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Suburban Baths (Pompeii)

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Title: Suburban Baths (Pompeii)  
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Language: English
Subject: Pompeii, History of lesbianism, LGBT history in Italy, House of the surgeon, House of the Silver Wedding
Collection: Ancient Roman Baths in Italy, Pompeii (Ancient City)
Publisher: World Heritage Encyclopedia

Suburban Baths (Pompeii)

The Suburban Baths are located in Pompeii, Italy. Pompeii (located in the Italian region of Campania) was destroyed on August 24, 79 AD when Mount Vesuvius erupted, burying the entire city (along with Herculaneum) and consequently preserving them.

The Suburban Baths were built around the end of the 1st century BC against the city walls north of the Marina Gate. They served as a public bath house to the residents of Pompeii They were originally discovered in 1958 and have since been excavated and restored. Excavation of the Suburban Baths have given historians a glimpse into an aspect of the social and cultural workings of Roman life in Pompeii.


  • Structure of the Suburban Baths 1
  • Erotic art in the Suburban Baths 2
  • Gallery 3
  • References 4

Structure of the Suburban Baths

The entrance to the Baths is through a long corridor that leads into the dressing room. Excavation of the Baths revealed only one set of dressing rooms and has led to speculation by archaeologists that both men and women shared this facility. This dressing room (known as the apodyterium) is where archaeologists discovered erotic wall paintings in the 1980s. The dressing room then led to the tepidarium (lukewarm room), followed by the calidarium (hot room).

Erotic art in the Suburban Baths

The erotic wall paintings in the Suburban Baths are the only set of such art found in a public Roman bath house. Explicit sex scenes (such as group sex and oral sex) are depicted in these paintings that cannot be easily found in collections of erotic Roman art. The paintings are located in the apodyterium and each scene is located above a numbered box. These boxes are thought to have functioned as lockers in which bathers put their clothes. It is speculated that the paintings possibly served as way for the bathers to remember the location of their box (in lieu with the numbering). The presence of these paintings in a public bath house shared by men and women gives some insight into Roman culture and suggests that people would not have found this offensive.


The images are as follows: - two show a generic male-female coital scene - one woman performing fellatio on a man - one man performing cunnilingus on a woman - one lesbian duo with a phallus shaped sexual aid - one a threesome - one foursome - one naked man with deformed, huge testicles.

For more on the Suburban Baths (in Italian) see Jacobelli, 1995. Le pitture erotiche delle Terme Suburbane di Pompei. Rome, 'L'Erma' di Bretschneider. Or for a very good review see John R. Clarke’s review of this work in: The American Journal of Archaeology, Vol. 100, No. 2 (April 1996), pp. 431–432.


Garret G. Fagan, The Genesis of the Roman Public Bath: Recent Approaches and Future Directions, American Journal of Archaeology, Vol. 105, No. 3. (Jul., 2001), pp. 403–426.

Roger Ling, Review: Le pitture erotiche delle Terma Suburbane de Pompeii by L. Jacobelli, The Classical Review, New Ser., Vol. 46, No. 2 (1996), pp. 390–391.

Inge Nielsen, The Architecture and Cultural History of Roman Public Baths, 1990, Aarhus University Press.

Roy Bowen Ward, Women in Roman Baths, The Harvard Theological Review, Vol. 85, No. 2. (Apr., 1992), pp. 125–147.

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