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A libertine is one devoid of most moral restraints, which are seen as unnecessary or undesirable, especially one who ignores or even spurns accepted morals and forms of behaviour sanctified by the larger society.[1][2] Libertines put value on physical pleasures, meaning those experienced through the senses. As a philosophy, libertinism gained new-found adherents in the 17th, 18th, and 19th centuries, particularly in France and Great Britain. Notable among these were John Wilmot, 2nd Earl of Rochester, and the Marquis de Sade.


  • History of the term 1
  • Literature 2
  • Philosophy 3
  • Theatre and film 4
  • Notable libertines 5
  • See also 6
  • References 7

History of the term

The word "Libertine" was originally coined by John Calvin to negatively describe opponents of his policies in Geneva, Switzerland. This group, led by Ami Perrin, argued against Calvin's "insistence that church discipline should be enforced uniformly against all members of Genevan society".[3] Perrin and his allies were elected to the town council in 1548, and "broadened their support base in Geneva by stirring up resentment among the older inhabitants against the increasing number of religious refugees who were fleeing France in even greater numbers".[3] By 1555, Calvinists were firmly in place on the Genevan town council, so the Libertines, led by Perrin, responded with an "attempted coup against the government and called for the massacre of the French. This was the last great political challenge Calvin had to face in Geneva".[3]

During the 18th and 19th centuries, the term became more associated with debauchery.[4] Charles-Maurice de Talleyrand wrote that Joseph Bonaparte "sought only life's pleasures and easy access to libertinism" while on the throne of Naples.[5]


Les Liaisons dangereuses (Dangerous Liaisons, 1782), an epistolary novel by Pierre Choderlos de Laclos, is a trenchant description of sexual libertinism. Wayland Young argues:

...the mere analysis of libertinism... carried out by a novelist with such a prodigious command of his medium... was enough to condemn it and play a large part in its destruction.[6]

Agreeable to Calvin's emphasis on the need for uniformity of discipline in Geneva, Samuel Rutherford (Professor of Divinity in the University of St. Andrews, and Christian minister in 17th Century Scotland) offered a rigorous treatment of "Libertinism" in his polemical work "A Free Disputation against pretended Liberty of Conscience" (1649).

A Satyr Against Reason and Mankind is a poem by John Wilmot, 2nd Earl of Rochester which addresses the question of the proper use of reason, and is generally assumed to be a Hobbesian critique of rationalism.[7] The narrator subordinates reason to sense.[8] It is based to some extent on Boileau's version of Juvenal's eighth or fifteenth satire, and is also indebted to Hobbes, Montaigne, Lucretius and Epicurus, as well as the general libertine tradition.[9] Confusion has arisen in its interpretation as it is ambiguous as to whether the speaker is Rochester himself, or a satirised persona.[10] It criticises the vanities and corruptions of the statesmen and politicians of the court of Charles II.[9]

The libertine novel was an 18th century literary genre of which the roots lay in the European but mainly French libertine tradition. The genre effectively ended with the French Revolution. Themes of libertine novels were anti-clericalism, anti-establishment and eroticism.

Authors include Claude Prosper Jolyot de Crébillon (Les Égarements du cœur et de l'esprit, 1736; Le Sopha, conte moral, 1742), Denis Diderot (Les bijoux indiscrets, 1748), Marquis de Sade (L'Histoire de Juliette, 1797–1801), Choderlos de Laclos (Les Liaisons dangereuses, 1782), John Wilmot (Sodom, or the Quintessence of Debauchery, 1684).

Other famous titles are Histoire de Dom Bougre, Portier des Chartreux (1741) and Thérèse Philosophe (1748).

Precursors to the libertine writers were Théophile de Viau (1590–1626) and Charles de Saint-Evremond (1610–1703), who were inspired by Epicurus and the publication of Petronius.

Robert Darnton is a cultural historian who has covered this genre extensively.


During the Baroque era in France, there existed a freethinking circle of philosophers and intellectuals who were collectively known as libertinage érudit and which included Gabriel Naudé, Élie Diodati and François de La Mothe Le Vayer.[11][12] The critic Vivian de Sola Pinto linked John Wilmot, 2nd Earl of Rochester's libertinism to Hobbesian materialism.[13]

Theatre and film

Notable libertines

Some notable libertines include:

See also


  1. ^ "Libertine" at the Free Dictionary
  2. ^
  3. ^ a b c Zophy, Johnathan W. (2003). A Short History of Renaissance and Reformation Europe: Dances Over Fire and Water (Third ed.). Prentice Hall. p. 226.  
  4. ^ Michel Delon, ed. (2013). Encyclopedia of the Enlightenment. Routledge. pp. 2362–2363.  
  5. ^ Talleyrand, Charles-Maurice de (2008). "Napoleon's European Legacy, 1853". In Blaufarb, Rafe. Napoleon: Symbol for an Age, A Brief History with Documents. New York: Bedford/St. Martin's. p. 151.  
  6. ^ Young, Wayland (1966). Eros Denied. New York: Grove. 
  7. ^ Fisher, Nicholas (2006). "The Contemporary Reception of Rochester's A Satyr against Mankind".  
  8. ^ Jenkinson, Matthew (2010). Culture and Politics at the Court of Charles II, 1660–1685. Boydell & Brewer. p. 101.  
  9. ^ a b Jenkinson, Matthew (2010). Culture and Politics at the Court of Charles II: 1660–1685. Boydell & Brewer. p. 99.  
  10. ^ Thormählen, Marianne (25 June 1993). Rochester. Cambridge University Press. p. 191.  
  11. ^ René Pintard (2000). Le Libertinage érudit dans la première moitié du XVIIe siècle. Slatkine. p. 11.  
  12. ^ "Fideism". Stanford Encyclopedia of Philosophy. 
  13. ^ "A Martyr to Sin".  
  14. ^ "Signior Dildo by Lord John Wilmot - All Poetry". Retrieved 2011-06-12. 


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