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Title: Chryssa  
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Subject: Light art, List of female sculptors, Timeline of art, Mononymous person, 2013 in art
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Mott Street (1983) by Chryssa. Vestibule of Evangelismos metro station, Athens Metro, line 3

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013[1]) was a Greek American artist who worked in a wide variety of media.[2] An American art pioneer in light art and luminist sculpture[3][4] widely known for her neon, steel, aluminum and acrylic glass installations,[5][6] she has always used the mononym Chryssa professionally.[4] She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.


Chryssa was born in Athens into the famous Mavromichalis family from the Deep Mani.[7][8][9] Her family, while not rich, was educated and cultured; one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.[7][9]

Chryssa began painting during her teenage years[7][9] and also studied to be a social worker.[10] In 1953, on the advice of "a leading art critic in Greece,"[7][9] her family sent her to Paris to study at the Académie de la Grande Chaumière[11][12] where André Breton, Edgard Varèse, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.[13]

In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York,[14] and went to San Francisco, California to study at the California School of Fine Arts.[12][15] Returning to New York in 1955, she became a United States citizen and established a studio in the city.[14]

Major works and milestones


Chryssa's first major work was The Cycladic Books, a series of plaster reliefs which the French art critic Pierre Restany described as having produced "the purified and stylized geometric relief which is characteristic of Cycladic sculpture."[16] According to the American art historian and critic Barbara Rose,[13] The Cycladic Books preceded American minimalism by seventeen years.


Arrow: Homage to Times Square is a large 8 ft by 8 ft (2.4 m) work in painted cast aluminum.[17] In a 2005 interview in Vouliagmeni,[13] Chryssa said of this work: "I only ever kept one work for more than 15 years in my studio, "The Arrow" – it is now in Albany, in the Rockefeller Collection."


Chryssa's first solo exhibition was mounted at The Guggenheim.[7][11]


Times Square Sky is a 5 ft × 5 ft (1.5 m) × 9.5 in work in neon, aluminum and steel.[18] It is now in the Walker Art Center in Minneapolis, Minnesota.


Chryssa's work was shown at the Museum of Modern Art[19] in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists who were represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist, and others.


The Gates to Times Square, regarded as "one of the most important American sculptures of all time"[12] and "a thrilling homage to the living American culture of advertising and mass communications,"[20] is a 10 ft cube installation of two huge letter As[21] through which visitors may walk [4] into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light"[7] which is controlled by programmed timers.[11] First shown in Manhattan's Pace Gallery,[4] it was given to the Albright-Knox Art Gallery[21] in Buffalo, New York in 1972.


Clytemnestra is in the Corcoran Gallery of Art collection in Washington, D.C.[5] It is based on the anguish of Clytemnestra, upon learning that her daughter would be sacrificed by Agamemnon,[22] as portrayed by Chryssa's friend Irene Papas in the Michael Cacoyannis production of Iphigeneia at Aulis on Broadway.[13] This work, or another version of it, has also been installed outside the Megaron Concert Hall (compare megaron) in Athens.[13]


The Whitney Museum of American Art[11][23] mounted a solo exhibition of works by Chryssa.

That's All (early 1970s),[14] the central panel of a triptych related to The Gates of Times Square,[24] was acquired by the Museum of Modern Art between 1975 and 1979.


Chryssa's solo exhibition at the Gallerie Denise René[11][25] was reviewed for TIME magazine[14] by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.


Chryssa's 70 ft (21 m) Untitled Light Sculpture, six large Ws connected by cables and programmed electronically to create changing patterns of light through 900 feet of neon tubing,[11] is suspended in the atrium of 33 West Monroe,[26] a Skidmore, Owings & Merrill design and its former headquarters, in Chicago, Illinois.


Mott Street,[27][28] named for Mott Street in Chinatown, Manhattan, is a large work in dark aluminium and red-toned neon light which is installed in the Evangelismos station of the Athens Metro.

Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.[6]


Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.


In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world,"[29] Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures.[29] The Athens National Museum of Contemporary Art, which was founded in 2000[30] and owns Chryssa's Cycladic Books,[16] is in the process of converting the Fix Brewery into its permanent premises.[30][31]


Chryssa presents her paintings at the Mihalarias Art Center.


A partial listing of monographs on Chryssa's work:

Exhibitions and collections

Partial listings of exhibitions and institutions with works by Chryssa in permanent collections:

Solo exhibitions

Group exhibitions


Additional exhibitions and collections are listed by the Artforum Culture Foundation,[25],[46] and other sources.


Although Chryssa has always used the mononym professionally, some fine arts and art auction references nevertheless cite her as Chryssa Vardea, Vardea Chryssa, Chryssa Varda, or Varda Chryssa.

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  12. ^ a b c
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  15. ^ Wayne Craven. American Art: History and Culture (p. 607). McGraw-Hill Professional, 2002. ISBN 0-07-141524-6.
  16. ^ a b c
  17. ^ a b
  18. ^ a b
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  21. ^ a b c Sculpture/Construction. Chryssa, 1966. Welded stainless steel, neon, and plexiglass. Overall: 120 × 120 × 120" (304.8 × 304.8 × 304.8 cm.) Gift of Mr. and Mrs. Albert A. List, 1972.
  22. ^
  23. ^ a b c d
  24. ^ a b
  25. ^ a b Exhibitions listed by the Artforum Culture Foundation.
  26. ^
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  28. ^ Works of Art (includes images) in Athens Metro stations include Chryssa's Mott Street in the Evangelismos station.
    See also: TourTripGreece Athens Metro article about the "underground art museums" in the stations.
  29. ^ a b
  30. ^ a b The National Museum of Contemporary Art founded in 2000 in Athens. The Museum sponsors include I. F. Costopoulos Foundation, Stavros Niarchos Foundation, Athens Metro, Alpha Bank, ATEbank, and Otenet. The Museum Building (formerly the Fix Brewery).
  31. ^
  32. ^ a b Chryssa: Urban Icons event, "13 related objects." Includes oil paintings and other media. 21 Related Objects.
  33. ^ Conversations with architect I. M. Pei, art dealer Leo Castelli, and others. 148 plates; list of public collections and exhibitions.
  34. ^ "Light Negative Positive" Poster, March 28, 1968 – April 15, 1968 in Harvard Yard at Robinson Hall, the former Harvard University library which the John Hay Library replaced in 1910.
  35. ^ Musée d'Art Moderne de la Ville de Paris. Jacques Lassaigne and Pierre Restany, (Recent Works)CHRYSSA: Oeuvres recentes. 1979, in French.
  36. ^
  37. ^
  38. ^ European Cultural Center of Delphi (Council of Europe). "Leading Artists of the 20th century: Chryssa - Takis" (17 June 2000 – 18 July 2000). Works by Chryssa included Chinatown, Piccadilly Circus, Athenian Landscape No. 2 and No. 3, Paris Landscape No 2, Marilyn, Times Square, The Newspaper, and (for the first time) the copper Cycladic Books: Green Series. Eighteen works by Takis included Photovoltaic Energy, Acoustic Chords, and Hommage à Apollon.
  39. ^ European Cultural Center of Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras, Alekos Fassianos, Sarantis Karavouzis, Yiannis Psychopedis, Dimitris Sakellion, Georgios Xenos.
  40. ^ European Cultural Center of Delphi (Council of Europe). "Columns and Pillars" (July 1, 2005 – July 23, 2005). Works by Yannis Moralis, Costas Tsoclis, Alekos Fassianos, Sotiris Sorogas, Pavlos, Yiannis Psychopedis, Dimitris Mytaras, Opy Zouni, Novello Finotti, Stephan Antonakos, Chryssa, Günther Uecker, and others.
  41. ^ a b
  42. ^
  43. ^ Eleven works in the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution records. Works include: Cityscape Sculpture Times Square #11, c. 1982–1988 (honeycomb aluminum panel, metallic paint and neon; 96 x 96 x 30 inches), and Study for The Gates #15 (Flock of Morning Birds from Iphigeneia at Aulis by Euripides), 1967 (neon, glass, plastic, copper wire, wood, and timer; 95⅛ × 35½ × 29½ in).
  44. ^
  45. ^ Image of Fragments for Gates to Times Square II 1966 (programmed neon and acrylic glass) Whitney Museum of American Art, New York City.
  46. ^ Museums references on
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