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Academy of Ancient Music

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Title: Academy of Ancient Music  
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Subject: Early music orchestras, Beethoven Gesamtausgabe, Alina Ibragimova, Organ concertos, Op. 4 (Handel), Timeline of London
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Academy of Ancient Music

The Academy of Ancient Music (AAM) is a Baroque and Classical music, though they have also played some new compositions for baroque orchestra in recent years.

Original organization

The original Academy of Ancient Music was founded in London, England in 1726 for the purpose of studying and performing "old" music — defined initially as anything composed at least a century earlier. This soon grew to include more contemporary composers, including Johann Christoph Pepusch (from 1735 onwards), Benjamin Cooke and Samuel Arnold (from 1789 onwards).

Modern revival

In 1973, the Academy of Ancient Music was revived by the British conductor and harpsichordist, Christopher Hogwood, for the purpose of playing 18th- and early 19th-century music on period instruments. For choral works, it is joined either by the Academy of Ancient Music Chorus or by a cathedral or collegiate choir with boys' voices. In 1996 the Academy of Ancient Music appointed Paul Goodwin as Associate Conductor and Andrew Manze as Associate Director under Christopher Hogwood. In 2003 Andrew Manze resigned as Associate director to be replaced in 2005 by Richard Egarr. On September 1, 2006, Richard Egarr succeeded Hogwood as Music Director of the Academy and Hogwood received the title of Emeritus Director.

The Academy of Ancient Music was the first orchestra to record all of Mozart's symphonies on period instruments. The Academy has since recorded the complete piano concertos and symphonies of Beethoven, and has recorded numerous Haydn symphonies and many of the Mozart piano concertos with fortepianist Robert Levin. The Academy has also recorded Purcell's Dido and Aeneas, Handel's Orlando and Rinaldo, Mozart's La clemenza di Tito, Haydn's L'anima del filosofo and over 200 other recordings for Decca, Harmonia Mundi (France), EMI and the new live recording label Wigmore Hall Live.

The commissioning of new works under Paul Goodwin represented a new development for the orchestra. The first commission and recording, John Tavener's Eternity's Sunrise, met with enthusiastic critical acclaim and led to a second new Tavener work and recording, Total Eclipse. David Bedford's Like a Strand of Scarlet followed in 2001 and, in 2003, the AAM premiered John Woolrich's Arcangelo, written to mark the 350th anniversary of the birth of Arcangelo Corelli. The next commission in 2006 celebrated the 250th anniversary of Mozart's birth with a work from the Scottish-American composer Thea Musgrave, Journey into Light, which was written as a companion piece to Mozart's Exsultate, jubilate. Recently, this trend has been revived with commissioning the harpsichordist, conductor, and scholar Mahan Esfahani to write a new orchestration of Bach's The Art of Fugue, which was premiered at the BBC Proms in July of 2012.

Both Tavener recordings are on Harmonia Mundi (France), for whom The AAM has made a large number of CDs: Mozart's Handel and Geminiani (directed by Andrew Manze); and Bach's harpsichord concertos (played by Richard Egarr). Choral recordings include works by Bach, Handel, Purcell and Vivaldi, with King's College Choir under Stephen Cleobury, and several recordings with Edward Higginbottom and New College Choir, including Pergolesi's Marian Vespers and Handel's coronation anthems, a collection of music from 17th and 18th-century English coronations. With Richard Egarr, the orchestra has released Handel’s instrumental music Opp. 1–7.

The orchestra regularly plays at prestigious venues and festivals in the United Kingdom and around the world, including London's Wigmore Hall, Barbican Arts Centre, the BBC Proms, and the Amsterdam Concertgebouw.

The AAM is Orchestra-in-Residence at the University of Cambridge.

External links

  • Official website
  • The Original Academy of Ancient Music - by William Weber
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