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Tintinnabulum (Ancient Rome)

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Title: Tintinnabulum (Ancient Rome)  
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Subject: Fascinus, Erotic art in Pompeii and Herculaneum, Sexuality in ancient Rome, Ancient Roman art, Good luck charm
Collection: Amulets, Ancient Roman Art, Ancient Roman Erotic Art, Bells (Instrument), Lucky Symbols, Sexuality in Ancient Rome
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Tintinnabulum (Ancient Rome)

A bronze polyphallic tintinnabulum of Mercury from Pompeii: the missing bells were attached to each tip (Naples Museum)
Tintinnabulum depicting a man struggling with his phallus as a raging beast (1st century BC, Naples Museum)

In ancient Rome, a tintinnabulum (less often tintinnum)[1] was a wind chime or assemblage of bells. A tintinnabulum often took the form of a bronze phallic figure or fascinum, a magico-religious phallus thought to ward off the evil eye and bring good fortune and prosperity.

A tintinnabulum was hung outdoors in locations such as gardens, porticoes, houses, and shops, where the wind would cause them to tinkle. The sounds of bells were believed to keep away evil spirits; compare the apotropaic role of the bell in the "bell, book, and candle" ritual of the earlier Catholic Church.[2]

Hand-bells have been found in sanctuaries and other settings that indicate their religious usage, and were used at the Temple of Iuppiter Tonans, "Jupiter the Thunderer."[3] Elaborately decorated pendants for tintinnabula occur in Etruscan settings, depicting for example women carding wool, spinning, and weaving.[4] Bells were hung on the necks of domestic animals such as horses and sheep to keep track of the animals, but perhaps also for apotropaic purposes.[5]

See also

References

  1. ^ In the Latin of 6th-century Roman Gaul; J.N. Adams, The Regional Diversification of Latin, 200 BC–AD 600 (Cambridge University Press, 2007), p. 321.
  2. ^ )"tintinabulum"Bronze phallic wind chime (. Highlights from the British Museum. 
  3. ^ Duncan Fishwick, Imperial Cult in the Latin West (Brill, 1990), vol. II.1, pp. 504-5.
  4. ^ Larissa Bonfante, Etruscan Life and Afterlife: A Handbook of Etruscan Studies (Wayne State University Press, 1986), p. 252.
  5. ^ Adams, Regional Diversification, p. 321.

Further reading

  • Sex or symbol: erotic images of Greece and Rome by Catherine Johns, The British Museum Press (1982) ISBN 0-7141-8042-4
  • Eros in Pompeii: the erotic art collection of the Museum of Naples by Michael Grant, Antonia Mulas, Museo nazionale di Napoli (1997)
  • Experiencing Rome: culture, identity and power in the Roman Empire by Janet Huskinson, Routledge, (2000) p. 171
  • Herculaneum, Italy's buried treasure by Joseph Jay Deiss (1989) p. 38
  • The Roman cultural revolution by Thomas N. Habinek, Alessandro Schiesaro (1997) p. 171

External links

  • Highlights from the British Museum: Lion-phallus, winged phallus, diphallic figure
  • Metropolitan Museum of Art: Bronze phallic ornament
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