World Library  
Flag as Inappropriate
Email this Article

Johnny Greenwood

Article Id: WHEBN0004628656
Reproduction Date:

Title: Johnny Greenwood  
Author: World Heritage Encyclopedia
Language: English
Subject: Bryan Ferry, Il popolo dei sogni
Publisher: World Heritage Encyclopedia

Johnny Greenwood

This article is about the British composer and rock musician. For for other people with a similar name, see John Greenwood.

Jonny Greenwood
Jonny Greenwood in 2003
Background information
Birth name Jonathan Richard Guy Greenwood
Born (1971-11-05) 5 November 1971 (age 42)
Oxford, England
Genres Alternative rock, electronica, art rock, experimental rock, classical
Occupations Musician, composer
Instruments Guitar, bass guitar, keyboards, piano, synthesiser, viola, drums, percussion, glockenspiel, ondes Martenot, sampler, Mellotron, banjo, organ, celesta, accordion, harmonica, recorder
Years active 1985–present
Labels XL, TBD, Sanctuary, Nonesuch
Associated acts Radiohead, The Weird Sisters
Notable instruments
Fender Telecaster Plus
Fender Starcaster
Gibson Les Paul
Ondes Martenot

Jonathan Richard Guy "Jonny" Greenwood (born 5 November 1971) is an English musician and composer best known as a member of the rock band Radiohead. Beyond his primary roles as Radiohead's lead guitarist and keyboardist, Greenwood is a multi-instrumentalist and also plays viola, harmonica, glockenspiel, ondes Martenot, banjo and drums, and works with computer-generated sounds and sampling; he is also a computer programmer and writes music software used by Radiohead. Noted for his aggressive playing style,[1] Greenwood is consistently named as one of the greatest guitarists of the modern era.[lower-alpha 1]

Greenwood wrote the soundtracks for the films Bodysong (2003), There Will Be Blood (2007), Norwegian Wood (2010), We Need To Talk About Kevin (2011) and The Master (2012), and serves as composer-in-residence for the BBC Concert Orchestra. He is the younger brother of Radiohead bassist Colin Greenwood.



Greenwood had begun studying music and psychology at Oxford Brookes University when Radiohead, then known as On a Friday, signed a recording contract with EMI in 1991. He left the university shortly after, after only three weeks at the college. However, Greenwood stated that hearing Krzysztof Penderecki during that time had a significant influence on his perception of modern classical music.[10] While Greenwood is the only member of Radiohead to have been classically trained on any instrument (he took viola lessons as a child), he is also the only band member without a university degree.

Greenwood's influence on Radiohead's recording and writing can be heard in many songs, as he usually takes the traditional lead-guitarist role. In the late nineties and early two thousands, Greenwood wore an arm brace due to a repetitive strain injury attributed to his "aggressive" way of playing the instrument, often billed as "abusive guitar". He has said that "It's like taping up your fingers before a boxing match."[11]

Greenwood is often credited as the second major influence on songwriting in Radiohead, next to Thom Yorke. He wrote the music for the closing track of OK Computer, ("The Tourist"), and the intro, chorus and outro sections of the song "Subterranean Homesick Alien" from the OK Computer album, as well as the "rain down" section of "Paranoid Android". According to Yorke, the track "Just" from The Bends was "a competition by me and Jonny to get as many chords as possible into a song". An example of Greenwood's versatility is his use of the Ondes Martenot, which is featured on songs such as "The National Anthem" and "How to Disappear Completely" from the album Kid A, and "Pyramid Song" from the album Amnesiac. The song "Where I End and You Begin" from Hail to the Thief, which also features the instrument, was dedicated to the memory of Jeanne Loriod, a pioneer of the Ondes.

Greenwood and Yorke also collaborated on the song "Arpeggi" which is a piece in a classical style centred around arpeggios for voice, Ondes, and orchestra. It was performed with the London Sinfonietta and Arab Orchestra of Nazareth at the Ether Festival in March 2005;[12] the song would later be adapted for the full band to play in 2006, rearranged for guitar. A studio version (closer to the full band version than the orchestral version) appeared on the album In Rainbows as "Weird Fishes/Arpeggi".

Solo work and current projects

In 2003, Greenwood released his first solo album, Bodysong (2003), which is the soundtrack for the movie of the same title by filmmaker Simon Pummell. Bodysong also features contributions from his brother Colin on bass.

Jonny Greenwood was hired by the BBC as composer in residence to the BBC Concert Orchestra in May 2004, a job which gave him the opportunity to compose several pieces for symphony orchestra, piano and/or Ondes Martenot: smear, Piano for Children and Popcorn Superhet Receiver. smear premiered in 2004, and on 23 April 2005 Greenwood premiered his new work commissioned by BBC Radio 3, with music performed live by the BBC Concert Orchestra in London.[13] The printed music for smear, Popcorn Superhet Receiver, Doghouse, Suite from Norwegian Wood and 48 Responses to Polymorphia (see below) is available from Faber Music Ltd in London. smear has also been recorded by the London Sinfonietta conducted by Martyn Brabbins and was Greenwood's recorded debut in the genre. Popcorn Superhet Receiver and 48 Responses to Polymorphia have also been released commercially.

Greenwood won the Radio 3 Listeners' Award at the 2006 BBC British Composer Awards[14] for his piece, "Popcorn Superhet Receiver". The piece was inspired by radio static and the elaborate, dissonant tone clusters of Polish composer Krzysztof Penderecki's Threnody to the Victims of Hiroshima. It can be streamed from a BBC website.[15] Upon winning the award Greenwood received £10,000 from the PRS Foundation towards a commission for a new orchestral work.[16]

A fan of dub reggae,[17] Greenwood released a compilation in collaboration with Trojan Records, entitled Jonny Greenwood Is the Controller in March 2007. This is the latest in Trojan’s Artist Choice Jukebox series, to which DJ Spooky and Don Letts have already contributed.[18] Trojan Records provided Greenwood with its extensive catalogue of songs, of which he chose 17.[19] The title is a play on the first track on the collection, entitled "Dread Are the Controller", by Linval Thompson. The album contains tracks by artists such as Derrick Harriott, Gregory Isaacs, The Heptones and many more.

Greenwood composed the score for the 2007 film, There Will Be Blood, from director Paul Thomas Anderson. The soundtrack contains excerpts from "Popcorn Superhet Receiver". His work as the composer for this film was highly acclaimed by reviewers and earned him an award at the Critics' Choice Awards. On 21 January 2008, however, the score was declared ineligible for an Academy Award nomination under a rule that prohibited "scores diluted by the use of tracked themes or other pre-existing music."[20][21] On 4 February 2008, it was announced that Greenwood had won the trophy for Best Film Score in the Evening Standard British Film Awards for 2007.[22] In its 2009 end-of-decade round-up Rolling Stone magazine named the film the best of the decade and cited Greenwood's score as a major element in its success, "redefining what is possible in film scores".

In 2008, Greenwood wrote the theme music for Adam Buxton's comedy pilot meeBOX,[23] and collaborated with Israeli rock musician Dudu Tasa on Tasa's Hebrew-language single "What a Day".[24]

In February 2010, Greenwood debuted a composition entitled "Doghouse" at the BBC’s Maida Vale Studios. In an interview following the performance, Greenwood and conductor Robert Ziegler revealed that the composition would be extrapolated into a score for the upcoming film Norwegian Wood directed by Anh Hung Tran, based on the best-selling novel of the same name by Haruki Murakami. Greenwood described the writing of the piece to the BBC, "I wrote this piece mostly in hotels and dressing rooms while touring with Radiohead. This was more practical than glamorous – lots of time sitting around indoors, lots of instruments about – and aside from picking up a few geographical working titles, I can’t think that it had any effect where, on tour, it was written." The premiere of the entire score took place on 19 March 2010.[25]

In 2011, Greenwood composed the score for the film adaptation of Lionel Shriver's novel We Need to Talk About Kevin.[26] He composed the score for Paul Thomas Anderson's 2012 film The Master. This was the second collaboration between the two.[27]

On 13 March 2012, Greenwood and Polish composer Krzysztof Penderecki released an album together on the Nonesuch label. It includes Greenwood's "Popcorn Superhet Receiver" and a new string orchestra work, "48 Responses to Polymorphia" (a homage to Penderecki's "Polymorphia" of 1961).[28]

Musical influences

Greenwood is greatly influenced by jazz and classical music; his favourites include Lee Morgan and Miles Davis. He is a major fan of the Mo' Wax label (onetime home of Blackalicious, DJ Krush, DJ Shadow and Dr. Octagon). Along with other Radiohead band members, he loves singer Scott Walker,[29] Krautrock band Can and Polish composer Krzysztof Penderecki. Greenwood has stated that his all time favourite piece of music is Messiaen's Turangalila Symphony, a gigantic piece for orchestra that features an Ondes Martenot, an instrument he discovered as a teenager.[30] According to one of his entries on Radiohead's blog Dead Air Space, Greenwood has become a dub reggae aficionado, listening as of late 2005 to little else.


Greenwood has inspired many with his guitar playing and style. He is also known for his aggressive guitar playing style. Guitarists such as Russell Lissack of the English rock band Bloc Party and many others cite Greenwood as an influence. Greenwood was also ranked number 48 in Rolling Stone magazine's "100 Greatest Guitarists of All Time". When Rolling Stone Magazine updated their list in November 2011, Greenwood's rank had remained at 48.

Personal life

In 1995 he married Israeli-born Sharona Katan, a visual artist whose work (credited as Shin Katan) appears on the covers of the Bodysong soundtrack as well as the There Will Be Blood soundtrack. Their first son, Tamir, was born in 2002 and the 2003 Radiohead album Hail to the Thief was dedicated to him. They also have a daughter named Omri, born in 2005, and a second son, named Zohar, who was born in February 2008.

He is red-green colorblind.


He listed his favourite video games on the band's website in 2010, cherishing Ico and spanning from 1984's Elite to 2010's Red Dead Redemption.[31]


Electric Guitars

  • Fender Telecaster Plus, with a custom cut-off switch and special rewirings made by Greenwood and Plank (Radiohead's guitar technician). It has a sticker of a manga character, Kozue Ayahara of Attack No. 1, on its scratch-board. This guitar is equipped with its original Lace Sensor pick-ups.[32] Jonny has had three of Telecaster Plus guitars throughout his career, the first two of which were stolen in late 1995. His current Telecaster Plus was purchased after that theft.[33]
  • Fender Telecaster Standard converted into a Plus which also has a custom cut-off switch and Lace Sensor pick-ups
  • 1975 Fender Starcaster, with Fender Wide Range pick-ups, can be heard predominantly on Kid A and Amnesiac, it is used for most Kid A and Amnesiac he plays guitar on live, and a few songs from OK Computer (Greenwood uses a string bow on the guitar in live versions of Pyramid Song).[34]
  • A Gretsch G6119-1962HT Tennessee Rose HT.[35]
  • Gibson Les Paul Standard.[33]
  • Gibson ES-335 (borrowed from fellow bandmember Ed O'Brien during the acoustic tour in 2003)[36]
  • Rickenbacker 360 (used for The Daily Mail)

As of November 2008 Greenwood uses Dean Markley Signature Series 10–46 strings.[37]

Acoustic Guitars


  • Vox AC30 (tube amp, used for clean tones and with his Boss overdrive pedal for distorted tones)[39]
  • Fender Eighty-Five (solid-state amp, used with his Marshall Shredmaster for distorted tones)

Early on in Greenwood's career, he used a Fender Twin Reverb for clean tones.[40] Greenwood's Fender Eighty-Five has frequently been misidentified as a Fender Deluxe 85. It has never been confirmed that he has toured, or recorded, with a Deluxe 85.

In 2012, Greenwood used a Roland CUBE-30x.[33]

Effects (guitar)

  • Electro-Harmonix Small Stone
  • Demeter 'The Tremulator' (early prototype of the Demeter TRM-1 Tremulator)
  • DOD 440 Envelope Filter (modified to include a LED)
  • DigiTech Whammy IV (replaced his old DigiTech WH-1 Whammy)
  • BOSS OD-3 OverDrive (replaced his old BOSS SD-1 SUPER OverDrive)
  • BOSS RE-20 Space Echo (replaced his old Roland RE-201 Space Echo)
  • BOSS RV-3 Digital Reverb/Delay
  • Akai Headrush E1 or E2
  • BOSS LS-2 Line Selector (A/B mode) (x4) (One for bringing in the Kaoss Pad into his setup and one for running his guitar through his Mac.)
  • Marshall ShredMaster (leads to Fender Eighty-Five)
  • Ernie Ball VP JR.
  • BOSS FV-300H, FV300L or FV-500L
  • BOSS TU-12H Chromatic Tuner (from 'tuner out' on FV-300H)
  • Roland FC-200 MIDI Foot Controller
  • Mutronics Mutator (used in the studio)
  • Voodoo Lab Pedal Power 2 Plus (one on each board)

Guitar Rig & Signal Flow

  • A detailed gear diagram of Jonny Greenwood's 1997 Radiohead "OK Computer" Tour guitar rig is well-documented.[41]


Effects (keyboard)[37]
  • BOSS RV-3 Digital Reverb/Delay
  • Electro-Harmonix Small Stone
  • BOSS FV-300L
  • BOSS LS-2 Line Selector
  • Akai Headrush E1 or E2
  • Demeter 'The Tremulator'
  • Roland RE-201 Space Echo (activated via Vox egg footswitch)
  • 3 laptops, manned by Jonny and band technician Russ Russell, running Kontakt 3, are used to trigger samples and keyboard sounds, played in realtime by Jonny and Colin. One laptop is placed by Jonny's other gear, the others being side of stage with Russ.

Other instruments

  • Banjo on at least one live performance of the b-side "I Am A Wicked Child"[47]
  • Harmonica on "I Am A Wicked Child", on the Pavement songs "Platform Blues" and "Billie" from their final album Terror Twilight and on some live performances of the song Kid A, from the album Kid A
  • Drums on live performances of "There There", a set of tom drums are used.[48] He also plays drums on "Down Is The New Up", one of the bonus tracks from "In Rainbows", and in live performances of "Bloom" from The King of Limbs, a reduced kit consisting of a snare and floor tom.
  • Max/MSP. Used with Radiohead to process his guitar sound on "Go To Sleep" and "Backdrifts" and other instruments on other instruments on "Videotape" and "Codex," to process and loop the rest of the band on "The Gloaming," to generate and sequence drums on "15 Step" and to create an full DAW which was used to record The King of Limbs.[49]
  • Bass on From the Basement live performance of Supercollider. He is seen playing a Guild M-85 bass.


Velvet Goldmine
Thom Yorke and Jonny Greenwood got together with Bernard Butler (Suede), Andy Mackay, and Paul Kimble to form the band, The Venus in Furs, named after the Velvet Underground song. They recorded five songs (Roxy Music, Brian Eno and Steve Harley covers) for the Todd Haynes film Velvet Goldmine, which was produced by Michael Stipe. The tracks are:
  • "2HB" (vocals: Thom Yorke)
  • "Ladytron" (vocals: Thom Yorke)
  • "Baby's on Fire"
  • "Bitter-Sweet" (vocals: Thom Yorke)
  • "Tumbling Down"
Greenwood played harmonica on Pavement's final LP, Terror Twilight (1999). He played on the songs "Platform Blues" and "Billie". The album was produced by long-time Radiohead producer Nigel Godrich.
Bryan Ferry
Jonny appears on the track 'Hiroshima' from the Frantic album.
Harry Potter and the Goblet of Fire
Greenwood played lead guitar in The Weird Sisters along with fellow Radiohead member Phil Selway, former Pulp members Jarvis Cocker and Steve Mackey, electronica artist Jason Buckle and Add N to (X) member Steve Claydon. They performed three tracks, composed by Cocker:
  • "Do the Hippogriff"
  • "This Is the Night"
  • "Magic Works"
Along with Thom Yorke, Jonny contributed to MF DOOM's 2011 track "Retarded Fren".
Blind Mr. Jones
Greenwood played harmonica on Blind Mr. Jones' Crazy Jazz EP.

Soundtrack scores



External links

  • Official band website
  • "Radiohead’s Runaway Guitarist," New York Times Magazine, 9 March 2012
  • : A website by Plank, the guitar technician for Radiohead
  • Faber Music Ltd : Jonny's composer page at his publishers, Faber Music Ltd

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.