World Library  
Flag as Inappropriate
Email this Article

Tommaso Francini

Article Id: WHEBN0011315384
Reproduction Date:

Title: Tommaso Francini  
Author: World Heritage Encyclopedia
Language: English
Subject: Jardin du Luxembourg, Revolving stage, Bosquet, Château de Saint-Germain-en-Laye, Diana of Versailles, Francini
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Tommaso Francini


Tommaso Francini, Thomas Francine in France, (1571–1651) and his younger brother Alessandro Francini (Alexandre Francine in France) were Florentine hydraulics engineers and garden designers who worked for Francesco I de' Medici, Grand Duke of Tuscany, above all at the Villa Medicea di Pratolino, where Francesco de Vieri described the water features in 1586: "...and at Pratolino, where the statues there turn about, play music, jet streams of water, are so many and such stupendous artworks in hidden places, that one who saw them all together would be in ecstasies over them."[1]

Francesco's heir, his brother Ferdinando, was persuaded to part with them in 1597 by his niece Maria, married to Henri IV.[2] Their first project, begun in 1598, was to provide fountains, grottoes, waterworks and, above all, water-driven automata for the series of garden terraces at Saint-Germain-en-Laye. The main feature there was a great fountain, from which water was channeled and conducted in siphon tubes to the reservoir in the vaulted area that supported the terrace. From there, through a series of secondary tubes, the water had sufficient head to operate grotto fountains and animate the elaborate automata that were a prized feature of Francini jeux d'eau. The upper grottoes on the third terrace opened from a Doric gallery and featured a dragon, a water organ and Neptune; on the next level, the Grotto of Hercules was flanked by two further grottoes; that on one side was devoted to Perseus and Andromeda, in which the delicately counterbalanced hero was made to descend from the ceiling by the hidden weight of water and slay a dragon that arose from the basin, and on the other a Grotto of Orpheus. The only trace of these features, whose high maintenance requirements cut their careers short when the court moved permanently to Fontainebleau, are in some engravings by Abraham Bosse, apparently derived from Francini drawings.[3] The waterworks and automata at Saint-Germain-en-Laye were the most elaborate such things that had been seen in France up to that time, and Alexandre Francini's engravings of the brothers' works[4] served to mark a distinct stage in the importation and transformation of Italian features in the creation of the French formal garden (Adams 1979:46) and far beyond: cast-iron versions of Francini's two-basin Fontaine rustique, dripping with stony icicles, were familiar features again in Victorian gardens.

Not all of Tommaso Francini's mechanisms for courtly entertainments were garden features. He was the designer of a revolving stage-set for an elaborately produced pageant, Le ballet de la délivrance de Renaud, presented in January 1617 at the Palais du Louvre; several contemporaries remarked on the impressive innovation, which was reinvented in the late nineteenth century, at the Residenztheater, Munich[5] but no one was more impressed than the poet Giovanni Battista Marino, who was present and recreated the illusion in his directions for L'Adone with its elaborately-staged intermezzi.[6]

In the reign of Louis XIII, Francini remained in the employ of the Marie de' Medici, the Queen Mother.[7] He worked with Salomon de Brosse, engineering the aqueduct that brought water from the little river of Rungis to the gardens and his Medici Fountain and grotto in the Luxembourg Gardens of her Palais de Luxembourg in Paris.[8] Alessandro Francini engraved views of the fountains and brought out a Livre d'architecture in 1631 that featured many fantastically rusticated doorways and gates.[9]

The Francini brothers founded a dynasty of French fountain engineers; a younger Francini worked on fountains in the early stages of Versailles, especially the Grotto of Thetis (completed 1668, described by André Felibien, 1676[10] and demolished for the enlargement of the château 1686). Members of the Francini clan were still at work in the eighteenth century.

Selected works

Notes

References

  • Adams, William Howard, 1979. The French Garden 1500-1800 (New York: Braziller)
  • Marie, Alfred 1955.Jardins français créés à la renaissance
  • Paris et ses fontaines, de la Renaissance à nos jours, texts assembled by Dominque Massounie, Pauline-Prevost-Marcilhacy and Daniel Rabreau, Délegation à l'action artistique de la Ville de Paris, Collection Paris et son Patrimoine, Paris, 1995.
  • L'Art des jardins en Europe, Yves-Marie Allain and Janine Christiany, Citadelles & Mazenod, Paris, 2006

Further reading

  • Marina Longo, "La figura di Tommaso Francini, architetto scenografo alla corte di Francia" Teatro e Storia 24.

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.