World Library  
Flag as Inappropriate
Email this Article

Music in professional wrestling

Article Id: WHEBN0002129287
Reproduction Date:

Title: Music in professional wrestling  
Author: World Heritage Encyclopedia
Language: English
Subject: WWF The Music, Vol. 3, Alexander Rusev, WWE Music Group discography, Motörhead, Ryuji Ito
Publisher: World Heritage Encyclopedia

Music in professional wrestling

The most common use of music in professional wrestling is to play while a wrestler, tag team or stable makes their entrance, and once they have won. As seen here with CM Punk at WrestleMania 29.

Music in professional wrestling serves a variety of purposes. The most common uses of music in professional wrestling is that of the entrance theme, a song or piece of instrumental music which plays as a performer approaches the ring. After a match, the entrance theme of the victor will normally be played as they exit the ring. Entrance themes are used to alert the audience to the immediate arrival of a wrestler, and to increase anticipation.

Usage as part of a gimmick

Entrance themes are often tailored to the gimmick of the wrestler they are written or selected for. For example, Jacob and Eli Blu (The Blu Brothers) had an entrance theme in the World Wrestling Federation that resembled a piece of Blues music, while The Undertaker has often used entrance themes which resemble a dirge and include the ringing of an eerie bell. In practice, modern day entrance themes are normally Rock, Rap, or R&B (especially for women), as these genres of music are popular with the professional wrestling key demographics.

Original music

Due to licensing costs, entrance themes are often composed by the promotion for which the wrestlers perform in order to avoid having to pay royalties. A promotion might also purchase music from production libraries, which is considered to be cheaper than the royalties of commercial music, or use public domain music, which is available for no fee. Due to less restrictive copyright laws in Mexico, Lucha libre promotions use mostly popular songs. In addition, ECW used popular music in order to promote a hip, edgy, counter-culture image. ECW owner Paul Heyman previously worked in the music industry, and used his contacts there to secure more affordable licensing deals for music. For example, ECW licensed Metallica's "Enter Sandman" for their performer, Sandman (Jim Fullington)– but only licensed the music for live events and broadcasts. On TV and DVD productions, the song was replaced by a cover version performed by Motörhead, which was significantly cheaper to license for distribution than the original.


The history of entrance themes is not clear, but Glen Stride is often cited as being the first wrestler to be accompanied to the ring by music. In the early 1950s, female champion Pomp and Circumstance, a song which was later used regularly by Randy Savage. Sgt. Slaughter, who has sometimes claimed to have introduced the idea to Vincent J. McMahon, entered to the Marines' Hymn at a Madison Square Garden show in the 1970s.[1] However, the practice did not become widespread until the 1980s, when the Fabulous Freebirds, Hulk Hogan, the Junkyard Dog and various World Class Championship Wrestling performers began using rock music for entrance themes.

Music is also used as a promotional tool during advertisements, video packages, and as the theme of television programs.

In-house composers

The following are composers known for composing numerous in-house theme songs for particular wrestling promotions:


  1. ^ "The Greatest Wrestling Stars of the 80's". WWE. 2007-04-15. Retrieved 2007-04-15. 
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.