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Robert Bruce (opera)

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Robert Bruce (opera)

Robert Bruce is an 1846 pastiche opera in three acts, with music by Gioachino Rossini and Louis Niedermeyer to a French-language libretto by Alphonse Royer and Gustave Vaëz, after Walter Scott's History of Scotland. The music was stitched together by Niedermeyer, with the composer's permission, with pieces from La donna del lago, Zelmira, and other Rossini operas. The work was premiered on December 30, 1846, by the Paris Opera at the Salle Le Peletier.[1] The audience may not have noticed, but the orchestra included for the first time a recently invented instrument, which later came to be known as the saxophone.[2]

Background


After Rossini's arrival in Paris in 1843 for medical treatment, he was visited by Léon Pillet, the Director of the Paris Opera. Pillet begged Rossini to compose a new work for the house. Rossini declined because of his poor health, but pointed out that his opera La donna del lago (1819), which he felt had never been performed adequately at the Théâtre Italien in Paris, would be "most suitable for the French stage, the one that more than the others, had need of your big choruses, your magnificent orchestra, your beautiful staging. … Now that you have [Rosine] Stoltz at your disposal you would do well to profit by it."[3] However, Pillet was reluctant to present a work which since 1824 in its Italian version was already well known to Parisian audiences.[4]

Rossini went back to his home in Bologna, where in June 1846 he was again visited by Pillet, who was accompanied by librettist Gustave Vaëz, and Louis Niedermeyer.[5] The result (which also involved Vaëz's regular collaborator Alphonse Royer as co-librettist) was Robert Bruce, an elaborate pasticcio, based on music not only from La donna del lago and Zelmira, but also from Bianca e Falliero, Torvaldo e Dorliska, Armida, Mosè in Egitto, and Maometto II.[6] Niedermeyer apparently wrote the necessary recitatives.[7]

Premiere

Rossini was clearly involved in the collaboration but did not attend the premiere in Paris.[8] The production included a ballet with the dancers Lucien Petipa, Henri Desplaces, Adèle Dumilâtre, and Maria Jacob, and choreography by Joseph Mazilier.[9] The décor was designed by Joseph Thierry (Act 1); Charles Cambon, Jules Dieterle, and Édouard Despléchin (Act 2); and René Philastre and Charles Cambon (Act 3). The costumes were designed by Paul Lormier.[10] It was a moderate success, but the opera was the subject of much criticism from Hector Berlioz, among others.[8]

Roles

Role Voice type Premiere Cast,[11] December 30, 1846[1]
(Conductor: -)
Robert Bruce, King of Scotland baritone Paul Barroilhet
Édouard II, King of England tenor Louis Paulin
Douglas, Lord of Douglas bass Raffaele Anconi
Marie, his daughter mezzo-soprano Rosine Stoltz
Dickson, a highlander of Stirling bass Bessin
Nelly, his daughter soprano Maria Nau
Arthur, an official in the service of Édouard tenor Jérémie Bettini
Morton, an English captain bass Rommy
Édouard's page musichetto Moisson
A bard bass
English knights, soldiers and pages, ladies of the Court of England, Scottish bards, Bruce's knights and soldiers, gypsies, jugglers

Recording

Nicolas Rivenq (Robert Bruce), Iano Tamar (Marie), Inga Balabanova (Nelly), Davide Cicchetti (Edouard II), Massimiliano Chiarolla (Douglas), et al.; Orchestra Internazionale d'Italia, Bratislava Chamber Choir, conductor Paolo Arrivabene. Dynamic CDS 421/1-2 {2CDS} (2003). Recorded at performances in the Palazzo Ducale, Martina Franca as part of the Festival della Valle d'Itria, 2002

References

Notes

Sources

  • Everist, Mark (2009). "Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy”, pp. 30–52 in Fashions and Legacies of Nineteenth-Century Italian Opera, edited by Roberta Montemorra Marvin and Hilary Poriss. Cambridge University Press. Google Books.
  • Osborne, Richard (1986). Rossini. London: Dent. ISBN 0-460-03179-1.
  • Osborne, Richard (2007). Rossini: His Life and Works. Oxford: Oxford University Press. ISBN 978-0-19-518129-6
  • Tamvaco, Jean-Louis (2000). Les Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théâtre, à Paris sous les deux restorations (2 volumes, in French). Paris: CNRS Editions. ISBN 978-2-271-05685-6.
  • Weinstock, Herbert (1968). Rossini: A Biography. New York: Knopf. OCLC 192614 and 250474431. Reprint (1987): New York: Limelight. ISBN 978-0-87910-071-1.
  • Wild, Nicole (1987). Décors et costumes du XIXe siècle. Tome I: Opéra de Paris. Paris: Bibliothèque nationale, Département de la Musique. ISBN 9782717717532.

External links

  • Google Books

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