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Jules Dalou

Jules Dalou
Jules Dalou in his studio, 1899
Born Aimé-Jules Dalou
(1838-12-31)31 December 1838
Paris, France
Died 15 April 1902(1902-04-15) (aged 63)
Paris, France
Nationality French
Education École nationale supérieure des Beaux-Arts
Known for Sculpture
Notable work

The Triumph of the Republic, 1899
The Triumph of Silenus, 1885
Monument to Eugène Delacroix, 1890

The Tomb of Victor Noir, 1890
Movement New Sculpture
Awards Commander of the Légion d'Honneur

Aimé-Jules Dalou (31 December 1838, in Paris – 15 April 1902, in Paris) was a French sculptor, recognized as one of the most brilliant virtuosos of nineteenth-century France, admired for his perceptiveness, execution, and unpretentious realism.


  • Early life 1
  • Career 2
    • English exile 2.1
    • Return to France 2.2
  • Death and legacy 3
  • Other works 4
  • See also 5
  • References 6
  • External links 7
  • Images 8

Early life

Born in Paris to a working-class family of Huguenot background, he was raised in an atmosphere of secularity and Republican socialism. He was the pupil of Jean-Baptiste Carpeaux, who sponsored him for the Petite École (future École nationale supérieure des arts décoratifs), where he sympathized with Alphonse Legros and Fantin-Latour.[1] In 1854 he attended the École des Beaux-Arts de Paris in the François-Joseph Duret classroom. He combined the vivacity and richness of Carpeaux, for "he was, technically, one of the most distinguished modellers of his time",[2] with the academic insistence on harmonious outlines and scholarly familiarity with the work of Giambologna, Pierre Puget, Peter Paul Rubens and others.[3]

Detail of the Triumph of the Republic, 1889, Place de la Nation, Paris


Dalou first exhibited at the Paris salon of 1869, was purchased by the State.

Having identified himself too publicly with the Paris Commune of 1871, as curator at the Musée du Louvre under Gustave Courbet, he took refuge in England in July 1871, staying at first with his friend Alphonse Legros. He rapidly made a name through his appointment teaching at the South London Technical Art School and the South Kensington School of Art, also in London. He was convicted in absentia by the French government of participation in the Commune, and given a life sentence.

The Reader, plaster statuette, circa 1871- 1879. Petit Palais Museum

English exile

In his eight-year English exile, Dalou's association with the National Art Training School[6] and the artists of the New Sculpture movement laid the foundation for new developments in the post-classical British school of sculpture.[3] He also recommended his friend and colleague Édouard Lantéri to move from France to England. At the same time Dalou executed a remarkable series of terracotta statuettes and groups, such as A French Peasant Woman and The Reader; a series of Boulogne women, such as A Woman of Boulogne telling her Beads;[7] and a series of informal terracotta portrait busts of friends and acquaintances, rarely signed. He was commissioned to produce the large public fountain called Charity, erected at the back of the Royal Exchange (1878), and for Queen Victoria a monument to two young granddaughters in her private chapel at Windsor (1878).

Return to France

He returned to France in 1879, after the declaration of amnesty, and produced a number of masterpieces. His great relief of Mirabeau replying to Dreux-Brézé illustrating an encounter of 23 June 1789, which was exhibited in 1883 and later at the Palais Bourbon, and the highly decorative panel Fraternity were followed in 1885 by The Triumph of Silenus. For the city of Paris he executed his most elaborate and splendid achievement, the vast monument, The Triumph of the Republic (pictured left), erected, after twenty years work, in the Place de la Nation, showing a symbolical figure of the Republic, aloft on her car, drawn by lions led by Liberty, attended by Labour and Justice, and followed by Abundance. It is somewhat in the taste of the Louis XIV period, ornate, but with a forward thrust to the ensemble and exquisite in every detail.[7]

Within a few days, his great Monument to Alphand (1899), which almost equalled the success achieved by the Monument to Delacroix in the Luxembourg Garden, was inaugurated.[7]

The last of his works, cast posthumously, were a statue of Lazare Hoche in Quiberon (1902), the Monument to Gambetta in Bordeaux (1904), the Monument to Émile Levassor (1907) and the Monument to Scheurer-Kestner (1908) in Paris.

Le Triomphe de Silène, 1885, Luxembourg Garden, Paris

Dalou, who was awarded the Grand Prix of the Exposition Universelle (1889), was made a commander of the Legion of Honor. He was one of the founders of the Société Nationale des Beaux-Arts, and was the first president of the sculpture section.[3]

Death and legacy

Dalou died in Paris on 15 April 1902, aged 63, and was interred in the Cimetière du Montparnasse in Paris.

Other works

See also


  1. ^ (French) Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903, p.3 (Online)
  2. ^ Kenneth Romney Towndrow, "A Note on the Portrait Busts of Jules Dalou" The Burlington Magazine 90 No. 545 (August 1948, pp. 234-235) p 234.
  3. ^ a b c d Chisholm 1911.
  4. ^ (French) Henriette Caillaux, Aimé-Jules Dalou, L'homme - L'œuvre, Paris, Delagrave, 1935, p.124, although Chisholm 1911 puts this at 1867.
  5. ^ (French) Gustave Coquiot, Rodin à l'Hôtel de Biron et à Meudon, Ollendorff, Paris, 1917, p.109.(Online)
  6. ^ (French) Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903, p.70 (Online)
  7. ^ a b c  
  • Maurice Dreyfous, Dalou, sa vie et son œuvre, Paris, Laurens, 1903

External links

  • The RMN Photo Agency: Jules Dalou's work
  • The R.W. Norton Art Gallery: Aime-Jules Dalou's Biography
  • Degas: The Artist's Mind, exhibition catalog from The Metropolitan Museum of Art fully available online as PDF, which contains material on Jules Dalou (see index)


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