World Library  
Flag as Inappropriate
Email this Article

McCoy Tyner

Article Id: WHEBN0000553916
Reproduction Date:

Title: McCoy Tyner  
Author: World Heritage Encyclopedia
Language: English
Subject: Elvin Jones, The Real McCoy (album), Sahara (McCoy Tyner album), Uptown/Downtown, One Night with Blue Note
Collection: 1938 Births, African-American Jazz Musicians, African-American Jazz Pianists, African-American Musicians, African-American Pianists, Afro-Cuban Jazz Pianists, American Ahmadis, American Jazz Bandleaders, American Jazz Composers, American Jazz Pianists, American Muslims, Columbia Records Artists, Converts to Islam, Elektra Records Artists, Enja Records Artists, Grammy Award Winners, Hard Bop Pianists, Impulse! Records Artists, John Coltrane, Living People, Mainstream Jazz Pianists, Milestone Records Artists, Modal Jazz Pianists, Musicians from Philadelphia, Pennsylvania, Palo Alto Records Artists, Post-Bop Pianists, Red Baron Records Artists, Telarc Records Artists, Timeless Records Artists
Publisher: World Heritage Encyclopedia

McCoy Tyner

McCoy Tyner
McCoy Tyner in 1973
Background information
Birth name Alfred McCoy Tyner
Born (1938-12-11) December 11, 1938
Philadelphia, Pennsylvania, United States
Genres Bebop, hard bop, Cuban jazz, modal jazz, mainstream jazz, third stream, post-bop
Occupation(s) Musician, composer, bandleader
Instruments Piano
Years active 1960–present
Labels Impulse!, Blue Note, Milestone, Telarc
Associated acts John Coltrane, Joe Henderson, Freddie Hubbard, Wayne Shorter, Hank Mobley, Stanley Turrentine
Website .commccoytyner

Alfred McCoy Tyner (born December 11, 1938)[1] is a jazz pianist from Philadelphia, Pennsylvania, known for his work with the John Coltrane Quartet and a long solo career.[2]


  • Biography 1
    • Early life 1.1
    • Early career 1.2
    • Post-Coltrane 1.3
  • Style 2
  • Discography 3
  • Relatives 4
  • References 5
  • External links 6


Early life

Tyner was born in Philadelphia as the oldest of three children. He was encouraged to study piano by his mother. He began studying the piano at age 13 and within two years music had become the focal point in his life. His early influences included Bud Powell, a Philadelphia neighbor. When he was 17, he converted to Islam through the Ahmadiyya Muslim Community and changed his name to Sulieman Saud.[3]

Early career

Tyner's first main exposure came with Benny Golson, being the first pianist in Golson's and Art Farmer's Jazztet (1960). After departing the Jazztet, Tyner joined Coltrane's group in 1960 during its extended run at the Jazz Gallery, replacing Steve Kuhn. (Coltrane had known Tyner for a while in Philadelphia, and featured one of the pianist's compositions, "The Believer", as early as 1958.) He appeared on the saxophonist's popular recording of "My Favorite Things" for Atlantic Records. The Coltrane Quartet, which consisted of Coltrane on saxophone, Tyner, Jimmy Garrison on bass, and Elvin Jones on drums, toured almost non-stop between 1961 and 1965 and recorded a number of albums, including Live! at the Village Vanguard, Ballads, Live at Birdland, Crescent, A Love Supreme, and The John Coltrane Quartet Plays, on the Impulse! label.

Tyner has recorded a number of highly influential albums in his own right. While in Coltrane's group, he recorded a series (primarily in the piano trio format) for Impulse! Records.[1] The pianist also appeared as a sideman on many of the highly acclaimed Blue Note albums of the 1960s, although was often credited as "etc." on the cover of these albums (when listing the sidemen on the album) in order to respect his contractual obligations at Impulse![1]

His involvement with Coltrane came to an end in 1965. Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones: "I didn't see myself making any contribution to that music... All I could hear was a lot of noise. I didn't have any feeling for the music, and when I don't have feelings, I don't play."[4] By 1966, Tyner was rehearsing with a new trio and embarked on his career as a leader.[5]


McCoy Tyner, Keystone Korner, San Francisco CA, March 1981 (photo: Brian McMillen)

After leaving Coltrane's group, Tyner produced a series of post-bop albums released on Blue Note Records from 1967 to 1970, which included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968) and Extensions (1970). Soon thereafter he moved to the Milestone label and recorded many influential albums, including Sahara (1972), Enlightenment (1973), and Fly with the Wind (1976), which featured flautist Hubert Laws, drummer Billy Cobham, and a string orchestra. His music for Blue Note and Milestone often took the Coltrane quartet's music as a point of departure and also incorporated African and East Asian musical elements. On Sahara, for instance, Tyner plays koto, in addition to piano, flute, and percussion. These albums are often cited as examples of vital, innovative jazz from the 1970s that was neither fusion nor free jazz. Trident (1975) is notable for featuring Tyner on harpsichord (rarely heard in jazz) and celeste, in addition to his primary instrument, piano.

Tyner still records and tours regularly and played from the 1980s through 1990s with a trio that included Avery Sharpe on bass and first Louis Hayes, then Aaron Scott, on drums. He made a trio of solo recordings for Blue Note, starting with Revelations (1988) and culminating with Soliloquy (1991). Today Tyner records for the Telarc label and has been playing with different trios, one of which has included Charnett Moffett on bass and Al Foster on drums. In 2008, Tyner toured with his quartet, which featured saxophonist Gary Bartz with Gerald Cannon (bass) and Eric Kamau Gravatt (drums).

McCoy was also a judge for the 6th, 10th[6] and 11th[7] annual Independent Music Awards to support independent artists' careers.


McCoy Tyner with Ravi Coltrane

Tyner's style of piano is easily comparable to Coltrane's maximalist style of saxophone.[1] Though a member of Coltrane's group, he was never overshadowed by the saxophonist, but complemented and even inspired Coltrane's open-minded approach.[1] Tyner is considered to be one of the most influential jazz pianists of the 20th century, an honor he earned both with Coltrane and in his years of performing following Coltrane's death.[1]

Though playing instruments of vastly different versatility, both Tyner and Coltrane utilize similar scales, chordal structures, melodic phrasings, and rhythms. Tyner's playing can be distinguished by a low bass left hand, in which he tends to raise his arm relatively high above the keyboard for an emphatic attack; the fact that Tyner is left-handed may contribute to this distinctively powerful style. Tyner's unique right-hand soloing is recognizable for a detached, or staccato, quality. His melodic vocabulary is rich, ranging from raw blues to complexly superimposed pentatonic scales; his unique approach to chord voicing (most characteristically by fourths) has influenced a wide array of contemporary jazz pianists, most notably Chick Corea.



Tyner is the older brother of Jarvis Tyner, executive vice chairman of the Communist Party USA.[8] Tyner's granddaughter is Rena Tyner.


  1. ^ a b c d e f
  2. ^
  3. ^
  4. ^ Lewis Porter, John Coltrane: His Life and Music, p. 266.
  5. ^ Lewis Porter, John Coltrane: His Life and Music, p. 268.
  6. ^
  7. ^ "11th Annual IMA Judges. Independent Music Awards. Retrieved Septemner 4, 2013.
  8. ^ Ben Ratliff, "McCoy Tyner Helps Claim a Corner of a Harlem Park for Jazz". The New York Times, August 29, 2010.

External links

  • McCoy Tyner interview
  • McCoy Tyner's musical style at
  • McCoy Tyner official homepage
  • Podcast featuring interview with McCoy Tyner (Audio) originally broadcast on WKCR 89.9 FM-NY
  • McCoy Tyner at Jazz Resource Center
  • McCoy Tyner sessionography
  • NEA Jazz Masters biography
  • McCoy Tyner recent live concert review
  • McCoy Tyner Trio with Gary Bartz 2011 concert review
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.