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Arnhem Land

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Title: Arnhem Land  
Author: World Heritage Encyclopedia
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Subject: Indigenous Australians, Didgeridoo, Gulf of Carpentaria, Gove Peninsula, 12th parallel south
Collection: Arafura Sea, Arnhem Land, Gulf of Carpentaria, Regions of the Northern Territory
Publisher: World Heritage Encyclopedia

Arnhem Land

Arnhem Land
Northern Territory
Approximate location of Arnhem Land
Population 16,230 (2007)[1]
 • Density 0.1673/km2 (0.4334/sq mi)
Area 97,000 km2 (37,451.9 sq mi)
Territory electorate(s) Arafura, Nhulunbuy, Arnhem
Federal Division(s) Lingiari

Arnhem Land is one of the five regions of the Northern Territory of Australia. It is located in the north-eastern corner of the territory and is around 500 km (310 mi) from the territory capital Darwin. The region has an area of 97,000 km2 (37,000 sq mi) which also covers the area of Kakadu National Park, and a population of 16,230. In 1623 Dutch East India Company captain William van Colster sailed into the Gulf of Carpentaria and Cape Arnhem is named after his ship, the Arnhem, which itself was named after the city of Arnhem in the Netherlands.

The area covers about 34,000 square kilometres and has an estimated population of 16,000, of whom 12,000 are Yolngu, the traditional owners. The region’s service hub is Nhulunbuy, 600km east of Darwin, set up in the 1960s as a mining town (bauxite). Other major population centres are Yirrkala (just outside Nhulunbuy), Gunbalanya (formerly Oenpelli), Ramingining and Maningrida.

A substantial proportion of the population, which is mostly Aboriginal, lives on small outstations, but government support for these small settlements is fading. This Outstation movement started in the early 1980s. Many Aboriginal groups moved to usually very small settlements on their traditional lands, often to escape the problems (alcohol, petrol-sniffing, idleness) on the larger townships.

In 2013-14, the entire region contributed around $1.3 billion or 7% to the Northern Territory’s Gross State Product, mainly through bauxite mining.


  • History 1
  • Geography 2
  • Demographics 3
    • Art 3.1
  • Homelands 4
  • See also 5
  • References 6
  • External links 7


Arnhem Land has been occupied by indigenous people for tens of thousands of years and is the location of the oldest-known stone axe, which scholars believe to be 35,500 years old.[2] The Gove Peninsula was heavily involved in the defence of Australia during World War II.

At least since the 18th century (and probably earlier) Muslim traders from Makassar (now Indonesia) visited Arnhem Land each year to trade, harvest and process sea cucumbers or "trepang". This sea slug is highly prized in Chinese cuisine, for folk medicine and as an aphrodisiac.

This Macassan contact with Australia is the first recorded example of interaction between the inhabitants of the Australian continent and their Asian neighbours.[3]

A Macassan wooden sailboat or prau of the type trepangers have used for centuries

This contact had a major effect on local indigenous Australians. The Makassans exchanged goods such as cloth, tobacco, knives, rice and alcohol for the right to trepang coastal waters and employ local labour. Makassar pidgin became a lingua franca along the north coast among several indigenous Australian groups who were brought into greater contact with each other by the seafaring Makassan culture.[3]

These traders from the southwest corner of Sulawesi also introduced the word "balanda" for white people, long before western explorers set foot on the coasts of northern Australia. In Arnhem Land the word "balanda" is still widely used today to refer to white Australians. The Dutch started settling in Sulawesi Island in the early 17th century.

Archeological remains of Makassar contact, including trepang processing plants (drying, smoking) from the 18th and 19th centuries, are still found at Australian locations such as Port Essington and Groote Eylandt. The Makassans also planted tamarind trees (native to Madagascar and East Africa).[3] After processing the sea slugs were traded by the Makassans to Southern China.

In 2014 an 18th-century Chinese coin was found in the remote area of Wessel Islands off the coast on a beach on Elcho Island during a historical expedition. The coin was found near previously known Macassan trepanger fishing sites (sea cucumber fishing) where several other Dutch coins have been discovered nearby but never a Chinese coin. The coin was probably made in Beijing around 1735. [4]


Nanydjaka Cape Arnhem Coast

The area from Port Roper on the Gulf of Carpentaria around the coast to the East Alligator River, where it adjoins Kakadu National Park. The major centres are Jabiru on the Kakadu National Park border, Maningrida at the Liverpool River mouth, and Nhulunbuy (also known as Gove) in the far north-east, on the Gove Peninsula. Gove is the site of large-scale bauxite mining with an associated alumina refinery. Its administrative centre is the town of Nhulunbuy, the fourth-largest population centre in the Northern Territory.

The climate of Arnhem Land is tropical monsoon with a wet and dry season. The temperature has little seasonal variation; however, it can range from overnight lows of 15 °C (59 °F) in the dry season (April to September) to daily highs of 33 °C (91 °F) in the wet season (October to March).

East Alligator River Crossing (Cahills Crossing)
Goyder River Crossing, Central Arnhem Highway
Some areas of deep cultural significance to the indigenous inhabitants are off-limits even to those with permission to travel across Arnhem Land


Declared an Aboriginal Reserve in 1931, it remains one of the largest Aboriginal Reserves in Australia and is perhaps best known for its isolation, the art of its people, and the strong continuing traditions of its Indigenous inhabitants. Northeast Arnhem Land is home to the indigenous Yolngu people, one of the largest Indigenous groups in Australia, and one who have succeeded in maintaining a vigorous traditional indigenous culture. The Malays and Makassans are believed to have had contact with the coastal Aboriginal groups and traded with them prior to European settlement of Australia.

The 2006 film Ten Canoes captures life in Arnhem Land through a story tapping into the aboriginal mythic past; it was co-directed by one of the indigenous cast members. The film and the documentary about the making of the film, The Balanda and the Bark Canoes, give a remarkable testimony to the indigenous struggle to keep their culture alive - or rather revive it in the wake of considerable relative modernisation and influence of white ('balanda') cultural imposition.


The Aboriginal community of Yirrkala, just outside Nhulunbuy, is internationally known for bark paintings, promoting the rights of Indigenous Australians, and as the origin of the yidaki, or didgeridoo. The community of Gunbalanya (previously known as Oenpelli) in Western Arnhem Land is also notable for bark painting. The indigenous inhabitants also create temporary sand sculptures as part of their sacred rituals.

Arnhem Land is also notable for Aboriginal rock-art, some of the finest examples of which can be found at Ubirr Rock, Injalak Hill, and in the Canon Hill area. Some of these record the early years of European explorers and settlers, sometimes in such detail that Martini–Henry rifles can be identified. They also depict axes, and detailed paintings of aircraft and ships. One remote shelter, several hundred kilometres from Darwin, has a painting of the wharf at Darwin, including building and boats, and Europeans with hats and pipes, some apparently without hands (which they have in their trouser pockets). Near the East Alligator River crossing, a figure was painted of a man carrying a gun and wearing his hair in long pigtails down his back, characteristic of the Chinese labourers brought to Darwin in the late 19th century.

One Yolngu prehistoric stone arrangement at Maccasans Beach near Yirrkala shows the layout of the Macassan praus used for trepang (sea cucumber) fishing in the area. This was a legacy of Yolngu trade links with the people of Makassar on the Indonesian island of Sulawesi. The trading relationship predated European settlement by some 200 years.

Aboriginal artists in Arnhem Land are primarily represented by

  • Arnhem Region
  • Gove Online Community Website
  • Bawaka

External links

  • Arnhem Land. Its History and Its People. 1954. R. M. & C. H. Berndt. F. W. Cheshire, Melbourne.
  1. ^  
  2. ^ [2]
  3. ^ a b c MacKnight, CC (1976). The Voyage to Marege: Macassan Trepangers in Northern Australia. Melbourne University Press.  
  4. ^  
  5. ^
  6. ^  
  7. ^  
  8. ^  
  9. ^  
  10. ^ "'Bawaka'". 2011. Retrieved 2011-02-18. 
  11. ^  


See also

An example of a homeland based business venture gaining wider recognition is Bawaka located in North Eastern Arnhem Land.[11]

Despite facing government concerns and policy confusion, a number of people have developed commercial enterprises that have centred on utilising the best elements of their homelands. Indigenous tourism ventures incorporating the controlled use of homelands are now showing signs of success for a select number of Yolngu.[10]

"We want to stay on our own land. We have our culture, we have our law, we have our land rights, we have our painting and carving, we have our stories from our old people, not only my people, but everyone, all Dhuwa and Yirritja, we are not making this up.
I want you to listen to me Government.
I know you have got the money to help our Homelands. But you also know there is money to be made from Aboriginal land.
You should trust me, and you should help us to live here, on our land, for my people.
I am talking for all Yolŋu now.
So if you can't trust me Government, if you can't help me Government, come and shoot me, because I will die here before I let this happen."[9]

Born in the 1930s, Dr Gawirrin Gumana AO is a leader of the Dhalwangu clan. He is one of the most senior Yolŋu alive today and is renowned for his artwork and knowledge of traditional culture and law. In May 2009 he had the following to say about the significance of the homelands to his people:

In response to changes made by the Northern Territory government surrounding reduced support for the homelands in 2009, the Indigenous leader Patrick Dodson heavily criticised the Northern Territory Government's controversial new policy on remote Aboriginal communities, describing it as a "die on the vine" plan that will "slowly but surely" kill Indigenous culture.[8]

In September 2008, then Darwin correspondent for The Age, Lindsay Murdoch wrote: "Elders tell of their fears that Yolngu culture and society will not survive if clans cannot continue to live on and access their land through homelands. They warn that if services are cut, many of the 800 people in the Laynhapuy homelands will be forced to move to towns such as Yirrkala on the Gove Peninsula, creating new law and order problems, while those who stay will be severely disadvantaged."[7]

A focus in recent years by governments about the "viability" of the homelands has caused tensions and uncertainty within the Arnhem Land community.[6]

Arnhem Land is also renowned for embracing the homeland movement, sometimes referred to as the Outstation movement.


(Mardbalk Arts & Crafts). Goulburn Islands speaking Maung (Anindilyakwa Art) and the Groote Eylandt speaking Anindilyakwa in Southern Arnhem Land. Art is also produced on the many islands of Arnhem Land, and there are art centres on the Roper River artists. Ngukurr Arts is located on the Kunwinjku represents mainly Gunbalanya in Injalak Arts artists, amongst others. In West Arnhem Land, Gurrgoni, and Burarra, Kuninjku promotes the work of a diverse range of Maningrida. In Central Arnhem Land, Maningrida Arts & Culture in Milingimbi Island and Milingimbi Art and Culture on Gapuwiyak, Gapuwiyak Culture and Arts in Elcho Island, Elcho Island Arts and Crafts on Ramingining, Bula'bula Arts in Yirrkala speaking artists are promoted by Buku Larrnggay Mulka in Yolngu Matha In East Arnhem Land, primarily [5]

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