World Library  
Flag as Inappropriate
Email this Article

Mouthpiece (brass)

Article Id: WHEBN0006002989
Reproduction Date:

Title: Mouthpiece (brass)  
Author: World Heritage Encyclopedia
Language: English
Subject: French horn, Contrabass trumpet, Flugelhorn, Shofar, Trombone
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Mouthpiece (brass)

Trumpet mouthpiece from the side

On brass instruments the mouthpiece is the part of the instrument placed on the player's lips. The mouthpiece is a simple circular opening that leads, via a semi-spherical or conical cavity, to the main body of the instrument.

Mouthpieces vary to suit the tone of the instrument. Lower instruments also have larger mouthpieces, to maximize resonance (see pitch of brass instruments). Also, mouthpieces are selected to suit the embouchure of the player, to produce a certain timbre, or to optimize the instrument for certain playing styles. For example, trumpet and trombone mouthpieces are usually semi-spherical whereas French horn mouthpieces are conical.

Mouthpiece design

Cut-away view of trumpet mouthpiece:
1. Inner rim diameter
2. Rim width
3. Rim contour
4. Rim Edge
5. Cup
6. Throat
7. Backbore
8. Shank

The mouthpiece has a large effect on instrument sound. Major effects are due to the shape of the cup, shape of the throat, and the inner rim diameter. In addition, players often choose a mouthpiece that complements their playing styles. In general, brass players who concentrate on the upper range prefer a mouthpiece with a narrow bore, and players who emphasize the lower range prefer a wider bore. The cup depth also heavily influences the tone of the brass instrument. A shallow cup will brighten the sound, which is good for trumpeters doing a solo, while the deep cups darken the sound, which is better for blending in with an orchestra.

The effects of different aspects of mouthpiece design
Mouthpiece element Effect on playing Typical size/nature
(Trumpet)
Typical size/nature
(Tuba)
Inner rim diameter Larger inner rim diameters are optimized for lower ranges, giving a richer tone. Smaller diameters assist high range playing. ~16.0mm ~32mm
Rim width Wider rim widths reduce the pressure on the lips, allowing greater stamina. It does, however, reduce flexibility. ~5, 6, or 7mm ~6mm
Rim contour Flatter rim contours tend to appear on rims with sharper edges (see below). Varied Varied
Rim edge (or bite) Sharper rim edges reduce stamina but increase control. More smoothed rims are commonly found on deeper cups. Varied varied
Cup depth Shallower cups greatly assist playing in high ranges but do so at the cost of fullness of tone. Deeper cups assist low range flexibility and rich tone. Around half the inner rim diameter. 3/4 to 2 times the inner rim diameter.
Cup shape Semi-spherical cups have brighter, more projected tones, while conical cups have less tone definition (see throat contour, below). Semi-spherical Both
Throat contour In semi-spherical cups, a sharper throat contour gives a more harsh, projected tone and a rounded contour gives a deeper, richer tone. Conical cups with a smooth throat have less definition. Relatively sharp Usually rounded
Throat diameter Larger throat diameters give more volume but less control. Smaller diameters have much more control but significant volume limitations. ~3.6mm ~7.6mm
Backbore More conical backbores give a richer tone, while more cylindrical ones give a brighter, more projected tone. Fairly cylindrical Varied
Note: in this table:
  • "flexibility" refers to the 'agility' possibility; greater flexibility assists in playing music with fast passages and large intervals.
  • "control" refers to the ease of control over harmonic and tone.
  • "rich tone" refers to notes possessing few high harmonics, while "bright tone" refers to notes possessing many high harmonics.

Material

Makers commonly construct mouthpieces from one of two types of material, with different costs, properties, and features. Metal mouthpieces can be plated with some other metal. Some of the following assertions, especially those regarding the effect of plating on tone color, are questioned by many players and specialists.

Brass

Mouthpieces have traditionally been formed of solid brass. Due to brass often containing lead and being toxic upon contact, brass mouthpieces are usually plated with either gold or silver to protect the player from potential brass poisoning.[1]

Plastic

Plastic mouthpieces are usually made of Lexan plastic, and are often available in various colors. They are durable and don't chip or dent as do metal mouthpieces. Less expensive than metal mouthpieces, players commonly use them when playing outdoors—particularly marching brass players—because they have a short "warm-up" time. Some players feel plastic mouthpieces have an inferior tone quality and feel compared to metal.

Other

Recent additions to the mouthpiece world include stainless steel and titanium. They are relatively rare, produced by few manufacturers. Some players feel stainless steel and titanium mouthpieces provide advantages over the classic brass mouthpiece, including, anecdotally, a more centered feel and sound, as stainless steel and titanium do not absorb as many vibrations as brass, they require much less care, etc.—but they are much more expensive. (Titanium mouthpieces cost up to $400 each.)

Silver plating

Silver plating is common on all brass mouthpieces because it is cost-effective and good in terms of tone quality. It is also moderately germicidal. Silver plating is not as comfortable or as expensive as gold, but has properties and qualities that some feel facilitate certain styles of playing. Some believe that silver plate provides a clearer, darker sound than gold and is good for styles of playing that require clarity and projection. Silver-plate is less expensive than gold, but requires more maintenance because it tarnishes easily. Slightly tarnished silver-plate can be polished back to its brightness with silver polish.

Gold plating

Some players believe gold-plated mouthpieces on brass instruments create a fuller, richer tone that can also be somewhat darker timbre. For people allergic to silver, this is the best (but not cheapest) way to play a brass instrument without discomfort. Gold does not tarnish, and subsequently requires little maintenance apart from regular washing with soap and water. The extreme price of gold, however, means that the plating is usually relatively thin and thus fragile, and can even be worn away with use.

Sizes

Each mouthpiece company uses a different labeling system. A larger number can mean a larger or smaller mouthpiece depending on the company. Likewise, the letters mean different things depending on the company. Even if companies appear to share marking systems it may be that same-marked mouthpieces from different manufacturers are different, although usually the differences are relatively small; there is no universally-recognized industry standard.

See also

References

  1. ^ http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2506540/

Links

  • Brass Mouthpiece Comparator
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.