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Dwight Macdonald

Dwight MacDonald
Born Dwight MacDonald
(1906-03-24)March 24, 1906
New York City, New York, U.S.
Died November 29, 1982(1982-11-29) (aged 76)
New York City, New York, U.S.
Nationality American
Education Yale University
Phillips Exeter Academy
Occupation writer, editor, essayist, film critic, book critic, social critic, philosopher
Employer The New Yorker (staff writer)
Partisan Review (editor)
politics (founder and editor)
The New York Review of Books (book critic)
The Today Show (film critic)

Dwight Macdonald (March 24, 1906 – December 19, 1982) was a U.S. writer, editor, film critic, social critic, philosopher, and political radical.


  • Early life and career 1
  • Editor and writer 2
  • Politics 3
  • Cultural critic 4
  • Political radical renewed 5
  • Anecdotes 6
  • Works 7
  • See also 8
  • References 9
  • External links 10

Early life and career

Dwight Macdonald was born in New York City, and was educated at Phillips Exeter Academy and at Yale University. At university, he was editor of The Yale Record, the student humor magazine.[1] As a student at Yale, he also was a member of Psi Upsilon; his first job was as a trainee executive for the Macy's department store company.

In 1929, Macdonald was employed at Time magazine; he had been offered a job by Henry Luce, a fellow alumnus at Yale University. In 1930, he became the associate editor of Fortune, then a new publication created by Luce.[2] Like many writers on Fortune, his politics were radicalized by the Great Depression. He resigned from the magazine in 1936 over an editorial dispute, when the magazine's executives severely edited the last installment of his extended four-part attack on U.S. Steel.

In 1934, he married Nancy Gardiner Rodman (1910–1996), sister of Selden Rodman. He is the father of filmmaker and author Nicholas Macdonald; and of Michael Macdonald.[3]

Editor and writer

Dwight Macdonald was an editor of the Partisan Review magazine from 1937 to 1943; but, in the course of editorial disagreements, about the degree, the practice, and the principles of political, cultural, and literary criticism, he quit to establish politics, a magazine of more out-spoken and leftist editorial perspective, which he published from 1944 to 1949.[4]

As an editor, he fostered intellectuals (academic and public), such as Bruno Bettelheim, and C. Wright Mills. Besides his editorial work, he also was a staff writer for The New Yorker magazine, from 1952 to 1962, and was the movie critic for Esquire magazine. In the 1960s, the quality of his movie-review work for Esquire granted Macdonald public exposure in the American cultural mainstream, as a movie reviewer for The Today Show, a daytime television talk-show program.[5]


In the realm of left-wing politics, Dwight Macdonald broke with Leon Trotsky on the matter of the Kronstadt rebellion (March 1921), which Trotsky and the Bolsheviks had suppressed; he then progressed towards democratic socialism.[6] He was opposed to totalitarianism, including fascism and communism, whose defeat he viewed as necessary to the survival of civilisation.[7] He denounced Joseph Stalin, first, for encouraging the Poles to anti–Nazi insurrection in the Warsaw Uprising (August–October 1944), then for halting the Red Army at the outskirts of Warsaw, to allow the German Army to crush the Poles, and kill their leaders, communist and non-communist.[8][9][10][11]

At the same time, Macdonald was critical of the methods that elected, democratic governments used to oppose totalitarianism. In the course of the Second World War (1939–45), his health suffered (increased fatigue and psychological depression) as he observed the progressive horrors of the war, especially the commonplace practices of bombing civilian populations, the destruction of entire cities — especially the fire-bombing of Dresden (February 1945) — and the mistreatment of dehumanized Germans. Hence, by War’s end, Macdonald’s politics had progressed to pacifism and to libertarian socialism.[8][11][12]

In that vein, in 1952, in debating East–West politics with the writer

External links

  • Bloom, Alexander. Prodigal Sons: The New York Intellectuals & Their World, Oxford University Press, 1986. ISBN 978-0-19-505177-3
  • Sumner, Gregory D. (1996) Dwight Macdonald and the Politics Circle: The Challenge of Cosmopolitan Democracy
  • Whitfield, Stephen J. (1984) A Critical American: The Politics of Dwight Macdonald
  • Wreszin, Michael (1994) A Rebel in Defense of Tradition: The Life and Politics of Dwight MacDonald
  • Wreszin, Michael. editor (2003) Interviews with Dwight Macdonald
  • Lewandowski, Tadeusz. (2013) Dwight Macdonald on Culture: The Happy Warrior of the Mind, Reconsidered ISBN 978-3-631-62690-0
  1. ^ Wreszin, Michael, ed. (2003) Interviews with Dwight MacDonald. University Press of Mississippi. p. 116.
  2. ^ Szalai, Jennifer (12 December 2011). "Mac the Knife: On Dwight Macdonald". The Nation. Retrieved 20 September 2013. 
  3. ^ Macdonald, Dwight, ed. (1961) Parodies: an anthology from Chaucer to Beerbohm--and after. London: Faber; p. v
  4. ^ 4 April 1994 Volume 143, No. 14 - "Biographical sketch of Dwight Macdonald" by John ElsonTIME (Accessed 4 December 2008)
  5. ^  
  6. ^ Mattson, Kevin. 2002. Intellectuals in Action: The Origins of the New Left and Radical Liberalism, 1945-1970. University Park, PA: The Pennsylvania State University Press, 2002. p. 34
  7. ^ a b Wakeman, John. World Authors 1950-1970: a Companion Volume to Twentieth Century Authors. New York: H.W. Wilson Company, 1975. ISBN 0824204190. (pp. 902-4).
  8. ^ a b c "Dwight and Left: The centenary of Dwight Macdonald's birth should inspire more Americans to read their most crotchety, snobby, and brilliant critic." John Rodden and Jack Rossi. The American Prospect. February 20, 2006.
  9. ^
    • Dwight Macdonald, 'Warsaw', politics, 1, 9 (October 1944), 257-9
    • 1, 10 (November 1944), 297-8
    • 1, 11 (December 1944), 327-8.
  10. ^ Costello, David R. (January 2005). My Kind of Guy': George Orwell and Dwight Macdonald, 1941-49"'".  
  11. ^ a b Memoirs of a Revolutionist: Essays in Political Criticism (1960). This was later republished with the title Politics Past.
  12. ^ a b Brock, Peter, and Young, Nigel. Pacifism in the Twentieth Century. Syracuse University Press, New York, 1999 ISBN 0-8156-8125-9 (p.249)
  13. ^ Dwight Macdonald, The Root is Man, Alhambra, Calif., 1953.
  14. ^ 18 September 1988New York Times,"Ronald Radosh's Macdonald," Michael Wreszin,
  15. ^ Neoconservatism: The Autobiography of an Idea, Irving Kristol (New York 1995), p. 461.
  16. ^ Foer, Franklin (2011-12-15). "The Browbeater". The New Republic. Retrieved 2011-12-07. 
  17. ^ Foer, Franklin (2011-12-15). "The Browbeater". The New Republic. Retrieved 2011-12-07. 
  18. ^ Lewandowski, Tadeusz (2013). Dwight Macdonald on Culture: The Happy Warrior of the Mind, Reconsidered. 
  19. ^ MacDonald, Dwight (19 January 1963). "Our Invisible Poor".  
  20. ^  
  21. ^ "Writers and Editors War Tax Protest" January 30, 1968 New York Post
  22. ^ Barsky, Robert F. Noam Chomsky: A Life of Dissent. 1st ed. Cambridge: M.I.T. Press, 1998. Web. Ch.4: Marching with the Armies of the Night
  23. ^


See also

  • Fascism and the American Scene (1938) pamphlet
  • The war's greatest scandal; the story of Jim Crow in uniform (1943) pamphlet, research by Nancy Macdonald
  • The Responsibility of Peoples: An Essay on War Guilt (1944)
  • Henry Wallace: The Man and the Myth (1948)
  • The Root Is Man: Two Essays in Politics (1953)
  • The Ford Foundation: The Men and the Millions - an Unauthorized Biography (1955)
  • The Responsibility of Peoples, and Other Essays in Political Criticism (1957)
  • Memoirs of a Revolutionist: Essays in Political Criticism (1960) This was later republished with the title Politics Past.
  • Neither Victims nor Executioners, by Albert Camus (1960) translator
  • Parodies: An Anthology from Chaucer to Beerbohm - and After (1960) editor
  • Against The American Grain: Essays on the Effects of Mass Culture (1962)
  • Our Invisible Poor (1963)
  • Poems of Edgar Allan Poe (1965) editor
  • Politics Past (1970)
  • Dwight Macdonald on Movies (1971)
  • Discriminations: Essays and Afterthoughts 1938-1974 (1974)
  • My Past and Thoughts: The Memoirs of Alexander Herzen (1982) editor
  • A Moral Temper: The Letters of Dwight Macdonald (2001) edited by Michael Wreszin


Macdonald's outspokenness and volubility garnered many detractors. "You have nothing to say, only to add," Gore Vidal told him. Leon Trotsky reportedly observed, "Every man has a right to be stupid but comrade Macdonald abuses the privilege." Paul Goodman quipped, "Dwight thinks with his typewriter." [23]


[22] Likewise, along with the American public intellectuals [21] In further action upon his political principles, Macdonald signed his name to the “Writers and Editors War-tax Protest”, by which he refused to pay income-tax, in order to undermine the financing of the undeclared U.S. war in Vietnam.

In opposing the red flag of revolution, and not the black flag of Anarchism, his political taste.

As a writer, Dwight Macdonald published essays and reviews in The New Yorker and in The New York Review of Books. His most consequential book review for The New Yorker magazine was “Our Invisible Poor” (January 1963) about The Other America (1962), by Michael Harrington, a social-history book that reported and documented the socio-economic inequality and racism experienced by twenty-five percent of the U.S. population.[19] The social historian Maurice Isserman said that the War on Poverty (1964) derived from the Johnson Administration having noticed the sociological report of The Other America, by way of Macdonald’s book-review essay.[20]

Political radical renewed

Likewise, in the essay “Dwight Macdonald on Culture: The Happy Warrior of the Mind, Reconsidered” (2013), Tadeusz Lewandowski said that Macdonald’s approach to cultural questions, as a public intellectual, placed him in the conservative tradition of the British cultural critic Matthew Arnold, of whom he was the literary heir in the twentieth century. Previously, in the field of Cultural Studies Dwight Macdonald was placed among the radical traditions of the New York Intellectuals (left-wing anti–Stalinists) and of the Marxist Frankfurt School.[18]

In The New Republic magazine, in the essay “The Browbeater” (23 November 2011), Franklin Foer said that Macdonald was a hatchet-man for high culture. That, in the book Masscult and Midcult: Against The American Grain (2011), a new edition of Against the American Grain: Essays on the Effects of Mass Culture (1962), Macdonald's cultural criticism “culminated in a plea for highbrows to escape from the mass culture” that dominates the mainstream of American society, and that “the highbrows would flee to their own hermetic little world, where they could produce art for one another, while resolutely ignoring the masses”.[17]

During the late 1950s and the 1960s, Dwight Macdonald wrote cultural criticism, especially about the rise of mass media and of middle-brow culture, of mediocrity exemplified; the blandly wholesome worldview of the play Our Town (1938), by Thornton Wilder, the commodified culture of the Great Books of the Western World, and the simplistic language of the Revised Standard Version (1966) of the Bible:

Cultural critic


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