero" before a rocket launch.[1][3]
  • the rocket ship blasts off from a pool of water; water is commonly used today on launch pads to absorb and dissipate the extreme heat generated by the rocket exhaust
  • in space, the rocket ejects its first stage and fires its second stage rocket, predicting the development of modern multistage orbital rockets
  • the crew recline on horizontal beds to cope with the G-forces experienced during lift-off and pre-orbital acceleration
  • floor foot straps are used to restrain the crew during zero gravity (Velcro is used today).

These items and the overall design of the rocket led to the film being banned from 1933-1945[4] during WWII by the Nazis, due to similarities to their secret V-2 project.

Since rocket scientist Hermann Oberth worked as an advisor on this movie - he had originally intended to build a working rocket for use in the film, but time and technology prevented this from happening. It was popular among the rocket scientists in Wernher von Braun's circle at the Verein für Raumschiffahrt (VfR). The first successfully launched V-2 rocket at the rocket-development facility in Peenemünde had the Frau im Mond logo painted on its base.[5] Noted post-war science writer Willy Ley also served as a consultant on the film. Thomas Pynchon's Gravity's Rainbow, which deals with the V-2 rockets, refers to the movie, along with several other classic German silent films.

Further reading

  • Kraszna-Krausz, A. (2004). "Frau in Mond (The Woman in the Moon)". In Rickman, Gregg. The Science Fiction Film Reader. Limelight Editions. pp. 20–21. ISBN 0879109947.


  1. ^ a b c Weide, Robert (Summer 2012). "The Outer Limits". DGA Quarterly (Los Angeles, California: Director Guild of America, Inc.): 64–71. ISSN 1083-5323.  A gallery of behind-the-scenes shots of movies featuring space travel or aliens. Page 68, photo caption: "Directed by Fritz Lang (third from right), the silent film "Woman in the Moon" (1929) is considered one of the first serious science fiction films and invented the countdown before the launch of a rocket. Many of the basics of space travel were presented to a mass audience for the first time."
  2. ^ Gold, H. L. (1959-12). "Of All Things". Galaxy. p. 6. Retrieved 15 June 2014. 
  3. ^ "Spektrum der Wissenschaft" - DenkMal-Frage: "Was verdankt die Raumfahrt dem Stummfilm "Die Frau im Mond" (1929) von Fritz Lang?"
  4. ^
  5. ^ Hardesty, Von and Gene Eisman. Epic Rivalry: The Inside Story of the Soviet and American Space Race. Washington, D.C.: National Geographic, 2007. p. 2. ISBN 978-1-4262-0119-6.

External links

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